{
  "prompt": "Genre: Pop-R&B with Neo-Soul influences; BPM: 90; Key: C Major; Rhythm: Relaxed, syncopated drum machine groove with a laid-back 16th-note hi-hat pattern and a melodic bassline creating a driving pocket syncopation; Instruments: Warm detuned e-piano with audible key noise, round melodic sub-bass, clean muted funk guitar licks, lo-fi drum machine (pillowy kick, soft snap); Vocals: Multiple Male Vocals; lead is a high tenor with a smooth, breathy, intimate close-mic delivery, featuring extensive melisma; supporting vocals include a soulful tenor and a deep, rich baritone; Mood: A late-afternoon drive down a coastal highway in a convertible, warm sun on your skin, no particular place to go; Highlight: The textural shock when the deep baritone vocal enters after two higher tenors, its low-register warmth completely re-grounding the track's emotional center.",
  "lyrics": "[intro]\n(Mix: Prominent warm sub-bass, clean but lo-fi textured mids, silky smooth highs. Wide stereo field with vocals centered. Polished but effortless compression, subtle tape saturation.)\n(Inst: Warm detuned electric piano with audible key noise.)\n(Chords: Cmaj7 - Fmaj7 - Am7 - G)\n\n[chorus]\n(Mix: Kick and bass slightly pushed, creating more bounce.)\n(Hook-DNA: Core motif is a syncopated 4-note descending line; lands just after beat 1; resolves to the root on the final word; repeats with slight variation, answered by spoken ad-lib.)\n(Melody-Contour: Descending contour, starts on the 5th, moves stepwise down to the root. Main melodic leap is a minor 3rd drop.)\n(Melody-Rhythm: Relaxed phrasing, mostly on-beat eighth notes, starts on the 'and' of 4 leading into the bar.)\n(Melody-Harmonic-Tension: Melody largely follows chord tones creating a consonant feel. Slight tension from holding the 2nd over the tonic chord briefly before resolving.)\n(Inst: Pillowy kick, soft clap, 16th-note hi-hats, round sub bass, clean funky guitar licks.)\n(Vocal-Perf: Male tenor, smooth, breathy, effortless delivery. Backing vocals are hushed, tight harmonies.)\n(Chords: Cmaj7 - Fmaj7 - Am7 - G)\nI got my peaches out in Georgia\nOh yeah shit\nI get my weed from California\nThat's that shit\nI took my chick up to the North yeah\nBadass b***h\nI get my light right from the source yeah\nYeah that's it\n\n[verse]\n(Mix: Vocals become more intimate, slightly drier.)\n(Inst: Guitar becomes more prominent with subtle chordal stabs. Bassline is more melodic.)\n(Vocal-Perf: Second male tenor, soulful, more legato phrasing, intimate close-mic feel. Less processing than chorus vocal.)\n(Melody-Contour: More conversational, smaller melodic range, mostly stepwise motion.)\n(Melody-Rhythm: Phrasing weaves around the beat, heavy syncopation, feels behind the pocket.)\n(Chords: Cmaj7 - Fmaj7 - Am7 - G)\nYou ain't sure yet\nBut I'm for ya\nAll I can want\nAll I can wish for\nNights alone that we miss more\nAnd days we save as souvenirs\nThere's no time I wanna make more time\nAnd give you my whole life\n\n[pre-chorus]\n(Transition: Drums drop out for the first two bars, re-entering with a simple fill.)\n(Inst: Only warm pads and piano under the vocal initially.)\n(Vocal-Perf: Third male vocal, deep baritone, rich and resonant timbre. Smooth, almost spoken delivery creating dynamic and tonal contrast.)\n(Melody-Contour: Low register, mostly monotonic with small melodic turns at phrase ends, building anticipation.)\n(Melody-Rhythm: Deliberate, on-beat phrasing, very grounded.)\n(Chords: Cmaj7 - Fmaj7 - Am7 - G)\nI get the feeling so I'm sure\nHand in my hand because I'm yours\nI can't I can't pretend\nI can't ignore you're right for me\nDon't think you want to know just where I've been no\n\n[chorus]\n(Mix: Full energy, slightly wider stereo image. Ad-libs panned wider.)\n(Hook-DNA: Core motif is a syncopated 4-note descending line; lands just after beat 1; resolves to the root on the final word; repeats with slight variation, answered by spoken ad-lib.)\n(Melody-Contour: Descending contour, starts on the 5th, moves stepwise down to the root. Main melodic leap is a minor 3rd drop.)\n(Melody-Rhythm: Relaxed phrasing, mostly on-beat eighth notes, starts on the 'and' of 4 leading into the bar.)\n(Melody-Harmonic-Tension: Melody largely follows chord tones creating a consonant feel. Slight tension from holding the 2nd over the tonic chord briefly before resolving.)\n(Inst: All elements present. More active ad-libs and background vocals.)\n(Vocal-Perf: Male tenor, more energy, layered with harmonies and ad-libs from all vocalists.)\n(Chords: Cmaj7 - Fmaj7 - Am7 - G)\nI got my peaches out in Georgia\nOh yeah shit\nI get my weed from California\nThat's that shit\nI took my chick up to the North yeah\nBadass b***h\nI get my light right from the source yeah\nYeah that's it\n\n[outro]\n(Mix: Slow fade out with a long reverb tail on the final piano chord.)\n(Inst: Instrumentation gradually strips away, leaving piano and vocal ad-libs.)\n(Vocal-Perf: Improvised vocal runs and ad-libs fading out.)\n(Chords: Cmaj7 - Fmaj7 - Am7 - G)\nI got my peaches out in Georgia\nOh yeah shit\nI get my weed from California\nThat's that shit",
  "song_id": "04_Peaches_20260412",
  "_meta": {
    "provider": "google",
    "model": "gemini-2.5-pro",
    "usage": {
      "prompt_tokens": 10034,
      "completion_tokens": 1529,
      "total_tokens": 14521
    },
    "generated_at": "2026-04-12T17:26:57.165192+08:00"
  },
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}