{
  "song_id": "03_lonely eyes_20260412",
  "prompt": "Genre: Indie Pop with modern Synth-Pop production; BPM: 132; Key: B Major; Rhythm: Driving half-time groove with a kick on 1 and snare/clap on 3, overlaid with persistent 16th-note shakers and hi-hats creating a feeling of relaxed momentum.; Instruments: Felted e-piano playing arpeggios, clean round sub-bass, tight electronic drum kit, wide atmospheric synth pads, reverb-heavy clean electric guitar textures; Vocals: Male, breathy intimate close-mic tenor in verses, transitioning to a clear, layered, and emotive falsetto in the chorus with lush background vocal stacks; Mood: The quiet hum of a city street at 3 AM, seen from a high-rise window, realizing someone else's light is still on too.; Highlight: The full stop after the second chorus, where the dense synth pads cut out, leaving only a sustained vocal reverb tail that hangs in the air before the sparse piano re-enters for the bridge.",
  "title": "Voicemail Draft",
  "lyrics": "[intro]\n(Inst: Felted electric piano arpeggios, distant reverb. Wide synth pad swell.)\n(Chords: B - G#m - E - B)\n(Mix: High-Fidelity, Pristine Radio-Ready Mix with expensive analogue warmth and silky smooth high-end. Wide stereo field, prominent but controlled sub-bass, clean mids. Vocals sit on top with spacious reverb. Gentle bus compression.)\n\n[verse]\n(Vocal-Perf: Breathy, intimate chest voice, minimal vibrato.)\n(Inst: Piano continues. Clean sub-bass enters. Minimalist electronic beat with kick on 1, clap on 3.)\n(Chords: B - G#m - E - B)\n(Melody-Contour: Conversational, narrow melodic range, small stepwise motion.)\n(Melody-Rhythm: Relaxed, slightly behind the beat phrasing.)\nI kept a voicemail from a Wednesday in October\nYour voice still doing that thing where it drops at the end of a sentence\nI've replayed it enough that I know every breath, every pause\nBut I still don't know what I wanted you to say\n\n[pre-chorus]\n(Vocal-Perf: Lifts into a slightly higher, more airy register.)\n(Inst: 16th-note shaker enters, building energy. Pad swells.)\n(Chords: C#m - G#m - E)\n(Melody-Contour: Ascending stepwise line building anticipation.)\n(Melody-Rhythm: More syncopated, pushing the beat forward.)\n(Transition: Filter sweep up on the synth pads.)\nAnd I press delete, I press it again\nBut somehow it's still sitting there at the end\n\n[chorus]\n(Vocal-Perf: Jumps to clear, layered falsetto. Lush background vocal stacks enter, wide-panned.)\n(Inst: Full beat drops. Wide, lush synth pads dominate. Reverb-drenched guitar arpeggios.)\n(Chords: E - B - G#m - F#)\n(Mix: Stereo field widens significantly. Parallel compression on drums and vocals for punch.)\n(Hook-DNA: Vocal motif rhythm: quarter-eighth-eighth | quarter-rest; anchors on the 5th and resolves to the root at the end of the 4-bar phrase; repeats twice with slight melodic variation.)\n(Melody-Contour: Signature leap is an ascending perfect 4th to the falsetto hook note. Overall shape is a high plateau.)\n(Melody-Rhythm: Main hook lands squarely on beat 1, direct and memorable.)\n(Melody-Harmonic-Tension: Falsetto melody holds the 5th over the IV chord for two beats, creating a gentle suspension before resolving down. The phrase \"I feel too\" lands on the root over the V chord for arrival.)\nVoicemail draft\nSixteen seconds, unsent\nAll the words I almost had the nerve to mean\nVoicemail draft\nI wrote it out again\nDeleted every line before you'd ever seen\nCause some things live better in between\n\n[verse]\n(Vocal-Perf: Returns to intimate chest voice, slightly more presence.)\n(Inst: Energy drops back. Hi-hats remain but are lower in the mix. Sub-bass and piano are the focus.)\n(Chords: B - G#m - E - B)\n(Melody-Contour: Similar to verse 1, conversational.)\n(Melody-Rhythm: Follows the established relaxed verse phrasing.)\nThere's a blue unread notification\nStill glowing in my pocket like a small accusation\nI typed your name, I stopped at the first letter twice\nWatched the cursor blink until it felt like advice\n\n[pre-chorus]\n(Vocal-Perf: Lifts in register, subtle harmony added.)\n(Inst: Energy builds again with shakers and pad swells.)\n(Chords: C#m - G#m - E)\n(Melody-Contour: Ascending line mirroring the first pre-chorus.)\n(Melody-Rhythm: Syncopated, driving forward.)\nAnd I press delete, I press it again\nBut somehow it's still sitting there at the end\n\n[bridge]\n(Vocal-Perf: Raw, more emotional delivery, less breathy, more direct tone. Rhythmic ad-libs.)\n(Inst: Instruments drop out to sparse piano chords and a heavily reverbed clap.)\n(Chords: C#m - G#m - B - F#)\n(Mix: Center-focused and drier, creating intimacy before the final wide chorus.)\n(Melody-Contour: Repetitive, chant-like melody that creates a hypnotic feel.)\n(Melody-Rhythm: Highly rhythmic and syncopated, almost a rap cadence.)\n(Melody-Harmonic-Tension: A single melodic phrase repeats over changing chords, creating shifting harmonic color and ending on the V chord to create an unresolved feeling that demands the final chorus.)\nMaybe you moved on, maybe you forgot\nI keep the evidence of everything I'm not\nEvery almost, every door I never knocked\nMaybe you moved on, maybe you forgot\nI keep the evidence of everything I'm not\nEvery almost, every door I never knocked\n\n[chorus]\n(Vocal-Perf: Most intense delivery. Falsetto ad-libs float over the main vocal. Full background vocal stacks.)\n(Inst: All elements return, bigger than before. Cymbals crash on downbeats.)\n(Chords: E - B - G#m - F#)\n(Mix: Widest and loudest point of the song. Bass slightly more saturated.)\n(Hook-DNA: Same as first chorus, but with more layers and intensity.)\n(Melody-Contour: The ascending P4 leap feels more impactful with the added layers.)\n(Melody-Rhythm: The directness of the hook on beat 1 provides the final emotional punch.)\n(Melody-Harmonic-Tension: Tension-release pattern is amplified by the full production and more desperate vocal performance.)\nVoicemail draft\nSixteen seconds, unsent\nAll the words I almost had the nerve to mean\nVoicemail draft\nI wrote it out again\nDeleted every line before you'd ever seen\nCause some things live better in between",
  "cover_prompt": "生成一张极简主义（Minimalist）插画和阴影艺术（Shadow art）风格的艺术图片作为无字音乐专辑封面。画面的核心是一部翻盖式旧手机静置在窗台，屏幕发出幽蓝冷光，屏幕上只有一个闪烁的光标光晕投影在墙面上，窗外是深邃模糊的夜色建筑轮廓。整个投影区域具有淡蓝灰色、带颗粒感的纹理，类似于旧丝网印刷（Screenprint）的质感，光晕边缘向四周柔和晕散。背景是一个极深的午夜蓝实色区域，带有细腻的微光肌理，冷静而压抑。构图干净、宁静且优雅。强烈要求：这是一张纯粹的、极简主义、治愈系插图，绝对不要出现具体的五官、现代工业物品或3D渲染效果！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母！传达出一种宁静、压抑、怀旧且梦幻的艺术气息。",
  "cover": {
    "template_id": 6,
    "template_name": "极简窗影治愈流",
    "scene_description": "一部翻盖式旧手机静置在窗台，屏幕发出幽蓝冷光，屏幕上只有一个闪烁的光标光晕投影在墙面上，窗外是深邃模糊的夜色建筑轮廓；投影区域呈淡蓝灰色颗粒感纹理，光晕边缘向四周柔和晕散；背景为极深的午夜蓝实色，带有细腻微光肌理"
  },
  "style_direction": "B",
  "style_reference": "Billie Eilish, Lorde"
}