{
  "prompt": "Genre: Orchestral R&B Ballad, Contemporary Pop; BPM: 68; Key: Bb Major; Rhythm: Slow, soulful 12/8 ballad groove with a gentle kick, subtle cross-stick snare, and sparse, atmospheric percussion. The rhythm is very relaxed and follows the vocal phrasing; Instruments: Lush, cinematic string orchestra with pizzicato and soaring legato sections, a soft felt piano providing harmonic support, a deep sub-bass cushion, and delicate harp-like plucks; Vocals: Female soprano with an airy, breathy timbre. Performance features an intimate close-mic delivery, complex melismatic runs, and lush background vocal stacks creating a choir-like effect. Includes crisp rhythmic ad-libs and whistle tones; Mood: Introspective, romantic, deeply vulnerable, and dreamlike; Highlight: The stunning contrast between the intimate lead vocal and the massive, cinematic string orchestra.",
  "lyrics": "[intro]\n(Chords: Bbmaj7 - Ebmaj7 - Gm7 - Fsus4 - F)\n(Inst: Lush legato string orchestra intro, delicate pizzicato strings, soft felt piano chords, subtle harp-like arpeggios.)\n(Sound-Design: Warm analog hum, gentle tape hiss, wide reverb space.)\n(Vocal-Perf: No vocals, sets a cinematic and intimate tone.)\n(Mix: Strings dominate, creating a wide and immersive stereo field.)\n(Transition: Strings swell gently into the first verse →)\n\n[verse]\n(Chords: Bbmaj7 - Ebmaj7 - Gm7 - Fsus4 - F)\n(Inst: Sparse arrangement. Pizzicato strings providing a gentle rhythmic pulse, soft felt piano chords, a deep, round sub-bass note on the downbeats. Minimalist electronic drum beat enters with a soft kick and cross-stick.)\n(Sound-Design: ↑ same)\n(Vocal-Perf: Intimate, breathy, close-mic'd lead vocal. Delivered in a soft, almost-whispered head voice with delicate, precise phrasing.)\n(Melody-Contour: Mostly conjunct motion, flowing and conversational, staying in a comfortable mid-register.)\n(Transition: Strings begin to swell, adding legato pads underneath →)\nIt's like you got superpowers\nTurn my minutes into hours\nYou got more than 20/20 babe\nMade of glass the way you see through me\nYou know me better than I do\nCan't seem to keep nothing from you\nHow you touch my soul from the outside\nPermeate my ego and my pride\n\n[chorus]\n(Chords: Ebmaj7 - Dm7 - Gm7 - Cm7 - F7sus4 - Bbmaj7)\n(Inst: Full cinematic bloom. The legato string orchestra soars with rich harmonies. The rhythm becomes slightly more defined but remains gentle. Piano and sub-bass provide a powerful but warm foundation.)\n(Sound-Design: Reverb becomes even larger and more lush, enveloping the vocals and strings.)\n(Vocal-Perf: Lead vocal opens up with more power but retains its airy quality. Joined by lush background vocal stacks singing tight, complex harmonies, creating a choir-like effect. Ad-libs with quick melismatic runs appear between phrases.)\n(Hook-DNA: The main hook is built on the repeated \"I wanna love me / trust me\" phrase, with the emotional peak on the ascending leap in \"see me from your point of view\". The repetition of this structure creates the earworm.)\n(Melody-Contour: Ascending arch shape, reaching a peak on \"see me\" before resolving downwards. The defining interval is a powerful leap of a perfect 5th.)\n(Melody-Harmonic-Tension: The melody lingers on chord extensions, creating a sense of yearning before resolving beautifully on the tonic.)\n(Mix: The stereo width expands dramatically with the strings. The vocal stacks are panned wide, creating an immersive wall of sound.)\n(Transition: Strings and vocals hold a long note with a reverb tail that fades, leaving space for the next verse →)\nI wanna love me\nThe way that you love me\nOoh for all of my pretty\nAnd all of my ugly too\nI'd love to see me from your point of view\nI wanna trust me\nThe way that you trust me\nOoh 'cause nobody ever loved me like you do\nI'd love to see me from your point of view\n\n[verse]\n(Chords: Bbmaj7 - Ebmaj7 - Gm7 - Fsus4 - F)\n(Inst: Arrangement pulls back slightly, similar to the first verse. Pizzicato strings and gentle rhythm section return. Subtle harp arpeggios re-emerge.)\n(Sound-Design: ↑ same)\n(Vocal-Perf: The delivery is slightly more confident and grounded than the first verse, but still intimate and breathy. Subtle vocal fry on the ends of phrases.)\n(Transition: Drum fill is just a couple of soft toms, strings swell dramatically into the bridge →)\nI'm getting used to receiving\nStill getting good at not leaving\nI'ma love you even though I'm scared\nLearnin' to be grateful for myself\nYou love my lips 'cause they say the\nThings we've always been afraid of\nI can feel it startin' to subside\nLearnin' to believe in what is mine\n\n[bridge]\n(Chords: Gm7 - Cm7 - F - Bbmaj7 - Ebmaj7 - Dm7 - Gsus4 - G - C)\n(Inst: The music becomes more free-form and dramatic. The strings take the lead with powerful, emotional swells. The rhythm section drops out initially, then re-enters with more intensity. Piano plays more active arpeggios.)\n(Sound-Design: A subtle reverse cymbal swell builds tension.)\n(Vocal-Perf: The most dynamic vocal performance yet. Starts soft and introspective, builds in intensity and volume, culminating in powerful, belted notes and highly complex, rapid-fire vocal runs. Showcases extreme vocal agility.)\n(Melody-Contour: A dramatic, climbing melody that builds tension throughout the section, leading to the final chorus.)\n(Transition: A powerful vocal run and a full orchestral swell lead directly into the final chorus without a break →)\nI couldn't believe it or see it for myself\nBoy I be impatient but now I'm out here\nFallin' fallin' frozen slowly\nFallin' got me right\nI won't keep you waitin'\nAll my baggage fadin' safely\nAnd if my eyes deceive me\nWon't let them stray too far away\n\n[chorus]\n(Chords: Ebmaj7 - Dm7 - Gm7 - Cm7 - F7sus4 - Bbmaj7)\n(Inst: The fullest and most powerful arrangement of the song. The string orchestra is at its most grand and cinematic. The drum beat is more present, with a subtle open hi-hat added for energy. The sub-bass is deep and resonant.)\n(Sound-Design: ↑ same)\n(Vocal-Perf: The lead vocal is delivered with maximum emotional intensity, featuring soaring belts and effortless ad-libs. The background vocal stacks are massive and layered, creating a powerful gospel-choir-like effect. The vocalist adds numerous overlapping ad-libs and whistle tones over the top.)\n(Hook-DNA: The core hook is delivered with the most conviction, solidifying its emotional impact. The addition of complex ad-libs makes it feel climactic.)\n(Melody-Contour: ↑ same as first chorus, but delivered with more force and ornamentation.)\n(Mix: The mix is at its widest and loudest point. All elements are present, creating a huge, epic, and emotionally resonant climax.)\n(Transition: The final chord hangs in the air, with the strings and vocal reverb slowly fading out →)\nI wanna love me\nThe way that you love me\nOoh for all of my pretty\nAnd all of my ugly too\nI'd love to see me from your point of view\nI wanna trust me\nThe way that you trust me\n'Cause nobody ever loved me like you do\nI'd love to see me from your point of view\n\n[outro]\n(Chords: Bbmaj7 - Ebmaj7)\n(Inst: All instruments fade out, leaving only the final string chord and a few soft piano notes. A final pizzicato string pluck ends the song.)\n(Sound-Design: The lush reverb tail is the main feature, decaying into silence.)\n(Vocal-Perf: A final, soft, spoken-word ad-lib with heavy reverb.)\nYeah",
  "song_id": "01_pov_20260403",
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    "generated_at": "2026-04-03T17:22:31.567454+08:00"
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