{
  "prompt": "Genre: Tropical Pop / Dancehall-Lite; BPM: 96; Key: C# minor; Rhythm: Driving pocket syncopation with a looped, off-beat marimba melody and a sparse kick/snap pattern, emphasizing the space between hits.; Instruments: Looped marimba-synth, close-mic'd perc guitar, deep synth sub-bass, tight kick/snap, airy synth pads; Vocals: Male tenor with a conversational, rhythmic delivery. Intimate close-mic verses, builds to lush background vocal stacks in the chorus. Clean, modern processing.; Mood: Upbeat, flirtatious, confident, and breezy. Modern club/bar romance.; Production: High-Fidelity, Pristine Radio-Ready Mix with expensive analogue warmth and silky smooth high-end. Tight vocal compression, prominent but controlled sub-bass, and a wide stereo image in the chorus.; Structure: Intro, Verse, Pre-Chorus, Chorus, Verse, Pre-Chorus, Bridge, Chorus; Language: English; Highlight: The minimalist, looped, syncopated marimba-like synth riff is the central, unforgettable hook.",
  "lyrics": "[intro]\n(Inst: Looped synth-marimba riff)\n(Hook-DNA: Syncopated 16th-note motif on marimba, circles the tonic and 5th, repeats identically every two bars, establishing the core earworm.)\n(Mix: High-fidelity baseline: prominent sub-bass, clean mids for vocal space, silky smooth highs. Dry, centered feel with tight compression on the loop.)\n(Chords: C#m - F#m - A - B)\n\n[verse]\n(Vocal-Perf: Conversational, rhythmic, close-mic'd male tenor; almost spoken-sung.)\n(Melody-Rhythm: Vocal phrases land just after the beat, creating a laid-back, syncopated feel against the instrumental loop.)\n(Inst: Main loop continues, sparse kick and snap enter on 2 & 4, percussive muted guitar strum adds texture.)\n(Chords: C#m - F#m - A - B)\nThe club isn't the best place to find a lover\nSo the bar is where I go\nMe and my friends at the table doing shots\nDrinking fast and then we talk slow\nyou come over and start up a conversation with just me\nAnd trust me I'll give it a chance now\nTake my hand, stop, Put Van The Man on the jukebox\nAnd then we start to dance, and now I'm singing like\n\n[pre-chorus]\n(Vocal-Perf: Intensity builds, melody becomes more sung, less spoken.)\n(Melody-Contour: Ascending melodic line with an arch shape, stepping up into the chorus.)\n(Inst: Bass becomes more prominent, a subtle harmony layer is added to the lead vocal.)\n(Mix: Subtle pad swells in, stereo width starts to increase.)\n(Chords: C#m - F#m - A - B)\nGirl, you know I want your love\nYour love was handmade for somebody like me\nCome on now, follow my lead\nI may be crazy, don't mind me, say\nBoy, let's not talk too much\nGrab on my waist and put that body on me\nCome on now, follow my lead\nCome—come on now, follow my lead\n\n[chorus]\n(Vocal-Perf: Stronger, more melodic delivery; lush background vocal stacks enter, creating wide harmony.)\n(Hook-DNA: \"I'm in love with the shape of you\"; rhythm lands strong downbeats on \"love\" and \"shape\"; melody anchors on the 5th before resolving down to the tonic; phrase repeats with slight variation.)\n(Melody-Contour: Arch shape with a signature ascending perfect 4th leap on \"shape of you\".)\n(Melody-Harmonic-Tension: Melody uses the 2nd and ♭3rd over the VI chord (A major) on \"push and pull\", creating sweet tension before resolving over the VII chord (B major).)\n(Mix: Widest point; parallel compression adds punch; reverb and delay tails more noticeable.)\n(Inst: Full arrangement; kick is fuller, pads are prominent.)\n(Chords: C#m - F#m - A - B)\nI'm in love with the shape of you\nWe push and pull like a magnet do\nAlthough my heart is falling too\nI'm in love with your body\nLast night you were in my room\nAnd now my bedsheets smell like you\nEvery day discovering something brand new\nI'm in love with your body\n\n[verse]\n(Vocal-Perf: Returns to the conversational, rhythmic style of the first verse.)\n(Melody-Rhythm: Replicates the syncopated, laid-back vocal phrasing.)\n(Inst: Arrangement thins out again, similar to verse 1, focusing on the core loop and rhythm section.)\n(Chords: C#m - F#m - A - B)\nOne week in we let the story begin\nWe're going out on our first date\nBut you and me are thrifty so go all you can eat\nFill up your bag and I fill up a plate\nWe talk for hours and hours about the sweet and the sour\nAnd how your family is doin' okay\nAnd leave and get in a taxi, we kiss in the backseat\nTell the driver make the radio play, and I'm singing like\n\n[pre-chorus]\n(Vocal-Perf: Builds intensity again, matching the first pre-chorus arc.)\n(Melody-Contour: Replicates the ascending contour to build tension.)\n(Mix: Width expands again, pads swell in preparation for a shift.)\n(Chords: C#m - F#m - A - B)\nGirl, you know I want your love\nYour love was handmade for somebody like me\nCome on now, follow my lead\nI may be crazy, don't mind me, say\nBoy, let's not talk too much\nGrab on my waist and put that body on me\nCome on now, follow my lead\nCome—come on now, follow my lead\n\n[bridge]\n(Vocal-Perf: Repetitive, chant-like delivery; stacked vocals create a hypnotic, building effect.)\n(Melody-Harmonic-Tension: The simple vocal chant repeats over the static chord progression, creating tension through rhythmic anticipation and harmonic stasis, refusing melodic resolution until the chorus drops.)\n(Inst: Percussion drops out then builds back with added shakers; main marimba loop is filtered then opens up.)\n(Chords: C#m - F#m - A - B)\nCome on, be my baby, come on\nCome on, be my baby, come on\nCome on, be my baby, come on\nCome on, be my baby, come on\n\n[chorus]\n(Vocal-Perf: Maximum energy; powerful lead vocal with ad-libs woven between stacked background harmonies.)\n(Hook-DNA: The main chorus hook is layered with the hypnotic vocal chant from the bridge, creating a dual-hook climax.)\n(Melody-Harmonic-Tension: Repeats the core tension-release pattern of the chorus, now amplified by the energy built from the bridge and the added contrapuntal vocal layers.)\n(Mix: The biggest and widest section of the song; all elements pushed forward.)\n(Inst: Full instrumentation with extra percussive layers.)\n(Chords: C#m - F#m - A - B)\nI'm in love with the shape of you\nWe push and pull like a magnet do\nAlthough my heart is falling too\nI'm in love with your body\nLast night you were in my room\nAnd now my bedsheets smell like you\nEvery day discovering something brand new\nI'm in love with your body\nCome on, be my baby, come on\nCome on, be my baby, come on\nI'm in love with your body\nCome on, be my baby, come on\nCome on, be my baby, come on\nI'm in love with your body\nEvery day discovering something brand new\nI'm in love with the shape of you",
  "song_id": "01_Shape of You_20260412",
  "_meta": {
    "provider": "google",
    "model": "gemini-2.5-pro",
    "usage": {
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    "generated_at": "2026-04-12T00:41:19.268943+08:00"
  }
}