{
  "song_id": "02_잔소리_20260419",
  "prompt": "Genre: K-Pop / Orchestral Ballad Duet; BPM: 112; Key: C# major; Rhythm: Steady pop-rock groove with kick on 1 & 3, snare on 2 & 4. Simple root-note bassline.; Instruments: Piano (chordal foundation), Strings (lush pads/swells), Acoustic Drums (pop-rock beat), E.Bass (warm/round), Clean E.Guitar (arpeggios), Bells (sparkle).; Vocals: Male and Female duet. Female: bright, clear, youthful tone with breathy delivery. Male: smooth, slightly husky tenor. Conversational verses, powerful choruses with tight harmonies.; Mood: Sitting on opposite ends of the couch after a small argument, stubbornly not looking at each other but trying not to smile.; Production: High-fidelity, radio-ready polish. Wide stereo field with lush strings. Vocals are upfront, clear, and warm with smooth reverb tails.; Language: Korean; Highlight: The sudden dynamic explosion on the downbeat of the first chorus, where the full drum kit and string orchestra enter simultaneously under the soaring female lead.",
  "title": "소파 끝",
  "lyrics": "[intro]\n(Chords: C# - G#/C - A#m7 - G#sus4 - G#)\n(Inst: Gentle grand piano melody accompanied by a warm string pad, establishing a romantic, slightly theatrical mood.)\n(Mix: Intimate, centered piano, with strings creating a soft bed of sound.)\n(Hook-DNA: The descending piano arpeggio serves as the core melodic motif.)\n\n[verse]\n(Chords: C# - G#/C - A#m7 - F# - C# - D#m7 - G#)\n(Vocal-Perf: Female begins with a light, almost-spoken, breathy tone. Male responds with a warm, gentle chest voice. Call-and-response structure.)\n(Inst: Piano provides simple chordal support. A soft, round bass enters with a subtle kick and hi-hat pattern.)\n(Mix: Vocals are dry and upfront, creating a conversational feel.)\n소파 이쪽 끝에 앉아\n창문 쪽만 바라보며\n먼저 웃으면 지는 줄 알고 있잖아\n(Transition: Male vocal enters smoothly, taking over the melody.)\n나도 알아 사실은\n이 침묵이 더 불편한 거\n근데 왜 이리 어색한 건데\n\n[pre-chorus]\n(Chords: F# - G# - Fm7 - A#m7 - D#m7 - Fm7 - F# - G#sus4 - G#)\n(Vocal-Perf: Female vocal melody ascends, building tension. Male joins in harmony on the final line, creating a sense of unity despite the bickering.)\n(Inst: Strings begin to swell, and a snare roll builds anticipation.)\n(Melody-Contour: Stepwise ascending melody, creating a clear ramp up to the chorus.)\n네 숨소리가 들릴 만큼 가까이 있는데\n손 하나 뻗으면 닿을 거리인데\n왜 이렇게 멀어\n\n[chorus]\n(Chords: C# - G#/C - A#m7 - F# - G# - Fm7 - A#m7 - D#m7 - G# - C#)\n(Mix: The soundscape explodes into a wide stereo image. Full drums, powerful strings, and layered vocals create a climactic release of energy.)\n(Vocal-Perf: Female lead vocal is powerful and soaring. Male vocal provides strong, supportive harmonies. Both sing with more force and emotion.)\n(Inst: The full band is in, driving the energy forward with a confident pop-rock beat.)\n이 소파 위에서 우린 얼마나 멀어졌을까\n고개 돌리면 다 끝날 텐데 왜 못 하는 걸까\n돌아봐 돌아봐\n네 옆자리가 내 자린데\n눈을 감으면 네 온기가 느껴지는데\n지금 이 순간도 사실 너가 보고 싶은데\n돌아봐 돌아봐\n먼저여도 괜찮아\n\n[verse]\n(Chords: C# - G#/C - A#m7 - F# - C# - D#m7 - G#)\n(Inst: Dynamics drop back down. A clean electric guitar plays gentle arpeggios, adding a new texture.)\n(Vocal-Perf: The conversational call-and-response style returns, but with a slightly more earnest tone than the first verse.)\n(Mix: The focus returns to the intimate, centered vocals.)\n쿠션 하나 끌어안고\n시선은 TV 화면에\n근데 내용은 하나도 안 들어오잖아\n(Transition: A subtle string swell leads into the bridge.)\n네 발끝이 내 쪽으로\n조금씩 움직이는 거 보여\n나도 사실 그러고 싶었어\n\n[bridge]\n(Chords: F# - G# - C# - A#m - F# - G# - C#)\n(Inst: The rhythm section simplifies, focusing on piano and strings to emphasize the vocal melody and harmonic shift.)\n(Vocal-Perf: Male vocal takes the lead with an emotional, slightly strained delivery. Female enters with a soft, high harmony, adding a layer of vulnerability.)\n(Melody-Harmony: The progression shifts, creating a moment of reflection and tenderness before the final emotional peak.)\n뭐가 그렇게 중요했을까\n다 기억도 안 나는 말들인데\n이렇게 또 서로 등 돌리고 앉아서\n괜히 혼자 후회해\n\n[chorus]\n(Chords: C# - G#/C - A#m7 - F# - G# - Fm7 - A#m7 - D#m7 - G# - C#)\n(Mix: The most powerful section of the song. All elements are at maximum energy. Cymbals crash on downbeats.)\n(Vocal-Perf: Both singers deliver the melody with full power. Female vocalist adds soaring ad-libs over the top, while the male vocal provides a rock-solid harmonic foundation.)\n(Inst: Strings play a dramatic, sweeping counter-melody, heightening the emotion.)\n이 소파 위에서 우린 다시 가까워질까\n고개 돌리면 다 끝날 텐데 왜 못 하는 걸까\n돌아봐 돌아봐\n네 온기가 그리운데\n눈을 감으면 네 숨결이 느껴지는데\n지금 이 순간이 사실 제일 소중한데\n돌아봐 돌아봐\n나 여기 있잖아\n\n[outro]\n(Chords: C# - F# - C#)\n(Inst: The full band cuts out, leaving only the solo piano playing the main motif, followed by a final, lingering string chord.)\n(Structure: A gentle ritardando leads to a fade-out.)\n(Mix: The sound quickly narrows back to the intimate feel of the intro, bringing the story to a gentle close.)",
  "cover_prompt": "생성一张极简主义的几何光影艺术图片作为无字音乐专辑封面。画面的核心是：一张柔和模糊的浅灰蓝色长椅剪影，占据画面下三分之一，两端各有一个极其简化、几乎融入背景的圆形温暖光晕——一个偏冷的月白，一个偏暖的浅杏，彼此之间留有刻意的距离，但边缘隐隐相互晕染，仿佛正在缓慢靠近。背景是从深蓝灰到浅烟粉的水彩渐变，整体弥漫一种屏住呼吸的静谧感。画面必须展现出微妙的高级材质肌理，特别是类似水彩晕染（Watercolor texture）或粗糙艺术纸张的触感。整体构图极度克制、留白（Minimalistic composition），注重光与影的柔和交错（Light and shadow interplay）。强烈要求：画面必须保持极致的安宁与静谧（Calm and serene），除了基础的、柔焦的简单几何图形（如模糊的圆、半透明的方块或柔和的线条）外，绝对不要出现任何复杂的现实物体、风景或人物！画面必须是无字封面，绝对不要生成任何文字、拼音或英文字母！绝对不要生成人物轮廓。传达出一种充满诗意、呼吸感与冥想空间的视觉感受。",
  "cover": {
    "template_id": 2,
    "template_name": "几何光影艺术流",
    "scene_description": "一张柔和模糊的浅灰蓝色长椅剪影，占据画面下三分之一，两端各有一个极其简化、几乎融入背景的圆形温暖光晕——一个偏冷的月白，一个偏暖的浅杏，彼此之间留有刻意的距离，但边缘隐隐相互晕染，仿佛正在缓慢靠近。背景是从深蓝灰到浅烟粉的水彩渐变，整体弥漫一种屏住呼吸的静谧感。"
  }
}