{
  "prompt": "Genre: Alternative R&B / Indie Pop Fusion; BPM: 83; Key: A Major; Rhythm: Languid, behind-the-beat groove driven by interwoven, clean electric guitar arpeggios, with minimal, almost subliminal percussion; Instruments: Layered clean guitars DI signal chorus/verb, Arpeggiated guitar audible finger noise, Warm round electric bass minimal attack, Warm analog synth pads long swells; Vocals: Male tenor, strained emotional upper register, conversational delivery shifting to impassioned cries, featuring a brain-scratching melodic hook and lush background vocal stacks; Mood: Finding a faded polaroid from a past summer in a forgotten shoebox, the specific mix of sharp memory and blurred emotion; Highlight: The sudden, jarring shift at 03:25 where the lead vocal breaks into a raw, distorted scream over a wall of guitar feedback, shattering the song's dreamy texture.",
  "lyrics": "[verse]\n(Mix: Full mix baseline: Intimate and wide. Layered clean guitars panned hard L/R creating a rich stereo field. Vocals sit dead center, forward, with subtle plate reverb. Bass is warm, round, and centered. Minimal compression, dynamic.)\n(Inst: Clean arpeggiated e-guitar (L), Clean chordal e-guitar (R))\n(Chords: A - E - F#m - D)\n(Vocal-Perf: Conversational, slightly strained tenor, intimate delivery)\n(Melody-Rhythm: Phrases starting on beat 1, simple quarter/eighth note rhythms, conversational flow.)\n(Melody-Contour: Mostly stepwise motion, small melodic range, reflecting spoken cadence.)\nI thought that I was dreaming when you said you love me\nIt started of nothin'\nI had no chance to prepare\nI couldn't see you coming\nIt started of nothin'\nI could hate you now\nIt's quite alright to hate me now\nWhen we both know that deep down\nThe feeling still deep down is good\n\n[chorus]\n(Mix: Energy lift via added vocal layers and slightly more prominent bass.)\n(Inst: Additional harmony guitar enters, Subtle bass synth pad swells.)\n(Chords: A - E - F#m - D)\n(Vocal-Perf: More impassioned, higher register, lush background vocal stacks enter, creating a wash of sound.)\n(Hook-DNA: Rhythmic motif: two stressed eighth notes followed by a descending quarter note phrase; Pitch anchor: Melody circles the 3rd and 5th of the key, resolving to the root on the final word; Repetition: Core phrase repeats twice with slight lyrical variation.)\n(Melody-Contour: Arch shape, ascending P4 leap from 5 to root, then descending stepwise.)\n(Melody-Rhythm: Syncopated entry before beat 1, creating a sense of urgency before settling into the downbeat.)\n(Melody-Harmonic-Tension: Melody holds the major 7th over the V chord for a full beat, creating a poignant, unresolved feeling before resolving down to the 3rd of the tonic chord.)\nIf I could see through walls, I could see you're faking\nIf you could see my thoughts you would see your faces\nSafe in my rental like an armored truck back then\nWe didn't give a **** back then\nI ain't a kid no more\nWe'll never be those kids again\nWe'd drive to Syd's, had the X6 back then\nBack then\nNo matter what I did\nMy waves wouldn't dip back then\nEverything sucked back then\nWe were friends\n\n[verse]\n(Mix: Pulls back to verse 1 texture.)\n(Inst: Guitar layers simplified slightly, one guitar drops out.)\n(Chords: A - E - F#m - D)\n(Vocal-Perf: Returns to intimate, close-mic delivery, more rhythmic complexity in phrasing.)\nI thought that I was dreaming when you said you love me\nIt started from nothing\nI had no chance to prepare\nI couldn't see you coming\nIt started from nothing\nI could hate you now\nIt's quite alright to hate me now\nWhen we both know that deep down\nThe feeling still deep down is good\n\n[chorus]\n(Mix: Similar build to first chorus, but with more intense background vocal layers.)\n(Inst: Bassline becomes slightly more melodic.)\n(Chords: A - E - F#m - D)\n(Vocal-Perf: Lead vocal feels more desperate, almost on the edge of breaking. Background vocals are wider and more processed.)\n(Hook-DNA: Same as first chorus, but the delivery adds a new layer of emotional weight.)\n(Melody-Harmonic-Tension: Tension is heightened by the vocal performance pushing the pitch slightly sharp on the held 7th, increasing the emotional strain.)\nIn the halls of your hotel\nArm around my shoulder so I could tell\nHow much I meant to you meant is sincere back then\nWe had time to kill back then\nYou ain't a kid no more\nWe'll never be those kids again\nIt's not the same, ivory's illegal\nDon't you remember?\n\n[bridge]\n(Mix: Texture thins out dramatically, creating space.)\n(Inst: Only a single, sparse arpeggiated guitar remains.)\n(Chords: D - A/C# - Bm - E)\n(Vocal-Perf: Almost spoken-word, rhythmically complex, a rapid-fire delivery of memories.)\n(Melody-Rhythm: Rapid 16th-note phrasing, flowing over the bar lines, contrasting with the slow harmonic rhythm.)\n(Melody-Harmonic-Tension: Melody intentionally avoids chord tones, floating on the 2nd and 4th over the progression, creating a feeling of narrative detachment before landing hard on the root of the final V chord, setting up the climax.)\nI broke your heart last week\nYou'll probably feel better by the weekend\nStill remember, had you going crazy\nScreaming my name\nThe feeling deep down is good\nI thought that I was dreaming when you said you love me\nIt started from nothing\nI had no chance to prepare\nI couldn't see you coming\nIt started from nothing\nI could hate you now\nIt's alright to hate me now\nWhen we both know that deep down\nThe feeling still deep down is good\n\n[outro]\n(Mix: Complete deconstruction. Heavy saturation, distortion, clipping. Stereo image collapses into a chaotic mono-centric wall of sound. Extreme dynamic range shift.)\n(Sound-Design: The sound of physical destruction, equipment being pushed past its limits.)\n(Inst: Guitar feedback, Distorted overdriven guitars, Room noise becomes audible.)\n(Vocal-Perf: Shifts from singing to raw, distorted screaming. Pitch is secondary to emotional expression. Multiple vocal takes overlap chaotically.)\nAll the things I didn't mean to say\nI didn't mean to do\nThere were things you didn't need to say\nDid you mean to? Mean to\nI've been dreamin' of you\nDreamin' of you\nI've been dreamin' of you\nDreamin' of you\nI've been dreamin',dreamin'",
  "song_id": "05_Ivy_20260412",
  "_meta": {
    "provider": "google",
    "model": "gemini-2.5-pro",
    "usage": {
      "prompt_tokens": 11468,
      "completion_tokens": 1735,
      "total_tokens": 16139
    },
    "generated_at": "2026-04-12T17:24:27.430622+08:00"
  },
  "_prompt_compressed": {
    "from": 1156,
    "to": 867
  }
}