{
  "song_id": "01_Shape of You_20260412",
  "prompt": "Genre: Tropical Pop / Dancehall-Lite; BPM: 96; Key: C# minor; Rhythm: Driving pocket syncopation with a looped, off-beat marimba melody and a sparse kick/snap pattern, emphasizing the space between hits.; Instruments: Looped marimba-synth, close-mic'd perc guitar, deep synth sub-bass, tight kick/snap, airy synth pads; Vocals: Male tenor with a conversational, rhythmic delivery. Intimate close-mic verses, builds to lush background vocal stacks in the chorus. Clean, modern processing.; Mood: Upbeat, flirtatious, confident, and breezy. Modern club/bar romance.; Production: High-Fidelity, Pristine Radio-Ready Mix with expensive analogue warmth and silky smooth high-end. Tight vocal compression, prominent but controlled sub-bass, and a wide stereo image in the chorus.; Structure: Intro, Verse, Pre-Chorus, Chorus, Verse, Pre-Chorus, Bridge, Chorus; Language: English; Highlight: The minimalist, looped, syncopated marimba-like synth riff is the central, unforgettable hook.",
  "title": "Slow Exhale",
  "lyrics": "[intro]\n(Inst: Looped synth-marimba riff)\n(Hook-DNA: Syncopated 16th-note motif on marimba, circles the tonic and 5th, repeats identically every two bars, establishing the core earworm.)\n(Mix: High-fidelity baseline: prominent sub-bass, clean mids for vocal space, silky smooth highs. Dry, centered feel with tight compression on the loop.)\n(Chords: C#m - F#m - A - B)\n\n[verse]\n(Vocal-Perf: Conversational, rhythmic, close-mic'd male tenor; almost spoken-sung.)\n(Melody-Rhythm: Vocal phrases land just after the beat, creating a laid-back, syncopated feel against the instrumental loop.)\n(Inst: Main loop continues, sparse kick and snap enter on 2 & 4, percussive muted guitar strum adds texture.)\n(Chords: C#m - F#m - A - B)\nSunday blinds half-open, you're still sleeping\nYour charger on my floor\nI made enough for two without deciding\nJust drifted to that drawer\nWe talked so long the candle pooled and hardened\nYour laugh still ringing in the hall\nI'm standing here beside a cooling kettle\nNot ready for the quiet at all, and I'm thinking like\n\n[pre-chorus]\n(Vocal-Perf: Intensity builds, melody becomes more sung, less spoken.)\n(Melody-Contour: Ascending melodic line with an arch shape, stepping up into the chorus.)\n(Inst: Bass becomes more prominent, a subtle harmony layer is added to the lead vocal.)\n(Mix: Subtle pad swells in, stereo width starts to increase.)\n(Chords: C#m - F#m - A - B)\nStay, don't check the time right now\nLeave your plans dissolving, darling, stay a while with me\nCome on, let the morning breathe\nI'm not finished with the feeling, say\nHold on, don't move just yet\nLet me keep the quiet reading of your easy smile\nCome on, let the morning breathe\nCome — come on, let the morning breathe\n\n[chorus]\n(Vocal-Perf: Stronger, more melodic delivery; lush background vocal stacks enter, creating wide harmony.)\n(Hook-DNA: Title phrase anchors the hook on open vowels; melody lifts on \"caught\" and \"warmth\", lands resolving on \"you\"; phrase returns with layered harmonics building outward.)\n(Melody-Contour: Arch shape with a wide ascending leap landing on the sustained open vowel of \"warmth\".)\n(Melody-Harmonic-Tension: Melody stretches the major second above the root over the VI chord, leaning into unresolved longing before the VII chord carries it home.)\n(Mix: Widest point; parallel compression adds punch; reverb and delay tails more noticeable.)\n(Inst: Full arrangement; kick is fuller, pads are prominent.)\n(Chords: C#m - F#m - A - B)\nI'm caught up in the warmth of you\nSlow exhale and I'm fallin' through\nEvery silence speaks a different truth\nI'm caught up in the warmth of you\nSoft gold falling on your shoulder blade\nAll these small things I'm no longer afraid\nTo hold like photographs that never fade\nI'm caught up in the warmth of you\n\n[verse]\n(Vocal-Perf: Returns to the conversational, rhythmic style of the first verse.)\n(Melody-Rhythm: Replicates the syncopated, laid-back vocal phrasing.)\n(Inst: Arrangement thins out again, similar to verse 1, focusing on the core loop and rhythm section.)\n(Chords: C#m - F#m - A - B)\nSix weeks in, we've got a broken umbrella\nWe share it anyway\nYou steal the aux and skip my favorite chorus\nI let you every day\nWe split a bag of chips outside the laundromat\nWaiting on the spin cycle\nYou fell asleep against my arm mid-sentence\nI didn't move an inch at all, and I'm thinking like\n\n[pre-chorus]\n(Vocal-Perf: Builds intensity again, matching the first pre-chorus arc.)\n(Melody-Contour: Replicates the ascending contour to build tension.)\n(Mix: Width expands again, pads swell in preparation for a shift.)\n(Chords: C#m - F#m - A - B)\nStay, don't check the time right now\nLeave your plans dissolving, darling, stay a while with me\nCome on, let the morning breathe\nI'm not finished with the feeling, say\nHold on, don't move just yet\nLet me keep the quiet reading of your easy smile\nCome on, let the morning breathe\nCome — come on, let the morning breathe\n\n[bridge]\n(Vocal-Perf: Repetitive, chant-like delivery; stacked vocals create a hypnotic, building effect.)\n(Melody-Harmonic-Tension: The simple vocal chant repeats over the static chord progression, creating tension through rhythmic anticipation and harmonic stasis, refusing melodic resolution until the chorus drops.)\n(Inst: Percussion drops out then builds back with added shakers; main marimba loop is filtered then opens up.)\n(Chords: C#m - F#m - A - B)\nDon't let it go, don't let it go\nDon't let it go, don't let it go\nDon't let it go, don't let it go\nDon't let it go, don't let it go\n\n[chorus]\n(Vocal-Perf: Maximum energy; powerful lead vocal with ad-libs woven between stacked background harmonies.)\n(Hook-DNA: The main chorus hook is layered with the hypnotic vocal chant from the bridge, creating a dual-hook climax.)\n(Melody-Harmonic-Tension: Repeats the core tension-release pattern of the chorus, now amplified by the energy built from the bridge and the added contrapuntal vocal layers.)\n(Mix: The biggest and widest section of the song; all elements pushed forward.)\n(Inst: Full instrumentation with extra percussive layers.)\n(Chords: C#m - F#m - A - B)\nI'm caught up in the warmth of you\nSlow exhale and I'm fallin' through\nEvery silence speaks a different truth\nI'm caught up in the warmth of you\nSoft gold falling on your shoulder blade\nAll these small things I'm no longer afraid\nTo hold like photographs that never fade\nI'm caught up in the warmth of you\nDon't let it go, don't let it go\nDon't let it go, don't let it go\nI'm caught up in the warmth of you\nDon't let it go, don't let it go\nDon't let it go, don't let it go\nI'm caught up in the warmth of you\nEvery silence speaks a different truth\nI'm caught up in the warmth of you",
  "cover_prompt": "生成一张极简主义（Minimalist）插画和阴影艺术（Shadow art）风格的艺术图片作为无字音乐专辑封面。画面的核心是一只陶瓷马克杯的剪影搁置在宽阔窗台上，杯口升腾的蒸汽轮廓与窗外晨光透过薄帘投射的柔和光影交织在一起，窗框格线的影子斜斜落在台面上，形成温柔的几何感。整个投影区域具有暖米黄色、带细腻颗粒感的纹理，类似旧丝网印刷（Screenprint）的质感，透出慵懒而亲密的氛围。背景是一片极淡的沙白色实色区域，带有微妙的纸张肌理。构图干净、宁静且优雅。强烈要求：这是一张纯粹的、极简主义、治愈系插图，绝对不要出现具体的五官、现代工业物品或3D渲染效果！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母！传达出一种宁静、舒适、怀旧且梦幻的艺术气息。",
  "cover": {
    "template_id": 6,
    "template_name": "极简窗影治愈流",
    "scene_description": "一只陶瓷马克杯的剪影搁置在宽阔窗台上，杯口升腾的蒸汽轮廓与晨光透过薄帘投射的柔和光影交织，窗框格线的影子斜落在台面上形成温柔几何感；整体投影区域呈暖米黄色颗粒质感，背景为极淡沙白色实色，传递出慵懒、亲密、日光下的温柔驻留感。"
  },
  "style_direction": "B",
  "style_reference": "Harry Styles, Rex Orange County, Daniel Caesar"
}