{
  "song_id": "01_New Rules_20260412",
  "prompt": "Genre: Dance-Pop, Tropical House; BPM: 116; Key: A minor; Rhythm: Relaxed but driving pocket syncopation with a dembow-influenced kick pattern and off-beat synth chords; Instruments: Plucky marimba synth, deep sub-bass, warm synth pads, clean 808 kick, tight digital snare, brass synth stabs; Vocals: Female; husky and confident lower-mid range delivery; rhythmic, conversational verses leading to a powerful chorus with lush background vocal stacks; Mood: A clear-headed, forward-moving energy — chest lifted, jaw set, not looking back; Production: High-Fidelity, Pristine Radio-Ready Mix with expensive analogue warmth and silky smooth high-end. Powerful, clean sub-bass foundation, wide stereo image, upfront, compressed lead vocal.; Structure: Intro - Verse - Pre-Chorus - Chorus - Verse - Chorus - Bridge - Outro; Language: English; Highlight: The moment the kick drum re-enters under the stripped-back hook, felt before heard, launching the song's central mantra.",
  "title": "Warm Side Out",
  "lyrics": "[intro]\n(Mix: High-Fidelity, Pristine Radio-Ready Mix with expensive analogue warmth and silky smooth high-end. Prominent clean sub-bass, recessed low-mids for clarity, wide stereo image with panned percussion and synths. Lead vocal is upfront, dry, and heavily compressed.)\n(Inst: Filtered synth pad, subtle background texture.)\n(Vocal-Perf: Breathy, rhythmically chopped, processed vocal sample.)\n(Sound-Design: Pitch-shifted vocal formant effect.)\n\nStay, stay, stay...\n\n[verse]\n(Inst: Sub-bass enters, dembow kick pattern, tight clap on 2 & 4, plucky synth chords on off-beats.)\n(Vocal-Perf: Lower register, close-mic'd, conversational, rhythmically precise delivery.)\n(Melody-Contour: Narrow range, primarily stepwise motion, descending phrases.)\n(Melody-Rhythm: Phrases begin on the upbeat, weaving syncopated lines around the steady kick pattern.)\n(Chords: Am - G - C - F)\n\nLeft your hoodie by the door\nSix months and I still smell it\n(Can't shake it off, can't shake it off)\nTold my friends I'm doing fine\nEvery time I sell it\n(They half-believe, they half-believe)\n\n[pre-chorus]\n(Transition: All rhythmic elements drop out, leaving a resonant reverb tail.)\n(Mix: Narrows to mono focus, atmospheric, builds tension with rising filter.)\n(Inst: Sustained warm synth pads.)\n(Vocal-Perf: Rises in pitch and intensity, moving from conversational to melodic.)\n(Chords: F - C - G - Am)\n\nThe warmest part of me still runs to you\nStill runs to you\nBut the warmest part of me burns empty\nSo I remind myself, remind myself\n\n[chorus]\n(Transition: Hard cut as full beat and bass drop in on beat one.)\n(Mix: Widest stereo image, drums gain punch from parallel compression.)\n(Inst: Full drum kit, sub-bass, plucky lead synth melody, brass stab accents, lush background vocal stacks.)\n(Vocal-Perf: Full-chest, powerful belting, layered with harmonies.)\n(Hook-DNA: Rhythmic pattern is a descending three-note motif for each numbered rule; pitch anchor resolves to the tonic (A) on the final word of each rule's line; motif repeats three times with lyrical variation.)\n(Melody-Contour: Strong descending line for the numbered rules, followed by a slight arching phrase.)\n(Melody-Rhythm: Rules delivered with punchy, on-beat phrasing; subsequent lines are more syncopated and flowing.)\n(Melody-Harmonic-Tension: The core melody creates resolution by landing on chord tones over the Am-G-C-F progression; tension briefly peaks on the V chord (G) under \"if you're under him\" before resolving strongly back to the tonic.)\n(Chords: Am - G - C - F)\n\nI flip the jacket, wear it warm side out\nStop sleeping on your side — that chapter's played out\nI clear the cache, delete the thread\nStop feeding conversations living rent-free in my head\nI take the long way, breathe the open air\nEvery city mile between us is a mile I can spare\nAnd when the ache bites, I let it pass right through\nI'm building new ground, I'm breaking into\n\n[verse]\n(Inst: Same as first verse, with addition of a quiet, arpeggiated synth in background for movement.)\n(Vocal-Perf: Maintains conversational tone but with slightly more assertive energy.)\n(Chords: Am - G - C - F)\n\nFound an old receipt from us\nSome diner off the highway\n(Threw it out, threw it out)\nNoticed how the table's set\nFor one now — and it's okay\n(Starting to count, starting to count)\n\n[chorus]\n(Mix: Slightly louder than first chorus, ad-lib vocals more prominent.)\n(Inst: All elements present, additional percussive shaker layer.)\n(Vocal-Perf: More impassioned, ad-libs added in the gaps between lines.)\n(Hook-DNA: Rhythmic pattern is a descending three-note motif for each numbered rule; pitch anchor resolves to the tonic (A) on the final word of each rule's line; motif repeats three times with lyrical variation.)\n(Melody-Harmonic-Tension: Tension/release pattern identical to first chorus, but vocal delivery carries more weight and finality.)\n(Chords: Am - G - C - F)\n\nI flip the jacket, wear it warm side out\nStop sleeping on your side — that chapter's played out\nI clear the cache, delete the thread\nStop feeding conversations living rent-free in my head\nI take the long way, breathe the open air\nEvery city mile between us is a mile I can spare\nAnd when the ache bites, I let it pass right through\nI'm building new ground, I'm breaking into\n\n[bridge]\n(Mix: Stripped back, heavily effected, spacious reverb and delay on vocals.)\n(Inst: Filtered synth pad, rhythmic vocal chops, simple kick pattern.)\n(Vocal-Perf: More processed and layered, ethereal quality.)\n(Melody-Harmonic-Tension: Melody repeats a short, unresolved phrase, creating suspension by avoiding the tonic and cycling over a static F - C progression, building anticipation for the final chorus.)\n(Chords: F - C - G - G)\n\nSoft isn't weak — I'm standing in it\nScarred but the roots go deeper than the damage\nI turn the volume up, I fill the quiet\nAnd the hollow where you lived becomes a garden\n\n[outro]\n(Mix: Elements fade out, low-pass filter gradually closes.)\n(Inst: Beat and bass fade, leaving only echoing synth and vocal ad-libs.)\n(Vocal-Perf: Rhythmic ad-libs repeating key phrases, fading into reverb.)\n\nWarm side out, warm side out\nBreaking into, breaking through\nBuilding new ground, building new\n",
  "cover_prompt": "生成一张极简主义的抽象环境光晕（Ambient Aura）图片作为无字音乐专辑封面。画面的核心色彩组合与情绪倾向是：温暖而克制的珊瑚橘与沙白色渐变，中心漂浮着一团柔和的、边缘消散的暖金光晕，周围缓缓过渡至静谧的浅薄雾灰，整体散发出一种向前走出去的清醒温柔感，像清晨第一缕阳光穿过薄薄的棉布窗帘。画面完全由纯粹的色彩构成，采用极度的柔焦（Soft focus）和重度模糊效果（Blurred effect），使得不同颜色之间产生极其平滑、如丝绸般的无缝过渡。整体质感极致平滑细腻（Smooth texture），没有任何杂质。强烈要求：这是一张彻底抽象的现代色彩场（Color Field）作品，绝对不要出现任何具体的物体、几何图案或锐利的边缘！不需要任何胶片颗粒感！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母，不要生成人物轮廓！传达出一种极其平静、舒缓、现代且充满呼吸感的氛围。",
  "cover": {
    "template_id": 1,
    "template_name": "环境光晕流",
    "scene_description": "温暖而克制的珊瑚橘与沙白色渐变，中心漂浮着一团柔和的、边缘消散的暖金光晕，周围缓缓过渡至静谧的浅薄雾灰，整体散发出一种向前走出去的清醒温柔感，像清晨第一缕阳光穿过薄薄的棉布窗帘"
  },
  "style_direction": "A",
  "style_reference": "Dua Lipa, Rihanna"
}