{
  "prompt": "Genre: Pop-R&B with Neo-Soul and Funk influences; BPM: 90; Key: C Major; Rhythm: Relaxed, half-time funk/R&B groove with a sparse, syncopated kick and a strong backbeat on the 3; Instruments: Detuned upright piano, warm felt hammer sound; Round DI synth bass, clean sub; Sampled lo-fi drum kit; Clean funky e-guitar, staccato chords; Wide analog synth pads; Vocals: Multiple Male Vocals, a main light pop tenor with effortless falsetto, a secondary warm R&B baritone, and a third soulful high tenor for harmonies and ad-libs; Mood: Driving with the windows down on a perfect summer afternoon, golden hour light hitting the dashboard, not a single cloud in the sky; Highlight: the near-spoken, rhythmically precise delivery of the chorus's opening phrase, landing just behind the beat, establishing an instant, effortless groove.",
  "lyrics": "[intro]\n(Mix: Prominent warm sub-bass, clean mids, silky highs. Wide stereo image. Light buss compression with analogue warmth. Vocals centered.)\n(Inst: Detuned upright piano with felt hammer noise, soft pads.)\n(Chords: Fmaj7 - Em7 - Dm7 - Cmaj7)\n\n[chorus]\n(Hook-DNA: Descending 3-note motif G-E-C; Rhythm is two 8ths + quarter starting on beat 1, syncopated; Anchors on the root C; Repeats 4x.)\n(Melody-Contour: Simple descending line from 5 to 1, plateau shape.)\n(Melody-Rhythm: Vocal phrases start on the 'and' of 4, landing just behind the downbeat, creating a laid-back feel.)\n(Inst: Drums enter with driving pocket syncopation, clap on 3. Clean DI synth bass. Funky guitar stabs.)\n(Vocal-Perf: Light, airy chest voice, cool and conversational.)\n(Chords: Fmaj7 - Em7 - Dm7 - Cmaj7)\nI got my peaches out in Georgia\nOh yeah shit\nI get my weed from California\nThat's that shit\nI took my chick up to the North yeah\nBadass b***h\nI get my light right from the source yeah\nYeah that's it\n\n[verse]\n(Mix: Drums and guitar simplify, creating space for the vocal.)\n(Melody-Contour: Gentle arch shape, rising to a higher register.)\n(Melody-Rhythm: Longer, more connected legato phrases than the chorus.)\n(Vocal-Perf: Main vocalist shifts from chest voice to smooth, effortless falsetto, intimate close-mic feel.)\n(Inst: Piano and bass lead the progression, pads swell underneath.)\n(Chords: Fmaj7 - G7 - Cmaj7 - Am7)\nAnd I say oh\nThe way I breathe you in\nIt's the texture of your skin\nI want to wrap my arms around you babe and never let you go\nAnd I say oh\nThere's nothing like your touch\nIt's the way you lift me up\nYeah and I'll be right here with you till the end\n\n[verse]\n(Mix: Full arrangement returns, stereo image widens.)\n(Melody-Contour: Narrower melodic range with stepwise motion.)\n(Melody-Rhythm: More on-the-beat, grounded R&B phrasing.)\n(Vocal-Perf: Second male vocalist enters with a rich, warm baritone timbre.)\n(Inst: Funky guitar fills become more prominent in the mix.)\n(Chords: Fmaj7 - Em7 - Dm7 - Cmaj7)\nYou ain't sure yet\nBut I'm for ya\nAll I can want\nAll I can wish for\nNights alone that we miss more\nAnd days we save as souvenirs\nThere's no time I wanna make more time\nAnd give you my whole life\n\n[bridge]\n(Melody-Harmonic-Tension: Melody hangs on the 9th over the tonic chord, creating sweet tension before resolving down at the end of the phrase.)\n(Melody-Contour: Ascending line that builds energy into the final chorus.)\n(Vocal-Perf: Third male vocalist enters with a higher, more soulful tenor, building intensity.)\n(Inst: Drums drop out, leaving only piano, bass, and soft pads.)\n(Chords: Fmaj7 - G7 - Am7 - G/B)\nI get the feeling so I'm sure\nHand in my hand because I'm yours\nI can't I can't pretend\nI can't ignore you're right for me\nDon't think you want to know just where I've been no\nDon't be distracted\nThe one I need is right in my arms\n\n[chorus]\n(Transition: Full band drops out for one beat before the chorus hits with maximum impact.)\n(Mix: Widest and most dynamic section. Additional vocal layers and ad-libs fill out the space.)\n(Melody-Harmonic-Tension: The simple, diatonic melody provides a strong anchor against the richer 7th chords, creating a constant feeling of relaxed resolution.)\n(Vocal-Perf: All vocalists contribute to harmonies and ad-libs, creating lush background vocal stacks.)\n(Inst: All instrumental elements at full energy.)\n(Chords: Fmaj7 - Em7 - Dm7 - Cmaj7)\nI got my peaches out in Georgia\nOh yeah shit\nI get my weed from California\nThat's that shit\nI took my chick up to the North yeah\nBadass b***h\nI get my light right from the source yeah\nYeah that's it\n\n[outro]\n(Mix: Gradual fade out, allowing reverb and delay tails to become more audible.)\n(Vocal-Perf: Ad-libbed phrases and vocal runs from all three vocalists weave around each other.)\n(Inst: Instrumental groove continues under ad-libs and fades.)\nI got my peaches out in Georgia\nOh yeah shit\nI get my weed from California\nThat's that shit",
  "song_id": "04_Peaches_20260412",
  "_meta": {
    "provider": "google",
    "model": "gemini-2.5-pro",
    "usage": {
      "prompt_tokens": 10034,
      "completion_tokens": 1498,
      "total_tokens": 14670
    },
    "generated_at": "2026-04-12T17:41:28.737867+08:00"
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}