{
  "prompt": "Genre: Cinematic Orchestral Pop; BPM: 115; Key: D Major; Rhythm: Slow, spacious trip-hop groove with a heavy, reverberant kick on 1 and snare on 3, creating a grand half-time ballad feel; Instruments: Lush symphonic strings (wide hall reverb), distant grand piano (arpeggios/chords), processed drums (boomy kick/long snare tail), deep synth sub-bass, ethereal harp glissandos; Vocals: Female, breathy and languid low-register verses with prominent vocal fry, soaring to a powerful, emotive chest voice in the chorus, supported by lush background vocal stacks; Mood: Watching old home movies on a giant, empty cinema screen, the dust motes dancing in the projector beam; Highlight: The massive, cinematic swell of the full orchestra and timpani that erupts precisely on the downbeat under the final word of the main chorus hook, creating a wave of tragic grandeur.",
  "lyrics": "[intro]\n(Mix: Cavernous stereo field, cinematic hall reverb. Prominent sub-bass, clean mids. Vocals sit inside the mix. Light saturation on master.)\n(Inst: Distant grand piano (arpeggios), Lush string section (sustained pads), Timpani (soft swells).)\n(Chords: Bm - G - D - A)\n\n[verse]\n(Melody-Contour: Low-register, mostly stepwise descending phrases, ends with slight upward lift.)\n(Melody-Rhythm: Languid, behind-the-beat phrasing, long sustained notes at end of lines.)\n(Vocal-Perf: Breathy, intimate, with prominent vocal fry on phrase-ends.)\n(Inst: Trip-hop beat enters (reverb-heavy kick/snare), Piano more chordal, Strings hold long pads.)\n(Chords: Bm - G - D - A)\nI've seen the world\nDone it all, had my cake now\nDiamonds, brilliant, and Bel-Air now\nHot summer nights mid July\nWhen you and I were forever wild\nThe crazy days, the city lights\nThe way you'd play with me like a child\n\n[chorus]\n(Hook-DNA: Rhythmic Pattern: Rising three-note pickup into a long sustained note on the downbeat. Pitch Anchor: Climbs to and holds on the 5th and 3rd. Repetition: Melodic question repeats, final phrase soars higher.)\n(Melody-Contour: Ascending octave leap from verse, creating a wide, arching shape that crests on the hook's final word.)\n(Melody-Rhythm: Vocals land squarely on downbeats for emphasis, sustained notes create soaring feel.)\n(Melody-Harmonic-Tension: Vocal melody soars to the major 7th over the IV chord, creating poignant dissonance before resolving down to the 5th over the I chord.)\n(Vocal-Perf: Shifts to a powerful, soaring, controlled chest voice. Lush background vocal stacks enter.)\n(Inst: Full orchestra erupts. Timpani rolls, dramatic string swells, French horns add warmth.)\n(Mix: Stereo image widens dramatically. Parallel compression on drums and vocals for size.)\n(Chords: G - A - D - Bm)\nWill you still love me\nwhen I'm no longer young and beautiful\nWill you still love me\nwhen I got nothing but my aching soul\nI know you will, I know you will\nI know that you will\nWill you still love me\nwhen I'm no longer beautiful\n\n[verse]\n(Vocal-Perf: Still intimate but slightly more forward and present in the mix.)\n(Inst: Strings play more active counter-melodies against the vocal.)\n(Chords: Bm - G - D - A)\nI've seen the world, lit it up as my stage now\nChanneling angels in, the new age now\nHot summer days, rock and roll\nThe way you'd play for me at your show\nAnd all the ways I got to know\nYour pretty face and electric soul\n\n[chorus]\n(Hook-DNA: Rhythmic Pattern: Rising three-note pickup into a long sustained note on the downbeat. Pitch Anchor: Climbs to and holds on the 5th and 3rd. Repetition: Melodic question repeats, final phrase soars higher.)\n(Melody-Contour: Ascending octave leap from verse, creating a wide, arching shape that crests on the hook's final word.)\n(Melody-Rhythm: Vocals land squarely on downbeats for emphasis, sustained notes create soaring feel.)\n(Melody-Harmonic-Tension: Vocal melody soars to the major 7th over the IV chord, creating poignant dissonance before resolving down to the 5th over the I chord.)\n(Vocal-Perf: More intense than first chorus, with subtle ad-libs in background vocal layers.)\n(Inst: Cymbals added for impact, string arrangement is even larger.)\n(Mix: Even wider and louder, pushing the dynamic ceiling.)\n(Chords: G - A - D - Bm)\nWill you still love me\nwhen I'm no longer young and beautiful\nWill you still love me\nwhen I got nothing but my aching soul\nI know you will, I know you will\nI know that you will\nWill you still love me\nwhen I'm no longer beautiful\n\n[bridge]\n(Melody-Contour: A pleading, repetitive, ascending line with a chant-like quality.)\n(Melody-Rhythm: Phrases adopt a more flowing, almost triplet feel.)\n(Melody-Harmonic-Tension: Harmony sits on the IV chord for a prolonged period, creating a feeling of heavenly suspension, while the vocal melody circles the 3rd and 5th, delaying resolution.)\n(Vocal-Perf: Becomes raw, prayer-like. Layered vocals create a call-and-response.)\n(Inst: Beat drops out. Only piano, ethereal strings, and harp remain.)\n(Chords: G - D/F# - Em7 - A)\n(Transition: Timpani roll and massive string swell builds into final section.)\nDear lord when I get to heaven\nPlease let me bring my man\nWhen he comes tell me that you'll let him in\nFather tell me if you can\nAll that grace, all that body\nAll that face makes me wanna party\nHe's my sun, he makes me shine like diamonds\n\n[outro]\n(Vocal-Perf: Repetitive, fading vocal phrase, becoming a whisper with heavy reverb tails.)\n(Inst: Orchestra and drums fade out, leaving only a sparse piano arpeggio and final string pads.)\n(Mix: Gradual fade out, long reverb tails become the focus.)\n(Chords: D - Bm - G - Gm)\nWill you still love me when I'm no longer beautiful\nWill you still love me when I'm not young and beautiful",
  "song_id": "03_Young And Beautiful_20260418",
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    "generated_at": "2026-04-18T16:22:33.316184+08:00"
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