{
  "prompt": "Genre: Sunshine Pop/R&B Fusion; BPM: 90; Key: C Major; Rhythm: Laid-back, pocketed hip-hop groove with a lazy snare on 2 and 4 and driving pocket syncopation; Instruments: Detuned upright piano, plucky Strat guitar, round DI'd P-bass, washy synth pad, lo-fi drum machine; Vocals: Dual Male vocals, one a smooth pop tenor with effortless falsetto, the other a warm R&B baritone with an intimate close-mic delivery; Mood: Sunny, carefree, romantic, effortlessly cool, feel-good summer drive; Production: High-Fidelity, Pristine Radio-Ready Mix with expensive analogue warmth and silky smooth high-end. Prominent but controlled sub-bass, clean vocals, wide stereo image.; Structure: Intro - Chorus - Verse - Pre-Chorus - Chorus - Verse 2 - Bridge - Outro; Language: English; Highlight: The infectious pop earworm of the simple, descending chorus melody.",
  "lyrics": "[intro]\n(Mix: High-Fidelity, Pristine Radio-Ready Mix with expensive analogue warmth and silky smooth high-end. Prominent sub-bass, warm mids, vocals forward. Wide stereo image with gentle glue compression.)\n(Inst: Detuned upright piano plays jazzy chords, Clean Strat guitar melodic fills, Washy synth pad adds texture.)\n(Chords: Fmaj7 - Em7 - Dm7 - Cmaj7)\n\n[chorus]\n(Hook-DNA: Simple, syncopated 4-note descending motif, repeats every two bars, creating an instantly memorable earworm.)\n(Melody-Contour: Descending major scale fragment, starting on the 5th and resolving downwards.)\n(Melody-Rhythm: Laid-back, syncopated phrases that float over the beat.)\n(Vocal-Perf: Smooth, light pop tenor, effortless delivery. Lush background vocal stacks harmonize.)\n(Inst: Round P-bass enters, Lo-fi drum groove kicks in.)\nI got my peaches out in Georgia\nOh yeah shit\nI get my weed from California\nThat's that shit\nI took my chick up to the North yeah\nBadass b***h\nI get my light right from the source yeah\nYeah that's it\n\n[verse]\n(Vocal-Perf: Shift to a warm, soulful baritone. Intimate close-mic'd, conversational phrasing.)\n(Melody-Contour: Flatter, more rhythmic contour focused on delivery and tone.)\n(Inst: Instrumentation becomes sparser. Drums and bass lock into a tight pocket, piano sustains chords.)\n(Mix: Vocals drier and more centered to enhance intimacy.)\nYou ain't sure yet\nBut I'm for ya\nAll I can want\nAll I can wish for\nNights alone that we miss more\nAnd days we save as souvenirs\nThere's no time I wanna make more time\nAnd give you my whole life\n\n[pre-chorus]\n(Vocal-Perf: Main pop tenor returns, building intensity with subtle melodic lifts.)\n(Melody-Contour: Ascending line that creates tension and anticipation for the chorus.)\n(Sound-Design: Subtle filter sweep on the synth pad, gentle reverse cymbal swell.)\nAnd I say oh\nThe way I breathe you in\nIt's the texture of your skin\nI want to wrap my arms around you babe and never let you go\n\n[chorus]\n(Hook-DNA: Simple, syncopated 4-note descending motif, repeats every two bars, creating an instantly memorable earworm.)\n(Melody-Contour: Descending major scale fragment, starting on the 5th and resolving downwards.)\n(Melody-Rhythm: Laid-back, syncopated phrases that float over the beat.)\n(Vocal-Perf: Pop tenor with more confidence. Ad-libs added in the gaps. Background stacks are thicker.)\n(Mix: Chorus hits harder; parallel compression on drums and bass, stereo image widens.)\nI got my peaches out in Georgia\nOh yeah shit\nI get my weed from California\nThat's that shit\nI took my chick up to the North yeah\nBadass b***h\nI get my light right from the source yeah\nYeah that's it\n\n[bridge]\n(Vocal-Perf: Third male vocalist enters with a confident, melodic rap-singing style.)\n(Inst: Beat breaks down to a filtered loop and piano chords, creating a reflective moment.)\n(Chords: Fmaj7 - Em7 - Dm7 - Cmaj7)\nI get the feeling so I'm sure\nHand in my hand because I'm yours\nI can't I can't pretend\nI can't ignore you're right for me\nDon't think you want to know just where I've been no\nDon't be distracted\nThe one I need is right in my arms\nYour kisses taste the sweetest with mine\nAnd I'll be right here with ya till end of time\n\n[outro]\n(Inst: Instruments fade out, leaving the detuned piano and a final guitar lick.)\n(Mix: Long reverb tails on the final vocal line, creating a dreamy, lingering fade.)\n(Vocal-Perf: A final, breathy ad-lib from the main tenor.)\nI got my peaches out in Georgia\nOh yeah shit\nI get my light right from the source yeah\nYeah that's it",
  "song_id": "01_Peaches_20260404",
  "_meta": {
    "provider": "google",
    "model": "gemini-2.5-pro",
    "usage": {
      "prompt_tokens": 9226,
      "completion_tokens": 1264,
      "total_tokens": 12925
    },
    "generated_at": "2026-04-04T10:25:44.837730+08:00"
  }
}