{
  "song_id": "07_Uptown Funk_20260401",
  "prompt": "Genre: Nu-Disco, Synth-Pop, Dance-Pop, driving club anthem; BPM: 115; Key: D minor; Rhythm: Driving four-on-the-floor kick with a heavily syncopated 16th-note funk bassline and tight hi-hats; Instruments: Layer 1 (Melodic): Punchy synth brass stabs and a clean, muted funk guitar riff. Layer 2 (Rhythm): Live funk drum kit (punchy snare, dry kick) and a slapped/popped syncopated electric bass. Layer 3 (Glue): 80s synth pads, crowd hype ad-libs, and talkbox effects.; Vocals: Male R&B Vocalist; high-energy tenor with James Brown-esque shouts, percussive phrasing, and confident swagger.; Mood: Saturday night block party; unapologetic, high-energy swagger and infectious confidence.; Production: Punchy, modern mix with a dominant, centered rhythm section. Wide stereo imaging for brass hits and backing vocals. Heavy compression for a tight sound.; Highlight: The irresistible, syncopated funk bassline that defines the entire groove.",
  "title": "Burn The Frequency",
  "lyrics": "[intro]\n(Chords: Dm7 - G7)\n(Inst: Single, syncopated bass note on D; muted funk guitar scratches; crisp hi-hats enter.)\n(Sound-Design: Vinyl crackle; distant party chatter.)\n(Vocal-Perf: Short, spoken hype-up ad-lib.)\nFrequency locked. Let's ride.\n\n[verse]\n(Chords: Dm7 - G7 - Dm7 - G7)\n(Transition: Full drum beat kicks in.)\n(Mix: Vocals front and center, dry; bass and drums locked tight.)\n(Motif-Anatomy: Percussive, talk-singing vocal rhythm.)\n(Phrase-Structure: Short, punchy 2-bar phrases.)\n(Contour-&-Range: Low-to-mid register, conversational swagger.)\n(Vocal-Perf: Confident, slightly raspy delivery; rhythmic spoken feel.)\n(Inst: Bassline becomes more active; guitar plays single-note stabs.)\nThree floors up and the windows shake\nSubwoofer trembling the fire escape\nTwo a.m. — the whole building's awake\nThis groove's a seven on the Richter scale\n\n[chorus]\n(Chords: Dm7 - G7 - Cmaj7 - A7)\n(Structure: Beat drop; full instrumentation enters.)\n(Mix: Brass section wide-panned; layered backing vocals; everything hits hard.)\n(Highlight: Syncopated funk bassline drives the hook.)\n(Motif-Anatomy: Soaring, catchy vocal melody.)\n(Phrase-Structure: Symmetrical 4-bar pop resolution.)\n(Contour-&-Range: Leaps up an octave into powerful tenor belt.)\n(Vocal-Perf: Full-chest power belt; James Brown-esque shouts \"Hah!\")\n(Inst: Full brass section stabs; guitar plays choppy chords.)\nBurn the frequency (Hah!)\nTurn it up till the speakers bleed\nEvery pulse, every wave\nRattling us out of our graves\nDial it past the red and blow the line! (Come on!)\n\n[verse]\n(Chords: Dm7 - G7 - Dm7 - G7)\n(Transition: Brass stabs fade out; rhythm section tightens up.)\n(Mix: Vocals return to dry and upfront.)\n(Vocal-Perf: More playful ad-libs \"check it\"; faster rhythmic delivery.)\n(Inst: Bassline adds more melodic fills; talkbox synth melody answers vocal lines.)\nBrass section hits like a wrecking ball (check it)\nBack wall cracking, plaster start to fall\nThirty bodies locked in the same pocket\nGroove so deep — man, you cannot stop it\n\n[chorus]\n(Chords: Dm7 - G7 - Cmaj7 - A7)\n(Structure: Big build-up into chorus drop.)\n(Mix: Even more vocal layers; snare has more reverb.)\n(Highlight: Bassline is even more prominent, with subtle slap/pop details.)\n(Vocal-Perf: Adds more ad-lib shouts and runs on the tail end.)\n(Inst: Brass plays a slightly more complex rhythm.)\nBurn the frequency (Hah!)\nTurn it up till the speakers bleed\nEvery pulse, every wave\nRattling us out of our graves\nDial it past the red and blow the line! (Come on!)\n\n[bridge]\n(Chords: Fmaj7 - G7 - Em7 - A7)\n(Structure: Breakdown; drums drop to just kick and hi-hat; bassline simplifies.)\n(Mix: Vocals become more soulful and melodic; heavy reverb.)\n(Vocal-Perf: Smooth, melodic R&B runs; switches to call-and-response with backing vocals.)\n(Inst: Rhodes-style electric piano chords enter.)\n(Sound-Design: Riser sweep builds tension.)\nLet the low end find you (Find you!)\nLeave the static behind you (Behind you!)\nEvery borrowed Tuesday, every borrowed Friday night — we reclaiming what is ours by right!\n\n[chorus]\n(Chords: Dm7 - G7 - Cmaj7 - A7)\n(Structure: Explosive re-entry of full band; max energy.)\n(Mix: All elements pushed to the limit; vocals heavily layered.)\n(Vocal-Perf: Ad-libbing over the top; pure energy and shouts.)\n(Inst: Drums play fills; brass section is loud and powerful.)\nBurn the frequency (Hah!)\nTurn it up till the speakers bleed\nEvery pulse, every wave\nRattling us out of our graves\nDial it past the red and blow the line! (Come on!)\n\n[outro]\n(Chords: Dm7 - G7)\n(Structure: Instrumental vamp and fade.)\n(Mix: Elements start dropping out, leaving bass and drums.)\n(Vocal-Perf: Repeated ad-libs and chants \"Electric swagger\", \"Funk you up\".)\n(Inst: Bass and drum groove continues; final brass stab to end.)\n(Sound-Design: Song fades with vinyl crackle returning.)\nBurn it down...\nLow end forever...\nStatic gone, signal strong...\nRed line... (past the red)",
  "cover_prompt": "生成一张现代平面设计（Modern graphic design）风格的几何艺术图片作为无字音乐专辑封面。画面的核心是：纯黑背景上，数十条平行的水平扫描线以极高密度横贯整个画面，线条颜色从画面中央向上下两侧由炽白渐变为深红再消融至黑暗，整体呈现出类似模拟示波器或老式频谱仪的视觉语言；画面正中央，扫描线被一道垂直的能量柱猛烈撕裂，向两侧弯曲炸开，弯曲弧度最大处以荧光橙标注，仿佛声波在物理空间中造成的冲击波形；整体配色以纯黑、炽白、深红、荧光橙四色构成，无任何渐变柔化处理，保持硬边高对比。采用纯粹的数字矢量图形（Vector art）媒介，质感极致平滑干净（Smooth and clean textures），绝对没有任何画笔笔触、水彩晕染或写实肌理。通过线条的排列、交错和高对比度色彩，创造出类似欧普艺术（Op Art）的视觉错觉，赋予画面极强的视觉动感（Sense of movement）和空间纵深感（Depth）。强烈要求：这是一张纯数字生成的抽象几何图形作品，绝对不要出现任何具象的自然风光、人物、动物或实体物品！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母！传达出精准、充满秩序感且极具律动（Groove）的现代视觉效果。",
  "cover": {
    "template_id": 4,
    "template_name": "动态矢量几何流",
    "scene_description": "纯黑背景上，数十条平行水平扫描线以极高密度横贯画面，线条颜色从画面中央向上下两侧由炽白渐变为深红再消融至黑暗，呈现模拟示波器或老式频谱仪的视觉语言；画面正中央扫描线被一道垂直能量柱猛烈撕裂向两侧弯曲炸开，弯曲弧度最大处以荧光橙标注，仿佛声波在物理空间造成的冲击波形；整体配色以纯黑、炽白、深红、荧光橙四色构成，硬边高对比。"
  },
  "style_direction": "A",
  "style_reference": "Bruno Mars, Mark Ronson, Dua Lipa"
}