{
  "prompt": "Genre: Experimental Hip-Hop with Industrial and Gospel influences; BPM: 100; Key: C minor; Rhythm: Heavy, syncopated halftime groove driven by a distorted, sub-heavy kick and a sharp, cracking snare, creating a lurching, confrontational pocket; Instruments: Distorted blues riff (close-mic'd amp cab), fuzzy synth bass (overdriven tube sound), distorted 808 kick, compressed snare crack, low-in-mix hi-hats; Vocals: Dual Male vocals; one is a raw, confrontational mid-range rap-sung delivery with noticeable pitch correction artifacts, the other is a soulful, powerful gospel tenor with a raspy chest voice; Language: Chinese; Mood: The feeling of walking onto a brightly lit stage in a dark, cavernous arena, the roar of the crowd and your own heartbeat indistinguishable; Highlight: The raw, explosive entry of the multi-tracked gang vocal chant at 0:48, a sudden textural and dynamic shift from the solo vocal into a powerful, rhythmic, declarative roar.",
  "lyrics": "[intro]\n(Sound-Design: Distorted, maniacal laugh echoes)\n(Inst: Gritty, overdriven electric guitar riff enters on Cm blues scale; Heavy distorted kick and snare establish a lurching groove)\n(Mix: High-Fidelity, Pristine Radio-Ready Mix with expensive analogue warmth and silky smooth high-end. Bass-heavy frequency balance with intentional low-mid saturation. Vocals are centered and upfront. Wide stereo image on the guitar and backing vocals, mono-focused kick/snare.)\n\nHa-ha!\n\n[verse]\n(Chords: Cm - Cm - Cm - Cm)\n(Hook-DNA: N/A)\n(Melody-Contour: Monotone, spoken-word-like delivery with slight melodic lifts at phrase ends, staying around the root and minor third.)\n(Melody-Rhythm: Phrases begin on beat 2, syncopated against the downbeat-heavy drum pattern, creating a conversational, off-the-cuff feel.)\n(Vocal-Perf: Raw, slightly strained male vocal with a confrontational tone. Noticeable auto-tune artifacts used as a stylistic effect.)\n(Inst: The core loop of distorted guitar, bass, and drums continues with minimal variation.)\nYou made a kingdom fall in love\nI'll take the pill it's small enough\nToo late my system's run amok\nI wanna beat somebody up\nLike a bully hmm mm-mm\n\n[pre-chorus]\n(Chords: Ab - G - Cm - Cm)\n(Melody-Contour: Ascending melodic arc, leaping up a perfect 4th and holding on the 5th (G), creating tension before the chorus.)\n(Melody-Rhythm: More legato and sustained notes compared to the verse, flowing over the bar lines.)\n(Vocal-Perf: Shift to a soulful, clean, powerful male tenor with a slight gospel rasp. Dynamics build significantly into the final line.)\n(Inst: Bassline becomes more melodic, following the chord changes. A subtle synth pad adds harmonic depth.)\n(Mix: Reverb on the vocal increases, creating a more spacious, epic feel.)\nYou think I'm a riot\nI see the facade\nYou wish I'd be quiet\nDon't preach to a god\nIn denial of it all\nA god\nBaby tell me what it costs you\nTo a god to tell the truth\n\n[chorus]\n(Chords: Cm - Cm - Cm - G)\n(Hook-DNA: Rhythmic pattern is a powerful downbeat shout ('O-BEY!') on beat 1, followed by a syncopated response ('HEY!'). Pitch is anchored declaratively on the root (C). The entire phrase repeats like a mantra.)\n(Melody-Contour: Not melodic; a rhythmic chant on a single pitch.)\n(Melody-Rhythm: Simple, powerful quarter and eighth note pattern that lands squarely with the kick drum, reinforcing the groove's power.)\n(Melody-Harmonic-Tension: Minimal harmonic tension; the vocal chant sits firmly on the root note of the Cm chord, creating a feeling of absolute authority and stability, resolving the tension built in the pre-chorus.)\n(Vocal-Perf: A massive stack of layered gang vocals, shouting in unison. Raw, aggressive, and slightly distorted.)\n(Mix: Dynamic peak. Heavy parallel compression slams the entire mix, making it feel louder, denser, and more aggressive. Stereo image widens.)\nYeah obey hey\nBaby do what I say\nLike it ain't no other way\nBaby do what I say\nI said obey hey\nBaby do what I say\nLike it ain't no other way\nBaby do what I say\n\n[verse 2]\n(Chords: Cm - Cm - Cm - Cm)\n(Melody-Contour: Similar monotone delivery to verse 1, but with slightly more dynamic variation and aggression.)\n(Melody-Rhythm: Rhythmic phrasing remains conversational and syncopated.)\n(Vocal-Perf: First male vocalist returns, delivery is more pointed and intense than in the first verse.)\n(Inst: Instrumental loop remains consistent, maintaining the song's foundation.)\nWhen a masterpiece turn into catastrophe\nThey get mad at me for livin' out my fantasies\nAll the castles in the sky comе down crashin' every time I speak my mind\n\n[pre-chorus]\n(Chords: Ab - G - Cm - Cm)\n(Melody-Contour: Repeats the ascending arc from the first pre-chorus, building tension again.)\n(Melody-Rhythm: Legato, sustained phrasing.)\n(Vocal-Perf: Second soulful male vocalist returns with building intensity.)\n(Inst: Bass and subtle pads re-enter.)\nAll the people swear my ego\nNeeds a repo but I won't let go\nIn denial of it all\nBaby tell me what it costs you\nTo tell the truth\n\n[chorus]\n(Chords: Cm - Cm - Cm - G)\n(Hook-DNA: Rhythmic pattern is a powerful downbeat shout ('O-BEY!') on beat 1, followed by a syncopated response ('HEY!'). Pitch is anchored declaratively on the root (C). The entire phrase repeats like a mantra.)\n(Melody-Contour: Not melodic; a rhythmic chant on a single pitch.)\n(Melody-Rhythm: Simple, powerful quarter and eighth note pattern that lands squarely with the kick drum, reinforcing the groove's power.)\n(Melody-Harmonic-Tension: Minimal harmonic tension; the vocal chant sits firmly on the root note of the Cm chord, creating a feeling of absolute authority and stability.)\n(Vocal-Perf: Massive layered gang vocals return with maximum intensity.)\n(Mix: Dynamic peak. Heavy parallel compression and saturation engaged.)\nYeah obey hey\nBaby do what I say\nLike it ain't no other way\nBaby do what I say\nI said obey hey\nBaby do what I say\nLike it ain't no other way\nBaby do what I say\n\n[outro]\n(Inst: The main instrumental loop of distorted guitar, bass, and drums plays out, slowly fading.)\n(Sound-Design: The final guitar note rings out with long, distorted feedback.)\n(Mix: Gradual fade out over 8 bars, leaving only the reverb tail of the snare and guitar feedback.)",
  "song_id": "01_BULLY (feat. CeeLo Green)_20260418",
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    "generated_at": "2026-04-18T17:21:48.725901+08:00"
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