{
  "song_id": "04_White Ferrari_20260418",
  "prompt": "Genre: Ambient Pop / Alternative R&B; BPM: 108; Key: C Major; Rhythm: Loose, unquantized feel with a floating, rubato vocal over a sparse, atmospheric backdrop. Percussion is minimal and textural, not driving.; Instruments: Clean vibrato guitar (finger noise), warm analog synth pads, deep sub-bass synth, layered processed vocals.; Vocals: Male tenor, shifting from intimate close-mic delivery to heavily layered, pitch-corrected falsetto used as a texture.; Mood: Flipping through an old photo album late at night, the only light from a single desk lamp, feeling the weight of the time that's passed.; Production: High-Fidelity, Pristine Radio-Ready Mix with expensive analogue warmth and silky smooth high-end. Transparent compression, mid-focused EQ, and a wide stereo image with a dry, centered lead vocal.; Highlight: The sudden arrival of the lush, layered vocal harmony stack on the downbeat of the interlude, providing a moment of unexpected emotional clarity and density.",
  "title": "旧衬衫",
  "lyrics": "[intro]\n(Mix: Wide stereo field, warm analog synth pads dominate. Centered clean guitar motif. Prominent mid-range, gently rolled-off highs, controlled sub-bass. Transparent master bus compression.)\n(Inst: Clean electric guitar with heavy vibrato, warm analog synth pad.)\n\n[verse]\n(Melody-Contour: Meandering, speech-like contour, mostly stepwise motion with occasional leaps of a 3rd, staying within a narrow range.)\n(Melody-Rhythm: Consistently behind-the-beat phrasing, long sustained notes at phrase ends create a rubato feel against the sparse backing.)\n(Vocal-Perf: Intimate, breathy, close-mic'd male tenor. Almost conversational, with noticeable vocal fry on lower notes.)\n(Chords: Cmaj7 - G/B - Am7 - Fmaj7)\n(Inst: Sparse clean guitar arpeggios, underlying synth pad swells, sub-bass enters subtly.)\n衣柜里还挂着你的那件白色衬衫\n领口的褶皱没有熨平过\n我没动它，只是每次经过\n会停一下，闻一闻\n那个气味早就散了，我却还在等\n\n[chorus]\n(Hook-DNA: The phrase \"White Ferrari\" serves as the core motif; Rhythm: lands squarely on beat 1 after a slight pause; Pitch: resolves downwards to the root; Repetition: functions as a thematic anchor.)\n(Melody-Contour: Gentle arching phrase on \"Spending each day of the year\", peaking before descending on the hook phrase.)\n(Melody-Rhythm: More rhythmically defined than the verse, phrases align more closely with the downbeats, providing a sense of arrival.)\n(Melody-Harmonic-Tension: Melody holds the 9th over the IV chord for a full beat before resolving, creating a gentle, sweet tension.)\n(Vocal-Perf: Volume increases slightly, more sustained and melodic delivery, introduction of subtle harmony layers panned wide.)\n(Mix: Vocal layers widen the stereo field. A touch more reverb added.)\n(Inst: Guitar becomes more present with a simple, repeated figure.)\n我们之间剩下的\n不过是一件没人认领的旧衬衫\n压在日子的背面，无声无息\n我知道你不会回来要它了\n\n[verse]\n(Vocal-Perf: Returns to the conversational, understated delivery of the first verse. A feeling of internal monologue.)\n(Inst: Guitar drops out, leaving only the synth pad and a very low, pulsating bass note.)\n厨房的磁贴还是你贴的那两块\n一块歪了，一直没人去扶正它\n我记得你当时笑着说\n歪的才有生活气\n后来你走，那句话留在墙上没动过\n\n[bridge]\n(Melody-Harmonic-Tension: Vocal melody uses chromatic passing tones and sits on the sharp 4th, creating a psychedelic, Lydian-mode feeling of unease that deliberately avoids clear resolution against the shifting chords.)\n(Vocal-Perf: Becomes more processed, heavily layered and panned. Delivery is a rhythmic, hypnotic chant. brain-scratching melodic hook emerges.)\n(Chords: Fmaj7#11 - Cmaj7 - Gsus4 - G)\n(Mix: Denser, more cluttered mix. Panning becomes more extreme, with vocal chops and effects swirling.)\n(Inst: Distorted synth textures, reversed vocal samples, a subtle, filtered drum loop enters for the first time.)\n时间把人磨成了另一种形状\n我也不确定哪一半是真的\n丢掉它又像在丢掉什么\n所以我就这样搁着\n\n[interlude]\n(Mix: All instruments drop out momentarily, creating a vacuum before the huge vocal stack hits. Mix becomes incredibly wide and tall.)\n(Vocal-Perf: Massive stack of heavily chorused and reverberant vocals enters, creating a gospel-like wall of sound. Lead vocal is clean and centered.)\n(Inst: Only the layered vocals.)\n还在这里，还在这里\n还在这里，还在这里\n\n[chorus]\n(Vocal-Perf: Lead vocal is now more confident and clear, supported by the lingering reverb tails from the interlude.)\n(Mix: Retains the wider feel from the interlude, but the focus returns to the lead vocal and sparse instruments.)\n(Inst: Guitar and bass re-enter, but with a more spacious, echo-laden sound.)\n我们之间剩下的\n也许只有这件没人认领的旧衬衫\n我不恨你，也不再期待什么\n只是偶尔还会停在衣柜前\n多看它一眼\n\n[outro]\n(Vocal-Perf: Heavily autotuned, pitched-up vocals, layered into a robotic choir. Detached, ethereal, and inhuman. Phrases are fragmented and repeated.)\n(Inst: All melodic instruments fade out, leaving a low synth drone and atmospheric noise/vinyl crackle.)\n(Mix: Extremely wide and diffuse. Vocals are treated with long-tail reverbs and delays, becoming a textural element that slowly disintegrates.)\n那件衬衫还挂在那里\n领口的褶皱还没人熨\n气味没了，影子没了\n只剩一个挂钩\n撑着一段没有结局的时间\n我以为我已经忘了\n原来只是不去想\n不去想，不去想\n还挂着，还挂着",
  "cover_prompt": "生成一张极简主义（Minimalist）插画和阴影艺术（Shadow art）风格的艺术图片作为无字音乐专辑封面。画面的核心是一件白色衬衫孤零零地挂在一个铁质衣钩上，衬衫的褶皱和垂感以极简线条勾勒，背景是一片温暖而低沉的暗琥珀色实色区域，衬衫的轮廓投下一道柔和、边缘模糊的浅灰色阴影，斜斜地延伸至背景深处，透出一种被搁置已久的静默感。整个投影区域具有淡米色、带细微颗粒感的纹理，类似于旧丝网印刷（Screenprint）。背景是一个深暖棕与浅沙色之间的渐变实色区域，带有微妙的布料肌理。构图干净、宁静且优雅。强烈要求：这是一张纯粹的、极简主义、治愈系插图，绝对不要出现具体的五官、现代工业物品或3D渲染效果！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母！传达出一种宁静、舒适、怀旧且梦幻的艺术气息。",
  "cover": {
    "template_id": 6,
    "template_name": "极简窗影治愈流",
    "scene_description": "一件白色衬衫孤零零地挂在一个铁质衣钩上，衬衫的褶皱和垂感以极简线条勾勒，背景是一片温暖而低沉的暗琥珀色实色区域，衬衫的轮廓投下一道柔和、边缘模糊的浅灰色阴影，斜斜地延伸至背景深处，透出一种被搁置已久的静默感，整体像一帧被遗忘在抽屉里的旧底片"
  }
}