{
  "prompt": "Genre: Tropical House Pop; BPM: 96; Key: C#m; Rhythm: Mid-tempo, syncopated Caribbean-influenced groove with a subtle dembow-lite pattern carried by a plucked synth melody; Instruments: Marimba-like synth: dry, close-mic'd; Looped acoustic guitar: muted strums; Synth Sub-bass: clean, deep, round; Hybrid drum kit: punchy kick, tight snare; Vocals: Male tenor with a light, breathy, conversational timbre and a highly rhythmic, percussive phrasing style, supported by lush background vocal stacks; Mood: Upbeat, flirtatious, carefree, and romantic; Production: High-Fidelity, Pristine Radio-Ready Mix with expensive analogue warmth and silky smooth high-end. Clean, spacious mix with a solid sub-bass and vocal-forward mids; Structure: Intro, Verse, Pre-Chorus, Chorus, Verse, Bridge, Chorus, Outro; Language: English; Highlight: The brain-scratching melodic hook created by the interplay of a simple, percussive marimba loop and a syncopated, conversational vocal line.",
  "lyrics": "[intro]\n(Mix: High-Fidelity, Pristine Radio-Ready Mix; Prominent sub-bass, clean vocal-forward mids, silky smooth highs; Wide stereo field with percussive elements panned; Light, transparent compression.)\n(Inst: Marimba-like synth: dry, close-mic'd, playing main riff; Looped acoustic guitar: muted strums, panned left; Hand percussion: snaps, shakers.)\n(Hook-DNA: Syncopated 4-note marimba motif, repeats every two bars, creates an instant rhythmic identity.)\n(Chords: C#m - F#m - A - B)\n\n[verse]\n(Vocal-Perf: Conversational, rhythmic tenor delivery; light and breathy timbre; close-mic intimacy.)\n(Melody-Rhythm: Syncopated, semi-spoken phrasing, weaving between the beat.)\n(Melody-Contour: Mostly stepwise motion, staying in a narrow mid-range, emphasizes rhythm over pitch.)\n(Inst: Synth Sub-bass enters: clean, deep, round, following roots; Kick drum enters: soft but punchy.)\n(Chords: C#m - F#m - A - B)\nThe club isn't the best place to find a lover\nSo the bar is where I go\nMe and my friends at the table doing shots\nDrinking fast and then we talk slow\nyou come over and start up a conversation with just me\nAnd trust me I'll give it a chance now\n\n[pre-chorus]\n(Vocal-Perf: Intensity builds slightly; pitch rises; introduces layered harmony vocals on key phrases.)\n(Melody-Rhythm: Phrasing becomes more sustained, building tension.)\n(Melody-Contour: Ascending line leading into the chorus, creates anticipation.)\n(Inst: Percussion builds: added shaker and tom fills.)\n(Mix: Slight reverb tail added to vocal, subtle build.)\n(Chords: C#m - F#m - A - B)\nTake my hand, stop, Put Van The Man on the jukebox\nAnd then we start to dance, and now I'm singing like\nGirl, you know I want your love\nYour love was handmade for somebody like me\nCome on now, follow my lead\nI may be crazy, don't mind me, say\nBoy, let's not talk too much\nGrab on my waist and put that body on me\nCome on now, follow my lead\nCome—come on now, follow my lead\n\n[chorus]\n(Vocal-Perf: Fuller, more energetic delivery but still relaxed; lush background vocal stacks provide harmonic support.)\n(Hook-DNA: Repetitive, syncopated 'shape of you' phrase lands on off-beats; the 'Oh-i-oh-i' section is a wordless, infectious pop earworm.)\n(Melody-Contour: Jumps up a fifth to a catchy, memorable peak, then descends.)\n(Melody-Rhythm: Rhythmically tight, accenting the main groove.)\n(Inst: Full drum kit enters: snare/clap on 2 & 4; Synth pad: wide, warm, atmospheric, adds fullness.)\n(Mix: Stereo image widens significantly; parallel compression on vocals for punch.)\n(Chords: C#m - F#m - A - B)\nI'm in love with the shape of you\nWe push and pull like a magnet do\nAlthough my heart is falling too\nI'm in love with your body\nLast night you were in my room\nAnd now my bedsheets smell like you\nEvery day discovering something brand new\nI'm in love with your body\nOh—i—oh—i—oh—i—oh—i\nI'm in love with your body\n\n[verse]\n(Vocal-Perf: Returns to conversational tone; includes small ad-libs and slight phrasing variations from first verse.)\n(Melody-Rhythm: Maintains rhythmic, percussive delivery.)\n(Melody-Contour: Similar contour to first verse, focusing on storytelling.)\n(Inst: Instrumentation drops back to verse 1 level, maintaining energy.)\n(Mix: Mix narrows back to verse dynamics, creating contrast with chorus.)\n(Chords: C#m - F#m - A - B)\nOne week in we let the story begin\nWe're going out on our first date\nBut you and me are thrifty so go all you can eat\nFill up your bag and I fill up a plate\nWe talk for hours and hours about the sweet and the sour\nAnd how your family is doin' okay\nAnd leave and get in a taxi, we kiss in the backseat\nTell the driver make the radio play, and I'm singing like\n\n[bridge]\n(Vocal-Perf: Chanted, repetitive phrasing; layered call-and-response vocals build intensity.)\n(Hook-DNA: Simple, chant-like repetition of 'Come on, be my baby, come on' creates a hypnotic build-up.)\n(Melody-Rhythm: Strictly on-the-beat, staccato delivery.)\n(Melody-Contour: Monotonic, single-note focus, creating a rhythmic break.)\n(Inst: Drums simplify to a driving kick and clap pattern; other instruments become sparse.)\n(Transition: Snare roll/filter sweep builds into the final chorus.)\n(Chords: C#m - F#m - A - B)\nCome on, be my baby, come on\nCome on, be my baby, come on\nCome on, be my baby, come on\nCome on, be my baby, come on\n\n[chorus]\n(Vocal-Perf: Highest energy; prominent ad-libs and backing vocal layers.)\n(Hook-DNA: Repetitive, syncopated 'shape of you' phrase lands on off-beats; the 'Oh-i-oh-i' section is a wordless, infectious pop earworm.)\n(Melody-Contour: Jumps up a fifth to a catchy, memorable peak, then descends.)\n(Melody-Rhythm: Rhythmically tight, accenting the main groove.)\n(Inst: All elements present; additional percussive layers and vocal harmonies.)\n(Mix: Widest and most compressed point of the song; maximum impact.)\n(Chords: C#m - F#m - A - B)\nI'm in love with the shape of you\nWe push and pull like a magnet do\nAlthough my heart is falling too\nI'm in love with your body\nLast night you were in my room\nAnd now my bedsheets smell like you\nEvery day discovering something brand new\nI'm in love with your body\nOh—i—oh—i—oh—i—oh—i\nI'm in love with your body\n\n[outro]\n(Vocal-Perf: Vocal becomes softer, more reflective.)\n(Inst: Instrumentation strips away, leaving just the marimba synth loop and a fading vocal.)\n(Mix: Gradual fade-out, reverb tails become more prominent as elements drop out.)\n(Chords: C#m - F#m - A - B)\nEvery day discovering something brand new\nI'm in love with the shape of you",
  "song_id": "01_Shape of You_20260410",
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    "generated_at": "2026-04-10T13:55:17.798963+08:00"
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