{
  "song_id": "01_BIRDS OF A FEATHER_20260412",
  "prompt": "Genre: Synth-Pop / Indie Pop; BPM: 132; Key: Ab Major; Rhythm: Driving 80s-style drum machine beat with a tight kick, crisp snare on 2 & 4, and steady 16th-note hi-hats. A punchy synth bass provides a rhythmic anchor; Instruments: 80s Drum Machine (Punchy kick, gated snare), Synth Bass (Round, driving), Juno-style Synth Pads (Lush chords), Arpeggiated Synths (Stereo texture), Clean Electric Guitar (Chorused arpeggios); Vocals: Female, intimate and breathy in verses, soaring and melodic in the chorus with extensive, layered harmonies. Relatively dry lead vocal with lush, reverberant backing vocals; Mood: Uplifting, hopeful, romantic, nostalgic; Production: Polished and wide mix. Clear separation between elements. Modern clarity on a retro sound palette. Dense but not cluttered; Structure: Intro, Verse, Chorus, Verse, Chorus, Bridge, Outro; Language: English; Highlight: the dynamic shift from intimate breathy verses to a wide, layered, anthemic pop chorus",
  "title": "Parallel Frequency",
  "lyrics": "[intro]\n(Chords: Dbmaj7 - Abmaj7 - Eb - Fm7)\n(Inst: Driving drum machine beat with tight kick and snare. Shimmering, arpeggiated synth establishes the mood. Warm synth bass pulses with the kick.)\n(Mix: Wide stereo field. Synths pan left and right, drums and bass are centered.)\n\n[verse]\n(Chords: Dbmaj7 - Abmaj7 - Dbmaj7 - Abmaj7)\n(Vocal-Perf: Intimate, close-mic'd, breathy lead vocal. Mezzo-piano dynamics. Conversational rhythm.)\n(Inst: Arrangement thins slightly. Synth bass and drums maintain the core groove. A clean, chorused electric guitar plays subtle arpeggios.)\n(Transition: Smooth, energy held in reserve for the chorus.)\nFound your number in a coat I never wear\nOld receipt, your handwriting still there\nSeven digits pressed into the paper\nLike a signal searching for its tracer\nI put it on the fridge, then pulled it down\nTried to call, just listened to the sound\n\n[chorus]\n(Chords: Dbmaj7 - Abmaj7 - Eb - Fm7)\n(Vocal-Perf: Lead vocal becomes clearer, melodic, and louder (mezzo-forte). Joined by multiple layers of lush, wide-panned harmonies creating an anthemic feel.)\n(Inst: The mix fills out. A bright lead synth doubles the main vocal melody. Drums are more impactful with open hi-hats.)\n(Melody-Contour: Soaring, memorable hook with an upward leap.)\n(Transition: A subtle synth swell leads in, increasing the energy.)\nWe were always on the same frequency, oh\nEvery word you said was landing perfectly\nParallel, parallel, running side by side\nPulling me back like the pull of the tide\nAnd I don't wanna tune you out, I can't\nYou're the clearest signal that I have\nWe were always on the same frequency\nParallel, parallel, stay close to me\n\n[verse]\n(Chords: Dbmaj7 - Abmaj7 - Dbmaj7 - Abmaj7)\n(Vocal-Perf: Returns to the intimate, breathy style of the first verse, maintaining dynamic contrast.)\n(Inst: Arrangement is similar to Verse 1, with more subtle synth textures lingering from the chorus, keeping the momentum.)\n(Mix: Vocal remains upfront and centered. The background elements provide a wide, supportive bed.)\nSometimes I hear a song on someone's radio\nThree seconds in I know it's one we know\nI laugh before the hook, before the verse\nLike my whole body memorized you first\nIt's strange to carry someone in your pulse\nBut stranger still to want no one else\n\n[chorus]\n(Chords: Dbmaj7 - Abmaj7 - Eb - Fm7)\n(Vocal-Perf: Full, layered, and anthemic again. Strong harmonies, possibly with more layers than the first chorus.)\n(Inst: The energy lifts again to match the first chorus. All elements are present and driving forward.)\n(Transition: The final line of the verse launches the energy into the chorus.)\nWe were always on the same frequency, oh\nEvery word you said was landing perfectly\nParallel, parallel, running side by side\nPulling me back like the pull of the tide\nAnd I don't wanna tune you out, I can't\nYou're the clearest signal that I have\nWe were always on the same frequency\nParallel, parallel, stay close to me\n\n[bridge]\n(Chords: Gbmaj7 - Dbmaj7 - Abmaj7 - Eb)\n(Vocal-Perf: A moment of reflection. The lead vocal is more exposed and tender. Harmonies are ethereal and pad-like.)\n(Inst: The drum beat drops out. Synth pads become the primary focus, creating a floaty, dreamlike atmosphere.)\n(Mix: The space opens up, feeling more atmospheric and less rhythmically driving.)\n(Transition: A filter sweep on the synths builds the energy back up into the outro.)\nMaybe the distance was just static all along\nMaybe I already knew where I belong\nClose enough to feel it, strong\n\n[outro]\n(Chords: Dbmaj7 - Abmaj7 - Eb - Fm7)\n(Vocal-Perf: A wash of layered vocals, ad-libs, and harmonies over the fading instrumental. Emotional and free-flowing.)\n(Inst: The full instrumental groove returns and slowly fades out under the vocal layers.)\n(Mix: Very wide and immersive, with vocal layers panned across the stereo field, creating a final, blissful release of energy.)\nSame frequency, always\nSame frequency, always\nParallel lines finding their way\nSame frequency, always",
  "cover_prompt": "生成一张现代平面设计（Modern graphic design）风格的几何艺术图片作为无字音乐专辑封面。画面的核心是：柔和的珊瑚粉与薰衣草紫交织的渐变背景上，数条平行的细白线以极其微妙的弧度向画面中央汇聚，却始终保持若即若离的间距，永不相交，线条边缘以极轻微的高斯模糊处理，制造出如调频信号般的颤动感，整体散发出一种数字怀旧的温柔张力。采用纯粹的数字矢量图形（Vector art）媒介，质感极致平滑干净（Smooth and clean textures），绝对没有任何画笔笔触、水彩晕染或写实肌理。通过线条的排列、交错和高对比度色彩，创造出类似欧普艺术（Op Art）的视觉错觉，赋予画面极强的视觉动感（Sense of movement）和空间纵深感（Depth）。强烈要求：这是一张纯数字生成的抽象几何图形作品，绝对不要出现任何具象的自然风光、人物、动物或实体物品！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母！传达出精准、充满秩序感且极具律动（Groove）的现代视觉效果。",
  "cover": {
    "template_id": 4,
    "template_name": "动态矢量几何流",
    "scene_description": "柔和的珊瑚粉与薰衣草紫交织的渐变背景上，数条平行的细白线以极其微妙的弧度向画面中央汇聚，却始终保持若即若离的间距，永不相交，线条边缘以极轻微的高斯模糊处理，制造出如调频信号般的颤动感，整体散发出一种数字怀旧的温柔张力"
  },
  "style_direction": "A",
  "style_reference": "Dua Lipa, Charli XCX"
}