{
  "prompt": "Genre: Alternative R&B, Trap-Soul; BPM: 130; Key: C# Minor; Rhythm: Slow, syncopated trap groove with a half-time feel. The heavy 808 kick and sparse, reverberant clap contrast with skittering 16th-note hi-hats, creating a driving pocket syncopation.; Instruments: Programmed 808s (deep sub, long decay), washy clap (reverb tail), fast hi-hats (panned wide), ethereal synth pads (filtered; Vocals: Male and Female duet. Male lead is a breathy, intimate tenor with extensive use of falsetto and head voice. Female lead has a soft, semi-spoken delivery. Both feature intimate close-mic technique with heavy reverb and subtle pitch correction.; Mood: Dreamy, sensual, introspective, and romantic with a late-night, atmospheric vibe.; Highlight: The fusion of a hard-hitting, modern trap drum pattern with soft, ethereal, and psychedelic synth and guitar textures.",
  "lyrics": "[intro]\n(Mix: Prominent sub-bass, wide stereo field with atmospheric pads and effects. Vocals are front-center but drenched in spacious reverb. Gentle sidechain compression from kick to pads.)\n(Inst: Swirling filtered synth pad, distant single-note guitar pluck with long delay tail.)\n\n[verse]\n(Hook-DNA: Simple, mostly stepwise melody with a relaxed, syncopated rhythm that floats over the beat.)\n(Melody-Contour: Gentle descending phrases, staying within a narrow melodic range.)\n(Melody-Rhythm: Laid-back, conversational phrasing, slightly behind the beat.)\n(Vocal-Perf: Breathy, intimate male tenor in a gentle falsetto.)\n(Inst: Trap beat enters—deep 808 kick, washy clap on 3, skittering hi-hats. Atmospheric pads continue.)\n(Chords: C#m - A - E - G#)\nThrough drought and famine, natural disasters\nMy baby has been around for me\nKingdoms have fallen, angels be calling\nNone of that could ever make me leave\n\n[chorus]\n(Hook-DNA: Highly memorable descending four-note motif on \"look into your eyes\", followed by a soaring, wordless falsetto hook.)\n(Melody-Contour: Descending lyrical phrase followed by a large octave leap into the sustained falsetto \"Ooooh\".)\n(Melody-Rhythm: Repetitive quarter-note pattern on the main phrase, contrasting with the long, sustained notes of the hook.)\n(Vocal-Perf: Male vocal opens up slightly, supported by lush background vocal stacks on the \"Ooooh\" hook.)\n(Inst: Synth pads swell, reverb-laden electric guitar arpeggios added for texture.)\n(Mix: Stereo image widens, vocals get more reverb and delay.)\nEvery time I look into your eyes I see it\nYou're all I need\nEvery time I get a bit inside I feel it\nOooooooh, who would've thought I'd get you\nOooooooh, who would've thought I'd get you\n\n[verse]\n(Melody-Contour: Follows the pattern of the first verse.)\n(Melody-Rhythm: Similar relaxed, syncopated phrasing.)\n(Vocal-Perf: Male vocal becomes even more intimate, almost a whisper.)\n(Inst: Beat and pads maintain the established groove, guitar drops out to create space.)\n(Chords: C#m - A - E - G#)\nAnd when we're making love\nYour cries they can be heard from far and wide\nIt's only the two of us\nEverything I need's between those thighs\n\n[chorus]\n(Hook-DNA: The same powerful melodic and rhythmic hook as the first chorus.)\n(Melody-Contour: Descending lyrical phrase with the signature octave leap to the falsetto hook.)\n(Melody-Rhythm: Established repetitive pattern.)\n(Vocal-Perf: Male lead with more intensity, lush background vocal stacks feel fuller.)\n(Inst: All elements present, guitar arpeggios are more prominent in the mix.)\n(Mix: The most dynamically full section of the song.)\nEvery time I look into your eyes I see it\nYou're all I need\nEvery time I get a bit inside I feel it\nOooooooh, who would've thought I'd get you\nOooooooh, who would've thought I'd get you\n\n[bridge]\n(Vocal-Perf: Switch to female vocalist. Delivery is breathy, rhythmic, and semi-spoken.)\n(Inst: Beat becomes sparse, 808 kick drops out, leaving only hi-hats, pads, and gentle guitar.)\n(Chords: A - G# - C#m - E)\nAnd I’ll take some time\nJust to be thankful\nThat I had days full of you, you\nBefore it winds down into\nThe memories, It’s all just memories\n\n[interlude]\n(Hook-DNA: Catchy call-and-response between the lead male ad-libs and a pitched-up vocal sample.)\n(Vocal-Perf: Male vocal ad-libs are rhythmic and improvisational.)\n(Inst: Full trap beat returns with a driving energy.)\n(If you've got someone you like...)\nDon't you love when I come around\n(Feel something that's right somebody just tell somebody)\nBuild you up then I take you down\n(If you've got someone you like...)\nDon't you love when I come around\n(Feel something that's right somebody just tell somebody)\nBuild you up then I take...\n\n[outro]\n(Vocal-Perf: Male falsetto \"Ooooh\" hook fades in and out. Female vocal enters with soft, melodic final lines.)\n(Inst: Beat deconstructs, leaving fading 808, atmospheric pads, and reverb tails from guitar and vocals.)\n(Mix: Instruments slowly fade out, leaving a long, washed-out reverb tail.)\nOooooooh, who would've thought I'd get you\nOooooooh, who would've thought I'd get you\nThis feels like summer\nBoy you make me feel so alive\nJust be my lover\nBoy you'll lead me to paradise",
  "song_id": "03_Get You_20260404",
  "_meta": {
    "provider": "google",
    "model": "gemini-2.5-pro",
    "usage": {
      "prompt_tokens": 11402,
      "completion_tokens": 1563,
      "total_tokens": 15614
    },
    "generated_at": "2026-04-04T10:40:40.556916+08:00"
  },
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}