{
  "song_id": "01_We Don't Talk Anymore_20260403",
  "prompt": "High-Fidelity, Pristine Radio-Ready Mix; Genre: Tropical Pop, Dance-Pop; BPM: 100; Key: C# minor; Rhythm: Relaxed, driving pocket syncopation with a clean punchy kick and snap, emphasizing space and a laid-back feel; Instruments: Plucky marimba-like synth lead, deep sub-bass, minimalist electronic drums, muted electric guitar for rhythmic texture, warm atmospheric pads; Vocals: Male and Female duet. Male: breathy tenor with frequent falsetto. Female: soft, airy alto. Both utilize an intimate close-mic delivery with lush background vocal stacks for harmony; Mood: Bittersweet, melancholic, nostalgic, longing; Production: Wide, clean, and spacious mix with controlled low-end, crisp highs, and prominent stereo imaging on synths and vocals; Structure: Intro, Verse, Pre-Chorus, Chorus, Verse 2, Pre-Chorus, Chorus, Outro; Language: English; Highlight: The infectious pop earworm created by the contrast between sad lyrics and an upbeat, breezy tropical instrumental.",
  "title": "Hollow Summer",
  "lyrics": "[intro]\n(Chords: C#m - A - E - B)\n(Inst: Muted electric guitar pluck, subtle sub-bass, atmospheric pad)\n(Sound-Design: Wide stereo reverb on guitar, gentle vinyl crackle undercurrent)\n(Vocal-Perf: Layered male vocal harmonies, breathy and processed, singing the main hook)\nThe window's open wide, the window's open wide\nThe window's open wide but the room's gone cold\nI keep the curtain drawn\nOn a life that's gone\nThe window's open wide but the story's old\n\n[verse]\n(Chords: ↑ same)\n(Inst: Clean sub-bass enters with kick drum, snap on 2 & 4, muted guitar continues, plucky marimba-synth enters)\n(Sound-Design: Clean, spacious environment, focus on the rhythmic interplay between bass and drums)\n(Vocal-Perf: Solo male lead, intimate close-mic and breathy delivery, conversational tone)\n(Transition: Bass and kick drop in →)\nThree weeks since the houseplant finally gave up\nTurned yellow on the sill\nI keep the same old playlist that you curated\nRunning through my grill\nAnd somewhere in the bridge of every second song\nThere's a note that hits\nLike a door left open in the middle of the winter\nAnd it never quits\n\n[pre-chorus]\n(Chords: ↑ same)\n(Inst: Arrangement builds slightly, soft pad swells, shaker/hi-hats subtly added)\n(Sound-Design: Filter sweep gently opening up, increasing reverb)\n(Vocal-Perf: Male vocal intensity increases, leading into falsetto on the last line)\n(Transition: Pad swell and filter sweep →)\nI threw out the calendar\nWhere you circled every date we made\nScrubbed the kitchen counters clean\nTill the memories fade\nBut the August heat rolls in\nAnd I'm standing in the yard at half past nine\nStaring at a sky that doesn't care\nThat you're no longer mine\n\n[chorus]\n(Chords: ↑ same)\n(Hook-DNA: Repetitive title phrase with a simple descending melody; syncopated rhythm creates a question-answer feel against the beat; background vocal echoes add layers)\n(Melody-Contour: Gentle descending stepwise motion on main hook, creating a sighing, melancholic feeling; small melodic leaps in the second half for contrast)\n(Inst: Full ensemble - driving sub-bass, punchy drums, layered plucky synths, muted guitar, wide atmospheric pads)\n(Sound-Design: Maximum width, lush reverb tails on vocals and synths)\n(Vocal-Perf: Male lead vocal with powerful, lush background vocal stacks on key phrases)\nThe window's open wide, the window's open wide\nThe window's open wide but the room's gone cold\nI keep the curtain drawn\nOn a life that's gone\nThe window's open wide but the story's old\n\n[verse 2]\n(Chords: ↑ same)\n(Inst: Beat and bass continue, plucky synth simplifies to a counter-melody)\n(Sound-Design: Mix pulls back slightly to create space for the new vocal)\n(Vocal-Perf: Solo female lead, soft, airy, and conversational, lower register than the male vocal)\n(Transition: Instruments thin out slightly →)\nI found the ticket stub inside my winter coat\nFrom that show we saw in March\nThe venue's been torn down and built again as something\nGlass and cold and sharp\nI walked the long way home just out of muscle memory\nPast the corner store\nOrdered the same coffee that we used to split between us\nCouldn't drink it anymore\n\n[pre-chorus]\n(Chords: ↑ same)\n(Inst: Arrangement builds again, pads swell)\n(Sound-Design: ↑ same as first pre-chorus)\n(Vocal-Perf: Female vocal gains a bit of intensity and breathiness, slight edge to the tone)\n(Transition: Pad swell and filter sweep →)\nI gave back the sweater\nTold myself I never needed the warmth\nRearranged my whole routine\nTo dodge the paths we'd worn\nBut a stranger laughed\nThe exact same laugh across a crowded train\nAnd I turned around so fast\nI almost said your name\n\n[chorus]\n(Chords: ↑ same)\n(Hook-DNA: Repetitive title phrase with a simple descending melody; syncopated rhythm creates a question-answer feel against the beat; background vocal echoes add layers)\n(Melody-Contour: Gentle descending stepwise motion on main hook, creating a sighing, melancholic feeling; small melodic leaps in the second half for contrast)\n(Inst: Full ensemble, maximum energy)\n(Sound-Design: Wide and lush mix)\n(Vocal-Perf: Male and female vocals trading lines and harmonizing, supported by massive lush background vocal stacks and crisp rhythmic ad-libs)\nThe window's open wide (Open wide, open wide)\nThe window's open wide (Open wide, open wide)\nThe window's open wide but the room's gone cold\nI keep the curtain drawn (Open wide, open wide)\nOn a life that's gone (Open wide, open wide)\nThe window's open wide but the story's old\n\n[outro]\n(Chords: ↑ same, fading out)\n(Inst: Beat and bass fade, leaving the plucky synth and atmospheric pads)\n(Sound-Design: Long reverb and delay tails wash out, gentle filter close)\n(Vocal-Perf: Ad-libbed vocal phrases from both male and female singers, heavily processed with delay, fading into the reverb)\n(Transition: Beat fades out, leaving a wash of reverb →)\nBut the room's gone cold\nThe window's open wide",
  "cover_prompt": "生成一张极简主义的抽象环境光晕（Ambient Aura）图片作为无字音乐专辑封面。画面的核心色彩组合与情绪倾向是：褪色的盛夏余温，以粉青与暖白的哑光渐变为骨架，中心漫出一抹极淡的珊瑚金，向四周缓缓溶解为近乎透明的灰蓝，仿佛一扇逆光的窗被彻底虚化成纯粹的色温残留，苦甜而空旷。画面完全由纯粹的色彩构成，采用极度的柔焦（Soft focus）和重度模糊效果（Blurred effect），使得不同颜色之间产生极其平滑、如丝绸般的无缝过渡。整体质感极致平滑细腻（Smooth texture），没有任何杂质。强烈要求：这是一张彻底抽象的现代色彩场（Color Field）作品，绝对不要出现任何具体的物体、几何图案或锐利的边缘！不需要任何胶片颗粒感！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母，不要生成人物轮廓！传达出一种极其平静、舒缓、现代且充满呼吸感的氛围。",
  "cover": {
    "template_id": 1,
    "template_name": "环境光晕流",
    "scene_description": "褪色的盛夏余温，以粉青与暖白的哑光渐变为骨架，中心漫出一抹极淡的珊瑚金，向四周缓缓溶解为近乎透明的灰蓝，仿佛一扇逆光的窗被彻底虚化成纯粹的色温残留，苦甜而空旷"
  },
  "style_direction": "B",
  "style_reference": "Billie Eilish, Olivia Rodrigo"
}