{
  "song_id": "02_We Don't Talk Anymore_20260417",
  "prompt": "Genre: Pop / Tropical House; BPM: 100; Key: C# minor; Rhythm: Mid-tempo groove with a syncopated kick pattern. A plucky, melodic bassline drives the rhythm, complemented by simple finger snaps on 2 and 4, creating a laid-back yet danceable feel.; Instruments: Muted electric guitar (plucky, syncopated lead riff), Plucky bass guitar (melodic, central hook), Soft kick drum; Vocals: Male and Female duet. Male: breathy, high tenor with falsetto and R&B-style runs. Female: lower, intimate, breathy, near-spoken delivery.; Mood: Bittersweet and melancholic, with a contrasting groovy, danceable undertone.; Production: Polished, clean, and spacious mix. Vocals are upfront and centered. Bass and kick are tight. Stereo width from guitar plucks and ad-libs. Light, natural reverb.; Structure: Intro - Verse 1 - Pre-Chorus - Chorus - Verse 2 - Pre-Chorus - Chorus - Outro; Language: English; Highlight: The plucky, melodic bassline that defines the track's signature groove.",
  "title": "Fluorescent Hum",
  "lyrics": "[intro]\n(Chords: C#m7 - Aadd9 - E - Bsus4)\n(Vocal-Perf: Male; Breathy falsetto; Gentle delivery)\n(Inst: Plucky melodic bass; Muted guitar arpeggio)\n(Mix: Centered; Intimate; Dry)\nThe checkout line is moving slow\n\n[verse]\n(Chords: C#m7 - Aadd9 - E - Bsus4)\n(Vocal-Perf: Male; Soft chest voice; Conversational rhythm)\n(Inst: Bass and muted guitar continue; Soft kick and finger snaps enter)\n(Mix: Vocals upfront; Percussion adds gentle drive)\n(Transition: Bassline becomes slightly more active)\nThree years ago we split a cart on Tuesday nights\nYou'd read the labels out in different accents just to make me laugh\nNow the fluorescent hum above the frozen aisle\nIs the loudest thing I've heard in quite a while\nAnd I'm grabbing one of everything\nThat we used to split in half\n\n[pre-chorus]\n(Chords: A - E - B - C#m7)\n(Vocal-Perf: Ascending melody; Increased intensity; Pleading tone)\n(Inst: Muted guitar becomes more prominent; Subtle pad swells in)\n(Melody-Contour: Upward arch building tension)\nI typed a whole paragraph at midnight, deleted every word\nHit the pillow with the screen still on, pretending to be fine\nThere's a version of this story where I say it all out loud\nBut the version that I'm living keeps it locked behind a smile\nAnd the grocery bags are heavier\nWhen there's only one at a time\n\n[chorus]\n(Chords: C#m7 - Aadd9 - E - Bsus4)\n(Vocal-Perf: Male lead; Layered falsetto harmonies; Rhythmic delivery)\n(Inst: Full ensemble; Bassline is central and driving; Synth pads create width)\n(Mix: Wider stereo field; Vocals layered and prominent)\n(Highlight: The plucky bassline and vocal hook create an infectious, melancholic groove)\nSo I stand beneath the fluorescent hum, hum, hum\nFluorescent hum, same aisle, going numb\nThe bass is in my chest and the cart is rolling free\nAnd I can't buy for two when two is only me\n\n[verse]\n(Chords: C#m7 - Aadd9 - E - Bsus4)\n(Vocal-Perf: Female; Low, breathy tone; Intimate and close-mic'd)\n(Inst: Instrumentation thins slightly to create space for new vocal)\n(Mix: Focus shifts to female lead vocal)\n(Transition: Brief percussion dropout before female vocal enters)\nI found your gym card wedged behind my mirror on the wall\nExpired by a year, the photo still looks exactly like you did\nI pressed it to the glass and watched our faces overlap\nThen slid it in my pocket, told myself I'd mail it back\nBut Tuesday came and Tuesday went\nAnd I still haven't, still won't\n\n[pre-chorus]\n(Chords: A - E - B - C#m7)\n(Vocal-Perf: Female; Remains breathy but with rising emotion)\n(Inst: Pad swells are more noticeable; Guitar provides counter-melody)\n(Melody-Contour: Gentle rise, mirroring male pre-chorus)\nI rearranged the furniture to fill the shape you left\nPushed the sofa to the window where you used to sit and read\nNow the light falls on a different angle every afternoon\nAnd the room still holds the outline of a life I thought we'd keep\nSo I walk the long way home from work\nJust to need a little more time\n\n[chorus]\n(Chords: C#m7 - Aadd9 - E - Bsus4)\n(Vocal-Perf: Duet; Male and Female vocals intertwine; Ad-libs in background)\n(Inst: Full energy; All elements present)\n(Mix: Widest point of the song; Duet vocals balanced in center)\n(Structure: Climax of the song)\nSo I stand beneath the fluorescent hum, hum, hum\nFluorescent hum, same aisle, going numb\nThe bass is in my chest and the cart is rolling free\nAnd I can't buy for two when two is only me\n\n[outro]\n(Chords: C#m7 - Aadd9 - E - Bsus4)\n(Vocal-Perf: Fading ad-libs from both singers; Overlapping phrases)\n(Inst: Beat and bassline continue as other elements fade out)\n(Mix: Gradual fade out; Reverb tails become more audible)\n(Structure: Fade out ending)\nFluorescent hum\nOne cart, one bag, one lane\nFluorescent hum\nStill splitting everything in my brain\nFluorescent hum",
  "cover_prompt": "生成一张极简主义的几何光影艺术图片作为无字音乐专辑封面。画面的核心是：一个柔焦的细长矩形色块，边缘向外晕散如日光灯管透过毛玻璃的漫射光，颜色从冷白渐变为灰蓝，悬浮于深青灰色的哑光背景正中，矩形上下方各有一条极细的半透明横线如余波般荡开，两侧大量留白，整体构图纵向居中、横向极度克制。画面必须展现出微妙的高级材质肌理，特别是类似水彩晕染（Watercolor texture）或粗糙艺术纸张的触感。整体构图极度克制、留白（Minimalistic composition），注重光与影的柔和交错（Light and shadow interplay）。强烈要求：画面必须保持极致的安宁与静谧（Calm and serene），除了基础的、柔焦的简单几何图形（如模糊的圆、半透明的方块或柔和的线条）外，绝对不要出现任何复杂的现实物体、风景或人物！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母！绝对不要生成人物轮廓。传达出一种充满诗意、呼吸感与冥想空间的视觉感受。",
  "cover": {
    "template_id": 2,
    "template_name": "几何光影艺术流",
    "scene_description": "一个柔焦的细长矩形色块，边缘向外晕散如日光灯管透过毛玻璃的漫射光，颜色从冷白渐变为灰蓝，悬浮于深青灰色的哑光背景正中，矩形上下方各有一条极细的半透明横线如余波般荡开，两侧大量留白，整体构图纵向居中、横向极度克制"
  },
  "style_direction": "B",
  "style_reference": "Billie Eilish, Lorde"
}