{
  "song_id": "01_Me!_20260330",
  "prompt": "Genre: Synth-Pop, Dance-Pop, driving club anthem; BPM: 123; Key: C Major; Rhythm: Driving four-on-the-floor beat, syncopated 16th-note synth bass, energetic 8th-note hi-hats; Instruments: Layer 1: Bright, retro synth lead melody with layered whistle/flute-like timbre; Layer 2: Punchy electronic drum kit (kick, snare, open hi-hats), clean, resonant synth bass; Layer 3: Sustained airy synth pads, subtle arpeggiated synth accents, filtered vocal chops; Vocals: Female, confident pop-anthem delivery, clear strong chest voice, light auto-tune, prominent delay/reverb; Mood: Neon-lit dancefloor, euphoric self-love anthem, confident swagger; Production: Polished, wide stereo imaging, vocals upfront, sidechain compression on synths, punchy bass/kick; Structure: Intro-Verse-PreChorus-Chorus-Verse-PreChorus-Chorus-Outro; Language: English; Highlight: The bright, infectious synth lead melody in the chorus.",
  "title": "Main Character",
  "lyrics": "[intro]\n(Chords: C - G - Am - F)\n(Transition: Synth pad swells into main synth melody)\n(Motif-Anatomy: Syncopated synth lead hook; Phrase-Structure: Symmetrical 4-bar melodic theme; Contour-&-Range: Mid-range synth melody, slightly arpeggiated)\n(Mix: Wide stereo synths, light drum machine intro)\nNa-na-na, dah-dah-dah-dah\nI'm the main character, darling\nAnd this whole thing's my movie\nNa-na-na, dah-dah-dah-dah\nYou can play the love interest\nIf you think you can keep up\nI swear that nobody's gonna shine the way I shi-i-ine\n\n[verse]\n(Chords: C - G - Am - F)\n(Transition: Beat drop with a subtle filter sweep on synth bass)\n(Motif-Anatomy: Conversational rhythmic delivery; Phrase-Structure: Irregular, flowing narrative; Contour-&-Range: Mid-low register chest voice, natural spoken inflection)\n(Vocal-Perf: Confident, slightly playful, close-mic pop vocal; Mix: Vocals prominent, dry with subtle delay; Inst: Driving synth bass, crisp drums, background pads)\nI talk too fast and laugh too loud, yeah\nI double-text and don't care how it sounds\nBut every room I walk in starts to glow\n(And there's a lotta quiet people out there)\nI lost my keys three times this afternoon\nStill showed up looking like the honeymoon\nChaos follows me but make it cute\n(And there's a lotta quiet people out there)\n\n[pre-chorus]\n(Chords: F - G - C - Am)\n(Transition: Synth pad slightly swells, subtle drum build-up)\n(Motif-Anatomy: Melodic tension build; Phrase-Structure: Rising melodic line, anticipating chorus; Contour-&-Range: Sustained notes, builds to upper-mid chest voice)\n(Vocal-Perf: More sustained, emotional delivery, slightly more reverb; Mix: Synth pads wider, bassline more active)\nSee, the thing about originals\nIs they don't come with any duplicates\nSo baby, if you're looking for a story\nI guarantee you won't find one that goes like\n\n[chorus]\n(Chords: C - G - Am - F)\n(Transition: Full beat drop, synth lead enters prominently)\n(Motif-Anatomy: Soaring, memorable pop hook; Phrase-Structure: Symmetrical, anthemic 4-bar phrase; Contour-&-Range: Leaps to upper chest voice, sustained notes, catchy melodic fall)\n(Vocal-Perf: Powerful, confident belting, clear articulation, layered harmonies; Mix: Vocals upfront with lush reverb/delay, sidechained synths, punchy kick/bass)\nThis-is-me, dah-dah-dah-dah\nI'm the headline, not the footnote\nBaby, that's the plot of me\nNa-na-na, dah-dah-dah-dah\nYou can try to write my ending\nBut I've already picked the scene\nI swear that nobody's gonna shine the way I shi-i-ine\n\n[verse]\n(Chords: C - G - Am - F)\n(Transition: Slightly less intense drum beat, synth lead drops out, bass prominent)\n(Motif-Anatomy: Return to conversational rhythm; Phrase-Structure: Free-flowing, narrative; Contour-&-Range: Mid-low register, more relaxed chest voice)\n(Vocal-Perf: Calm, slightly more intimate, less processing than chorus; Mix: Drums slightly pulled back, focus on vocal clarity)\nI know I take up every inch of space\nI know I'm difficult to understate\nBut boredom's never been my kind of fate\n(And there's a lotta playing-safe out there)\nRemember when we screamed into the wind\nYou grabbed my hand and pulled me back again\nI told you: I'm a lot, but I won't bend\n(And there's a lotta playing-safe out there)\n\n[pre-chorus]\n(Chords: F - G - C - Am)\n(Transition: Drum fill build-up, synth arpeggios added)\n(Motif-Anatomy: Melodic tension return, rhythmic push; Phrase-Structure: Ascending melodic phrases, short and driving; Contour-&-Range: Builds from mid to upper-mid chest voice with urgency)\n(Vocal-Perf: Slightly more urgent, sustained notes, clear enunciation; Mix: Synth layers thicken, bass dynamic, anticipation building)\nYeah, the thing about a firework\nIs it was never meant to play it small\nSo darling, if you need a leading lady\nI promise that you'll never cast another like\n\n[chorus]\n(Chords: C - G - Am - F)\n(Transition: Maximal beat drop, full synth stack, vocal harmonies enhanced)\n(Motif-Anatomy: Re-assertion of main hook, powerful delivery; Phrase-Structure: Reinforced anthemic structure; Contour-&-Range: Highest vocal register, full power belting, layered vocals)\n(Vocal-Perf: Energetic, confident, multi-tracked and powerful; Mix: Wide, huge sound, drums driving, synths bright, vocals cut through)\nThis-is-me, dah-dah-dah-dah\nI'm the headline, not the footnote\nLet me steal the show for free\nNa-na-na, dah-dah-dah-dah\nYou can try to write my ending\nBut I've already picked the scene\nI swear that nobody's gonna shine the way I shi-i-ine\n\n[outro]\n(Chords: C - G - Am - F, repeating and fading)\n(Transition: Slight breakdown, then building back for final statements)\n(Motif-Anatomy: Repetitive, catchy vocal phrases; Phrase-Structure: Short, punctuated declarations; Contour-&-Range: Maintains high energy then fades with ad-libs)\n(Vocal-Perf: Ad-libs, confident spoken parts, powerful and then trailing off; Mix: Drums become more sparse, synths shimmer, vocal echoes fade, subtle vocal chops)\nHey, you can't spell \"spotlight\" without \"I\"\nAnd the credits always roll with my name\nCue the music, hit the mark\nI promise that you'll never find another like me\nHey, you can't spell \"spotlight\" without \"I\"\nAnd the curtain only falls when I say\nAnd you can't dim what was built to blaze\nI promise that you'll never find another like\nThis-is-me\n(Yeah), dah-dah-dah-dah (Come on now)\nI'm the headline, not the footnote (Not the footnote)\nBaby, that's the plot of me (That's the plot of me)\nNa-na-na, dah-dah-dah-dah (Oh)\nYou can try to write my ending (Oh)\nBut I've already picked the scene\nI swear that nobody's gonna shine the way I shi-i-ine\nHey, you can't spell \"spotlight\" without \"I\" (Dah-dah-dah-dah)\nAnd the credits always roll with my name\nI'm the headline, not the footnote (Oh-oh)\nBaby, that's the plot of me\n(Na-na-na, dah-dah-dah-dah)\nCue the music, hit the mark\nAnd you can't dim what was built to blaze\nYou can try to write my ending (Yeah, yeah)\nBut I've already picked the scene\nI swear that nobody's gonna shine the way I shi-i-ine",
  "cover_prompt": "生成一张现代平面设计（Modern graphic design）风格的几何艺术图片作为无字音乐专辑封面。画面的核心是：亮白色背景上，由高对比度的霓虹粉、电光蓝与亮橙色几何色块交叠排列，形成一组不规则但充满节奏感的拼贴图案，色块边缘锐利而现代，中心留出一个星形负空间，整体散发着自信、明快、无所畏惧的 pop 能量。采用纯粹的数字矢量图形（Vector art）媒介，质感极致平滑干净（Smooth and clean textures），绝对没有任何画笔笔触、水彩晕染或写实肌理。通过线条的排列、交错和高对比度色彩，创造出类似欧普艺术（Op Art）的视觉错觉，赋予画面极强的视觉动感（Sense of movement）和空间纵深感（Depth）。强烈要求：这是一张纯数字生成的抽象几何图形作品，绝对不要出现任何具象的自然风光、人物、动物或实体物品！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母！传达出精准、充满秩序感且极具律动（Groove）的现代视觉效果。",
  "cover": {
    "template_id": 4,
    "template_name": "动态矢量几何流",
    "scene_description": "亮白色背景上，由高对比度的霓虹粉、电光蓝与亮橙色几何色块交叠排列，形成一组不规则但充满节奏感的拼贴图案，色块边缘锐利而现代，中心留出一个星形负空间，整体散发着自信、明快、无所畏惧的 pop 能量。"
  },
  "style_direction": "A",
  "style_reference": "Taylor Swift, Dua Lipa, Charli XCX"
}