{
  "prompt": "Genre: Psychedelic R&B / Alternative R&B; BPM: 68; Key: F# minor; Rhythm: Slow, hazy half-time groove carried by a sparse kick/snare pattern, with rhythmic momentum from skittering, programmed trap-style hi-hats; Instruments: Deep 808 sub-bass, Lo-fi saturated snare, crisp hi-hats, lush warm synth pads, clean electric guitar with heavy chorus playing short licks; Vocals: Male and Female duet. Male lead is a smooth, breathy tenor with extensive use of airy falsetto. Female lead is light and spoken-word adjacent. Features lush background vocal stacks; Mood: Intimate, sensual, dreamy, nocturnal, slightly melancholic and hazy; Highlight: The fusion of modern, crisp trap drum programming with slow, washy, psychedelic synth textures and R&B vocals, creating a unique atmospheric yet groovy sound.",
  "lyrics": "[intro]\n(Mix: High-fidelity, wide stereo image with prominent but controlled sub-bass and silky highs. Vocals are centered but sit inside the lush reverb space. Warm analogue saturation on drums.)\n(Inst: Lush, warm synth pads with slow attack. Distant atmospheric textures.)\n(Chords: F#m7 - Emaj7 - Amaj7 - Dmaj7)\n\n[verse]\n(Inst: Sub-bass enters, sparse kick on 1, reverberant snare on 3. Skittering 16th-note hi-hats provide drive.)\n(Vocal-Perf: Male lead, intimate and breathy close-mic delivery, relaxed and slightly behind the beat.)\n(Melody-Contour: Mostly conjunct motion, conversational and subdued.)\n(Melody-Rhythm: Laid-back, syncopated phrasing weaving around the sparse beat.)\n(Chords: F#m7 - Emaj7 - Amaj7 - Dmaj7)\nThrough drought and famine, natural disasters\nMy baby has been around for me\nKingdoms have fallen, angels be calling\nNone of that could ever make me leave\n\n[chorus]\n(Mix: Stereo field widens, lush vocal stacks added, increased reverb decay.)\n(Hook-DNA: A simple, descending falsetto \"Oooooooh\" motif, repeated twice, creating a brain-scratching melodic hook that resolves the preceding lyrical tension.)\n(Vocal-Perf: Male shifts to pure, airy falsetto for the hook, supported by dense, wide-panned background harmonies.)\n(Inst: Pads become more prominent. A subtle cymbal wash on the downbeat.)\n(Melody-Contour: Ascending phrase builds tension, releases into the descending, melismatic falsetto hook.)\n(Chords: Bm7 - A - E - F#m)\nEvery time I look into your eyes I see it\nYou're all I need\nEvery time I get a bit inside I feel it\nOooooooh, who would've thought I'd get you\nOooooooh, who would've thought I'd get you\n\n[verse]\n(Inst: Clean, chorus-drenched electric guitar enters with short, muted melodic fills.)\n(Vocal-Perf: Male lead, maintaining the intimate delivery of the first verse.)\n(Melody-Contour: Similar flat, conversational contour as first verse.)\n(Melody-Rhythm: Consistent relaxed, syncopated phrasing.)\n(Chords: F#m7 - Emaj7 - Amaj7 - Dmaj7)\nAnd when we're making love\nYour cries they can be heard from far and wide\nIt's only the two of us\nEverything I need's between those thighs\n\n[chorus]\n(Mix: Slightly more energy, ad-libs become more prominent in the background.)\n(Hook-DNA: The simple, descending falsetto \"Oooooooh\" motif, repeated twice, creating a brain-scratching melodic hook that resolves the preceding lyrical tension.)\n(Vocal-Perf: Male falsetto lead, with more expressive background vocal ad-libs woven in.)\n(Inst: Guitar licks continue under the chorus.)\n(Melody-Contour: Ascending phrase builds tension, releases into the descending, melismatic falsetto hook.)\n(Chords: Bm7 - A - E - F#m)\nEvery time I look into your eyes I see it\nYou're all I need\nEvery time I get a bit inside I feel it\nOooooooh, who would've thought I'd get you\nOooooooh, who would've thought I'd get you\n\n[bridge]\n(Mix: Drums and bass are filtered down, creating a spacious, floating breakdown.)\n(Vocal-Perf: Female vocalist enters with a light, airy, almost-spoken delivery, followed by rhythmic male ad-libs.)\n(Inst: Sustained synth pads and watery guitar chords create an atmospheric bed.)\n(Chords: Dmaj7 - C#m7 - Bm7 - A)\nAnd I’ll take some time\nJust to be thankful\nThat I had days full of you, you\nBefore it winds down into\nThe memories, It’s all just memories\n(If you've got someone you like...)\nDon't you love when I come around\n(Feel something that's right somebody just tell somebody)\nBuild you up then I take you down\n\n[outro]\n(Inst: Beat drops out entirely, leaving only lush synth pads and fading guitar textures.)\n(Vocal-Perf: Female lead sings a new, final melodic phrase, breathy and ethereal.)\n(Transition: Slow fade to silence with a long, shimmering reverb tail.)\nThis feels like summer\nBoy you make me feel so alive\nJust be my lover\nBoy you'll lead me to paradise",
  "song_id": "03_Get You_20260404",
  "_meta": {
    "provider": "google",
    "model": "gemini-2.5-pro",
    "usage": {
      "prompt_tokens": 11402,
      "completion_tokens": 1406,
      "total_tokens": 15198
    },
    "generated_at": "2026-04-04T10:26:22.921084+08:00"
  },
  "_prompt_compressed": {
    "from": 1133,
    "to": 800
  }
}