{
  "prompt": "Genre: Indie-Folk; BPM: 84; Key: G Major; Rhythm: Flowing, intricate arpeggiated acoustic guitar pattern providing a constant 16th-note motion; Instruments: Layered fingerpicked steel-string acoustic guitars (core harmony and texture), soft upright piano (delicate high-register arpeggios), mandolin-like plucked strings (textural filigree); Vocals: Male; High tenor, breathy and intimate, often using a delicate falsetto; Airy, layered harmony vocals creating a choral texture; Mood: Introspective, melancholic nostalgia; a sense of bittersweet longing and fragile beauty; Production: Organic and spacious; wide stereo field with panned guitars; natural room reverb creating an airy, intimate atmosphere; Structure: Intro; Verse; Chorus; Verse; Chorus; Bridge; Outro; Language: English; Highlight: the intricate, layered arpeggiated acoustic guitar patterns that create a constant, flowing motion",
  "lyrics": "[intro]\n(Chords: G - D/F# - Em - C)\n(Inst: Two acoustic guitars, intricately fingerpicked and panned wide, establishing the constant motion)\n(Mix: Intimate, spacious, lots of natural room reverb)\n\n[verse]\n(Chords: G - D/F# - Em - C)\n(Vocal-Perf: Soft, breathy, close-mic'd high tenor, almost a whisper)\n(Melody-Contour: Gentle, ascending line that resolves downwards at the end of phrases)\n(Melody-Rhythm: Flowing, legato phrasing following the guitar arpeggios)\n(Inst: The primary fingerpicked guitar carries the harmony, with the second guitar adding subtle counter-melodies)\nOh, to see without my eyes\nThe first time that you kissed me\nBoundless by the time I cried\nI built your walls around me\nWhite noise, what an awful sound\nFumbling by Rogue River\nFeel my feet above the ground\nHand of God, deliver me\n\n(Transition: Piano enters with delicate, high-register arpeggios, lifting the texture)\n\n[chorus]\n(Chords: C - G - D - G)\n(Vocal-Perf: Airy falsetto on the 'ohs', layered harmony vocals enter, creating a choral effect)\n(Melody-Harmonic-Tension: Melody soars on the chorus hook, creating a feeling of bittersweet release)\n(Hook-DNA: A simple, memorable ascending melodic line on the main hook with layered, ethereal falsetto harmonies)\n(Inst: Guitars and piano create a lush, shimmering bed for the vocals)\nOh, oh woe-oh-woah is me\nThe first time that you touched me\nOh, will wonders ever cease?\nBlessed be the mystery of love\n\n(Transition: Guitars continue their seamless arpeggios, maintaining the flow back to the verse feel)\n\n[verse]\n(Chords: G - D/F# - Em - C)\n(Vocal-Perf: Remains intimate, but with slightly more dynamic intensity, expressing doubt)\n(Inst: Mandolin-like instrument adds subtle, high-frequency texture in the background)\nLord, I no longer believe\nDrowned in living waters\nCursed by the love that I received\nFrom my brother's daughter\nLike Hephaestion, who died\nAlexander's lover\nNow my riverbed has dried\nShall I find no other?\n\n(Transition: A slight dynamic swell from all instruments)\n\n[chorus]\n(Chords: C - G - D - G)\n(Vocal-Perf: Harmonies are more present, a sense of growing emotional weight)\n(Hook-DNA: The ascending melodic hook returns, now feeling more like a recurring, painful thought)\n(Inst: All textural elements (piano, mandolin) are present, creating the fullest arrangement yet)\nOh, oh woe-oh-woah is me\nI'm running like a plover\nNow I'm prone to misery\nThe birthmark on your shoulder reminds me\n\n(Transition: A slight pause in the vocals before the bridge, instruments continue their flow)\n\n[bridge]\n(Chords: Am - Em - C - G)\n(Vocal-Perf: A subtle shift in tone, more questioning and resigned)\n(Melody-Contour: Melody becomes more repetitive and cyclical, reflecting the questioning nature)\n(Inst: The instrumental arrangement becomes slightly denser here, the harmony shifts to create tension)\nHow much sorrow can I take?\nBlackbird on my shoulder\nAnd what difference does it make\nWhen this love is over?\nShall I sleep within your bed\nRiver of unhappiness\nHold your hands upon my head\nTill I breathe my last breath\n\n(Transition: Dynamic decrescendo, instruments pull back slightly to set up the final emotional peak)\n\n[outro]\n(Chords: C - G - D - G)\n(Vocal-Perf: Final delivery is the most emotionally resonant, layered vocals create a sense of finality and fading memory)\n(Hook-DNA: The core hook is repeated with a feeling of exhausted resolution)\n(Inst: All instruments play together, slowly fading out with the vocals over several bars)\n(Structure: The final chorus acts as the outro, repeating the central theme before fading to silence)\nOh, oh woe-oh-woah is me\nThe last time that you touched me\nOh, will wonders ever cease?\nBlessed be the mystery of love",
  "song_id": "03_Mystery of Love_20260402",
  "_meta": {
    "provider": "google",
    "model": "gemini-2.5-pro",
    "usage": {
      "prompt_tokens": 10965,
      "completion_tokens": 1237,
      "total_tokens": 15056
    },
    "generated_at": "2026-04-02T00:55:06.257057+08:00"
  }
}