{
  "song_id": "01_Attention_20260417",
  "prompt": "Genre: Pop-Funk / R&B; BPM: 100; Key: A# minor; Rhythm: Mid-tempo funk groove driven by a syncopated 16th-note bassline. Tight, simple drum pattern (kick on 1 & 3, snare on 2 & 4) with subtle 8th-note hi-hats.; Instruments: Muted electric bass (melodic hook), clean funky electric guitar (staccato muted chords), tight acoustic drum kit (dry mix), subtle warm synth pads for harmony.; Vocals: Male high tenor with a smooth, breathy falsetto. Lead is precise and rhythmic, with layered harmonies and ad-libs creating a lush texture.; Mood: Sultry, groovy, and slightly melancholic.; Production: Polished and clean mix. Bass and lead vocals are upfront and centered. Wide stereo field for backing vocals and guitars. Minimal but effective use of reverb and delay.; Structure: Intro, Verse, Pre-Chorus, Chorus, Verse, Chorus, Bridge, Outro.; Language: English; Highlight: The groovy, melodic, and syncopated muted electric bassline that drives the entire track.",
  "title": "Slow Dissolve",
  "lyrics": "[intro]\n(Chords: A#m - F# - G# - A#m)\n(Inst: Solo muted electric bass playing the main syncopated hook. Tight and groovy. Minimalist.)\n(Mix: Centered bass, lots of negative space.)\n(Vocal-Perf: Breathy vocal ad-lib \"ooh\" with reverb tail.)\n\n(Transition: Clean kick and snare enter.)\n\n[verse]\n(Chords: A#m - F# - G# - A#m)\n(Inst: Bass continues as foundation. Tight drums enter. Clean, muted funk guitar plays staccato stabs, panned right.)\n(Mix: Vocals upfront and dry. Intimate, focused sound.)\n(Vocal-Perf: Conversational, rhythmic chest voice delivery. Mezzo-piano.)\nI kept your sweater folded on the chair for three whole weeks\nTold myself I just forgot, told myself it don't mean\nThe coffee maker gurgles at the hour that you'd leave\nAnd something in that sound still pulls the stitching from my seams\n\n(Transition: Warm synth pad swells in.)\n\n[pre-chorus]\n(Chords: A#m - F# - G# - A#m)\n(Inst: Synth pad adds harmonic depth. Bass and drums continue the groove. Subtle tension build.)\n(Mix: Stereo field widens slightly with the pad.)\n(Vocal-Perf: Melody ascends, building intensity. Smooth transition to falsetto on \"mine\".)\nI almost texted you at half past nine last Friday\nDeleted every word before I hit your name\nI'm getting better, baby — well, I almost might be\nBut almost isn't over, and it tastes the same\n\n(Transition: Drum fill with a slight crash cymbal leading into the chorus.)\n\n[chorus]\n(Chords: A#m - D#m - F# - G#)\n(Inst: Full arrangement. Bassline slightly modifies to fit new chords. Guitar becomes more prominent. Pads are lush.)\n(Mix: Wide and full. Layered backing vocals panned left and right.)\n(Vocal-Perf: Powerful chest voice with falsetto accents. Mezzo-forte. The bassline's melodic and rhythmic drive is the focus.)\nI'm in a slow dissolve, slow dissolve\nGoing under easy where nobody calls\nEvery room still holds the shape of you somehow\nSlow dissolve, slow dissolve\nI can feel it all unraveling right now\nAnd I don't know how to stop the slow dissolve\n\n(Transition: A single sustained synth note holds over the break.)\n\n[verse]\n(Chords: A#m - F# - G# - A#m)\n(Inst: Instrumentation drops back to verse 1 level, but with slightly more energy from the lingering chorus.)\n(Mix: Narrows again, creating dynamic contrast.)\n(Vocal-Perf: Confident delivery, includes harmonies on key phrases like \"call you up\".)\nI rearranged the furniture to break the sight lines down\nPut something different where your shadow used to fall\nBut muscle memory is cruel — my eyes still scan the ground\nFor shoes that haven't touched this hallway floor at all\n\n(Transition: Repeat the pre-chorus swell and drum fill.)\n\n[chorus]\n(Chords: A#m - D#m - F# - G#)\n(Inst: Full energy again. More ad-libs and vocal layers than the first chorus.)\n(Mix: Maximum width and impact.)\n(Vocal-Perf: Increased passion and ad-libs. Pushing the upper register.)\nI'm in a slow dissolve, slow dissolve\nGoing under easy where nobody calls\nEvery room still holds the shape of you somehow\nSlow dissolve, slow dissolve\nI can feel it all unraveling right now\nAnd I don't know how to stop the slow dissolve\n\n(Transition: All instruments cut out except for a reverbed vocal tail and the bass, which leads into the bridge.)\n\n[bridge]\n(Chords: A#m - F# - G# - A#m)\n(Inst: Bass and a simple kick/snap pattern. Other instruments are sparse, only coming in for punctuation.)\n(Mix: Vocals are the focus. Call-and-response between lead and backing vocals.)\n(Vocal-Perf: Rhythmic and percussive vocal delivery. Builds tension with repetition.)\nStill here, still here\nLong after the leaving\nStill here, still here\nAnd I can't stop breathing you in\n\n(Transition: All instruments hit hard on the last beat, returning to the main groove.)\n\n[outro]\n(Chords: A#m - D#m - F# - G#)\n(Inst: The full chorus groove returns but with more vocal improvisation over the top.)\n(Mix: Wide and dynamic, slowly fading out.)\n(Vocal-Perf: High-energy ad-libs and falsetto runs over the main hook.)\n(Structure: Fade out with the bassline being the last element heard.)\nSlow dissolve, slow dissolve\n(Still here, still here)\nEvery room still holds the shape of you somehow\n(Long after the leaving)\nSlow dissolve, slow dissolve\nI can feel it all unraveling right now\nAnd I don't know how to stop the slow dissolve",
  "cover_prompt": "生成一张极简主义的抽象环境光晕（Ambient Aura）图片作为无字音乐专辑封面。画面的核心色彩组合与情绪倾向是：沉静忧郁的蓝紫渐变与暗金色边缘晕染交融，如同黄昏时分一杯咖啡在桌上冷却时腾起的最后一缕热气，色彩在画面中央轻轻消散、向四周深蓝慢慢沉落，带着一种无法言说的温柔失重感。画面完全由纯粹的色彩构成，采用极度的柔焦（Soft focus）和重度模糊效果（Blurred effect），使得不同颜色之间产生极其平滑、如丝绸般的无缝过渡。整体质感极致平滑细腻（Smooth texture），没有任何杂质。强烈要求：这是一张彻底抽象的现代色彩场（Color Field）作品，绝对不要出现任何具体的物体、几何图案或锐利的边缘！不需要任何胶片颗粒感！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母，不要生成人物轮廓！传达出一种极其平静、舒缓、现代且充满呼吸感的氛围。",
  "cover": {
    "template_id": 1,
    "template_name": "环境光晕流",
    "scene_description": "沉静忧郁的蓝紫渐变与暗金色边缘晕染交融，如同黄昏时分一杯咖啡在桌上冷却时腾起的最后一缕热气，色彩在画面中央轻轻消散、向四周深蓝慢慢沉落，带着一种无法言说的温柔失重感"
  },
  "style_direction": "B",
  "style_reference": "Billie Eilish, Frank Ocean"
}