{
  "song_id": "08_喀什噶尔胡杨_20260328",
  "prompt": "Genre: Chinese folk-pop, Northwest China desert folk; BPM: 105; Key: C minor pentatonic; Rhythm: steady 4/4 with an earthy, grounded feel, frame drum backbeat, acoustic guitar rhythmic strumming; Instruments: Layer 1 (Ethnic core): Erhu/Morin Khuur (mournful, lead melody, sustained notes, glissando), Guzheng/Pipa (arpeggiated fills; Vocals: Male; raspy male folk vocals, slightly husky, storytelling delivery, warm mid-range; clear articulation, natural phrasing, every syllable distinct, emotional directness, subtle natural vibrato on sustained notes, close-mic; Mood: Melancholy, introspective, longing for connection, enduring love, desert wandering, resilience; Production: Ethnic instruments mixed DRY and UPFRONT; vocals centered, close-mic feel, natural room ambience; electronic elements sit behind the ethnic core, never louder than lead vocal or primary ethnic instrument; Highlight: The emotionally resonant Erhu/Morin Khuur lead melody",
  "title": "没你之前我挺好的",
  "lyrics": "[intro]\n(Chords: Cm - Eb - Bb - Fm)\n(Inst: Morin Khuur/Erhu establishes main melodic theme, Guzheng plays gentle arpeggios, soft synth pad enters)\n(Sound-Design: Sparse, open soundscape, immediate sense of vastness)\n(Mix: Ethnic instruments upfront, distant atmospheric pads)\n\n[verse]\n(Chords: Cm - Eb - Bb - Fm)\n(Vocal-Perf: Conversational, warm male tenor, clear articulation, storytelling tone)\n(Melody-Contour: Gentle rise and fall, natural speech rhythm, pentatonic steps)\n(Inst: Acoustic guitar enters with soft strumming, electric bass provides root notes, light frame drum backbeat)\n把你的名字存进手机\n又悄悄删掉不留痕迹\n后来换了手机\n号码还背得出来\n骗自己忘了\n其实一字不差\n\n[pre-chorus]\n(Chords: Ab - Eb - Bb - Cm)\n(Vocal-Perf: Slightly more emotional intensity, sustained notes at phrase endings, direct address)\n(Melody-Contour: Builds gently to a higher range, more urgent rhythm, wider melodic intervals)\n(Inst: Acoustic guitar strumming becomes more defined, frame drum adds subtle fills, synth pad swells)\n(Transition: Smooth dynamic increase, builds anticipation for chorus)\n说是放下了\n转身又开始想你\n这心里留着你的位置\n空着也舍不得给别人\n\n[chorus]\n(Chords: Cm - Eb - Bb - Fm)\n(Vocal-Perf: Stronger, more passionate delivery, open vowels, clear enunciation of core message, natural vibrato)\n(Melody-Contour: Memorable, soaring melodic hook, prominent pentatonic scale, wide interval leap for emotional emphasis)\n(Inst: Morin Khuur/Erhu doubles vocal melody, Guzheng adds shimmering counter-melodies, percussion is more driving)\n(Mix: Vocals prominent, ethnic instruments layered for richness, all elements blend harmonically)\n没你之前我挺好的\n有你之后我不行了\n爱你爱得一塌糊涂\n你走了我才知道\n没你之前我挺好的\n早知道就不该动心\n这段感情\n我输了个彻底\n\n[interlude]\n(Chords: Cm - Eb - Bb - Fm)\n(Inst: Morin Khuur/Erhu takes lead with a mournful, virtuosic solo, Guzheng provides fast arpeggiated accompaniment, acoustic guitar continues rhythmic strumming, bass walks a simple line)\n(Sound-Design: Instrumental storytelling, clear melodic phrasing, subtle interplay between ethnic instruments)\n(Mix: Ethnic lead instruments dry and upfront, rich stereo image)\n\n[bridge]\n(Chords: Cm - G - Ab - Eb - Bb - Cm)\n(Vocal-Perf: Powerful, epic storytelling, sense of vastness and determination, slightly more pronounced rasp)\n(Melody-Contour: Expansive, anthemic, builds to a dramatic peak, broad rhythmic phrases)\n(Inst: All instruments at full dynamic, drums more assertive, synth pads provide deep atmospheric layer, Morin Khuur/Erhu adds flourishes between vocal lines)\n(Transition: Significant dynamic shift, grander emotional scale, driving rhythm)\n凌晨三点的城市灯火通明\n我在那条我们走过的街\n等一个不会来的人\n等风把记忆慢慢吹散\n你那边的天气好不好\n我不能再问\n\n[chorus]\n(Chords: Cm - Eb - Bb - Fm)\n(Vocal-Perf: Most intense vocal performance, full emotional commitment, clear, resonant tone, every word impactful)\n(Melody-Contour: Repeated hook with enhanced emotional weight, powerful delivery)\n(Inst: All instruments, high energy, Morin Khuur/Erhu prominent, driving percussion, full synth pads)\n(Mix: Full, rich sound, everything balanced for maximum impact)\n没你之前我挺好的\n有你之后忘不掉\n爱你爱得没了分寸\n最后还是我先跑\n没你之前我挺好的\n现在也该挺好的\n可眼眶一红\n就知道自己在撒谎\n\n[outro]\n(Chords: Cm - Eb - Bb - Cm)\n(Inst: Morin Khuur/Erhu plays a final, lingering melodic phrase, Guzheng arpeggios fade out, acoustic guitar strums softly, synth pad sustains and slowly fades)\n(Sound-Design: Sense of peaceful resolution, lingering melancholy, open-ended feel)\n(Mix: Gradual decay, ethnic instruments remain clear until the very end)\n(Transition: Gentle fade to silence, contemplative mood)",
  "cover_prompt": "生成一张极简主义的几何光影艺术图片作为无字音乐专辑封面。画面的核心是：一弯模糊的残月悬在画面正中偏上，周围弥漫着从深沙棕色渐变至幽蓝灰色的水彩晕染背景，月晕边缘若隐若现透出西北戈壁的苍凉质感，整片色彩以极柔和的方式无缝融合。画面必须展现出微妙的高级材质肌理，特别是类似水彩晕染（Watercolor texture）或粗糙艺术纸张的触感。整体构图极度克制、留白（Minimalistic composition），注重光与影的柔和交错（Light and shadow interplay）。强烈要求：画面必须保持极致的安宁与静谧（Calm and serene），除了基础的、柔焦的简单几何图形（如模糊的圆、半透明的方块或柔和的线条）外，绝对不要出现任何复杂的现实物体、风景或人物！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母！绝对不要生成人物轮廓。传达出一种充满诗意、呼吸感与冥想空间的视觉感受。",
  "cover": {
    "template_id": 2,
    "template_name": "几何光影艺术流",
    "scene_description": "一弯模糊的残月悬在画面正中偏上，周围弥漫着从深沙棕色渐变至幽蓝灰色的水彩晕染背景，月晕边缘若隐若现透出西北戈壁的苍凉质感，整片色彩以极柔和的方式无缝融合"
  }
}