{
  "song_id": "01_pov_20260403",
  "prompt": "Genre: Orchestral R&B Ballad, Contemporary Pop; BPM: 68; Key: Bb Major; Rhythm: Slow, soulful 12/8 ballad groove with a gentle kick, subtle cross-stick snare, and sparse, atmospheric percussion. The rhythm is very relaxed and follows the vocal phrasing; Instruments: Lush, cinematic string orchestra with pizzicato and soaring legato sections, a soft felt piano providing harmonic support, a deep sub-bass cushion, and delicate harp-like plucks; Vocals: Female soprano with an airy, breathy timbre. Performance features an intimate close-mic delivery, complex melismatic runs, and lush background vocal stacks creating a choir-like effect. Includes crisp rhythmic ad-libs and whistle tones; Mood: Introspective, romantic, deeply vulnerable, and dreamlike; Highlight: The stunning contrast between the intimate lead vocal and the massive, cinematic string orchestra.",
  "title": "Unfinished Maps",
  "lyrics": "[intro]\n(Chords: Bbmaj7 - Ebmaj7 - Gm7 - Fsus4 - F)\n(Inst: Lush legato string orchestra intro, delicate pizzicato strings, soft felt piano chords, subtle harp-like arpeggios.)\n(Sound-Design: Warm analog hum, gentle tape hiss, wide reverb space.)\n(Vocal-Perf: No vocals, sets a cinematic and intimate tone.)\n(Mix: Strings dominate, creating a wide and immersive stereo field.)\n(Transition: Strings swell gently into the first verse →)\n\n[verse]\n(Chords: Bbmaj7 - Ebmaj7 - Gm7 - Fsus4 - F)\n(Inst: Sparse arrangement. Pizzicato strings providing a gentle rhythmic pulse, soft felt piano chords, a deep, round sub-bass note on the downbeats. Minimalist electronic drum beat enters with a soft kick and cross-stick.)\n(Sound-Design: ↑ same)\n(Vocal-Perf: Intimate, breathy, close-mic'd lead vocal. Delivered in a soft, almost-whispered head voice with delicate, precise phrasing.)\n(Melody-Contour: Mostly conjunct motion, flowing and conversational, staying in a comfortable mid-register.)\n(Transition: Strings begin to swell, adding legato pads underneath →)\nSomewhere between the third drink and the dial tone\nI wrote your name across a city I don't own\nTried to fold the map back the way it came\nBut every crease I pressed just kept your outline plain\nI've been rehearsing exits since I learned to walk\nBuilding walls of weather, dressed them up in small talk\nSo when you pulled the chair out, sat right down, stayed\nI didn't have a single line prepared\n\n[chorus]\n(Chords: Ebmaj7 - Dm7 - Gm7 - Cm7 - F7sus4 - Bbmaj7)\n(Inst: Full cinematic bloom. The legato string orchestra soars with rich harmonies. The rhythm becomes slightly more defined but remains gentle. Piano and sub-bass provide a powerful but warm foundation.)\n(Sound-Design: Reverb becomes even larger and more lush, enveloping the vocals and strings.)\n(Vocal-Perf: Lead vocal opens up with more power but retains its airy quality. Joined by lush background vocal stacks singing tight, complex harmonies, creating a choir-like effect. Ad-libs with quick melismatic runs appear between phrases.)\n(Hook-DNA: The main hook is built on the repeated \"I wanna love me / trust me\" phrase, with the emotional peak on the ascending leap in \"see me from your point of view\". The repetition of this structure creates the earworm.)\n(Melody-Contour: Ascending arch shape, reaching a peak on \"see me\" before resolving downwards. The defining interval is a powerful leap of a perfect 5th.)\n(Melody-Harmonic-Tension: The melody lingers on chord extensions, creating a sense of yearning before resolving beautifully on the tonic.)\n(Mix: The stereo width expands dramatically with the strings. The vocal stacks are panned wide, creating an immersive wall of sound.)\n(Transition: Strings and vocals hold a long note with a reverb tail that fades, leaving space for the next verse →)\nLeave the light on\nOoh leave it burning past the hour I arrive\nAll my unfinished maps lead back to you\nEvery wrong turn, every road I thought I'd drive alone\nLeave the light on\nOoh I'm learning how to land instead of fly\nAll my unfinished maps, they lead me through\nBack to you\n\n[verse]\n(Chords: Bbmaj7 - Ebmaj7 - Gm7 - Fsus4 - F)\n(Inst: Arrangement pulls back slightly, similar to the first verse. Pizzicato strings and gentle rhythm section return. Subtle harp arpeggios re-emerge.)\n(Sound-Design: ↑ same)\n(Vocal-Perf: The delivery is slightly more confident and grounded than the first verse, but still intimate and breathy. Subtle vocal fry on the ends of phrases.)\n(Transition: Drum fill is just a couple of soft toms, strings swell dramatically into the bridge →)\nI used to sleep with one eye toward the window\nReady for the weather to shift without a sign\nNow I wake and there's a coffee going cold beside me\nAnd something in my chest has stopped its overtime\nThe parts of me I'd archived in the basement\nDusty boxes labeled do not open, do not share\nYou dragged them to the middle of the kitchen\nAnd you sorted through them like you had the time to spare\n\n[bridge]\n(Chords: Gm7 - Cm7 - F - Bbmaj7 - Ebmaj7 - Dm7 - Gsus4 - G - C)\n(Inst: The music becomes more free-form and dramatic. The strings take the lead with powerful, emotional swells. The rhythm section drops out initially, then re-enters with more intensity. Piano plays more active arpeggios.)\n(Sound-Design: A subtle reverse cymbal swell builds tension.)\n(Vocal-Perf: The most dynamic vocal performance yet. Starts soft and introspective, builds in intensity and volume, culminating in powerful, belted notes and highly complex, rapid-fire vocal runs. Showcases extreme vocal agility.)\n(Melody-Contour: A dramatic, climbing melody that builds tension throughout the section, leading to the final chorus.)\n(Transition: A powerful vocal run and a full orchestral swell lead directly into the final chorus without a break →)\nI know the mathematics of leaving by heart\nCounted every exit before the thing could start\nBut you never checked the clock, you never cleared your throat\nYou just held the door wide open\nAnd you stood there in the cold\nSo I walked back in\nI walked all the way back in\n\n[chorus]\n(Chords: Ebmaj7 - Dm7 - Gm7 - Cm7 - F7sus4 - Bbmaj7)\n(Inst: The fullest and most powerful arrangement of the song. The string orchestra is at its most grand and cinematic. The drum beat is more present, with a subtle open hi-hat added for energy. The sub-bass is deep and resonant.)\n(Sound-Design: ↑ same)\n(Vocal-Perf: The lead vocal is delivered with maximum emotional intensity, featuring soaring belts and effortless ad-libs. The background vocal stacks are massive and layered, creating a powerful gospel-choir-like effect. The vocalist adds numerous overlapping ad-libs and whistle tones over the top.)\n(Hook-DNA: The core hook is delivered with the most conviction, solidifying its emotional impact. The addition of complex ad-libs makes it feel climactic.)\n(Melody-Contour: ↑ same as first chorus, but delivered with more force and ornamentation.)\n(Mix: The mix is at its widest and loudest point. All elements are present, creating a huge, epic, and emotionally resonant climax.)\n(Transition: The final chord hangs in the air, with the strings and vocal reverb slowly fading out →)\nLeave the light on\nOoh leave it burning past the hour I arrive\nAll my unfinished maps lead back to you\nEvery wrong turn, every road I thought I'd drive alone\nLeave the light on\nOoh I'm learning how to land instead of fly\nAll my unfinished maps, they lead me through\nBack to you\n\n[outro]\n(Chords: Bbmaj7 - Ebmaj7)\n(Inst: All instruments fade out, leaving only the final string chord and a few soft piano notes. A final pizzicato string pluck ends the song.)\n(Sound-Design: The lush reverb tail is the main feature, decaying into silence.)\n(Vocal-Perf: A final, soft, spoken-word ad-lib with heavy reverb.)\nAlways back to you",
  "cover_prompt": "生成一张极简主义的几何光影艺术图片作为无字音乐专辑封面。画面的核心是：一张被反复折叠又展开的旧地图轮廓，边缘柔和模糊如水彩晕染，纸张的折痕化为若隐若现的几何线条，在从深靛蓝到暖米白的渐变背景中浮现，中心透出一缕朦胧的琥珀暖光，仿佛某个终点被反复描绘又抹去。画面必须展现出微妙的高级材质肌理，特别是类似水彩晕染（Watercolor texture）或粗糙艺术纸张的触感。整体构图极度克制、留白（Minimalistic composition），注重光与影的柔和交错（Light and shadow interplay）。强烈要求：画面必须保持极致的安宁与静谧（Calm and serene），除了基础的、柔焦的简单几何图形（如模糊的折线、半透明的层叠平面或柔和的边缘）外，绝对不要出现任何复杂的现实物体、风景或人物！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母！绝对不要生成人物轮廓。传达出一种充满诗意、呼吸感与冥想空间的视觉感受。",
  "cover": {
    "template_id": 2,
    "template_name": "几何光影艺术流",
    "scene_description": "一张被反复折叠又展开的旧地图轮廓，边缘柔和模糊如水彩晕染，纸张的折痕化为若隐若现的几何线条，在从深靛蓝到暖米白的渐变背景中浮现，中心透出一缕朦胧的琥珀暖光，仿佛某个终点被反复描绘又抹去"
  },
  "style_direction": "B",
  "style_reference": "Billie Eilish, Olivia Rodrigo"
}