{
  "prompt": "Genre: Modern Country Pop; BPM: 94; Key: C# Major; Rhythm: Laid-back, pocketed 4/4 groove with a slight shuffle feel, driven by bright acoustic guitar strumming and a simple kick-snare backbeat; Instruments: Close-miked steel acoustic, twangy clean electric fills, round P-bass, live-sounding drum kit, subtle organ pad swells; Vocals: Male, warm baritone with a gentle country twang, earnest conversational verses rising to a controlled chest voice, featuring lush background vocal stacks in the chorus; Mood: The feeling of a warm hand in yours on a cool evening, walking somewhere familiar with no need to talk; Highlight: The single, anticipatory bass slide and muted guitar strum on the upbeat of beat 4 right before the first chorus drops, creating a slingshot effect into the hook.",
  "lyrics": "[intro]\n(Mix: High-Fidelity, Pristine Radio-Ready Mix with expensive analogue warmth and silky smooth high-end. Polished, balanced frequency spectrum with solid but controlled low-end. Wide stereo image with centered core elements. Vocals forward.)\n(Inst: Delicate synth-bell arpeggio, clean electric guitar melody with light reverb, closely-miked steel-string acoustic enters.)\n(Chords: F# - C# - G# - C#)\n\n[verse]\n(Inst: Groove established by acoustic guitar, bass, and a simple kick-snare pocket. Clean electric provides sparse, tasteful fills.)\n(Vocal-Perf: Conversational, warm tone with a gentle twang. Relaxed, slightly behind-the-beat phrasing.)\n(Melody-Contour: Mostly stepwise motion, narrow range, creating an intimate, narrative feel.)\n(Melody-Rhythm: Phrases begin on beat 1 or 2, flowing smoothly over the bar lines without sharp syncopation.)\n(Chords: F# - C# - G# - C#)\nKinda like an old jon boat on some largemouth water\nKinda like that breeze that blows through a sweet home holler\nI can't leave your lovin' alone\nWhere you are is where I belong\n\n[chorus]\n(Mix: Energy lift, stereo image widens, parallel compression on drum bus for punch.)\n(Inst: Full band enters. Drums more prominent with cymbal crashes. Subtle organ pad adds warmth. Layered electric guitars create a fuller sound.)\n(Vocal-Perf: Shifts to a stronger, supported chest voice. Joined by lush background vocal stacks in harmony.)\n(Hook-DNA: Core motif is a syncopated 3-note phrase starting on the 'and' of 2; anchors on the tonic; repeats twice with the third statement slightly varied.)\n(Melody-Contour: Ascending leap of a perfect 4th to the peak note on the hook, creating an arch shape over the phrase.)\n(Melody-Rhythm: Catchy syncopation on key phrases, contrasting with the straight rhythm of the verse.)\n(Melody-Harmonic-Tension: Melody briefly holds the 2nd over the IV chord before resolving down, creating a gentle, pleasing tension.)\n(Chords: F# - C# - G# - C# | F# - C# - A#m - G#)\nI hope I ain't comin' on too strong\nJust wanna hold you close, baby\nKinda looks like you do, too\nI just wanna make love, wake up\nNext to you with no makeup, baby\nNothin' beats that view\nI guess what it comes down to\nIs I just wanna be by you\n\n[verse]\n(Inst: Arrangement thins out, returning to the verse dynamic. A new melodic electric guitar fill is introduced.)\n(Vocal-Perf: Returns to the intimate, conversational delivery of the first verse.)\n(Chords: F# - C# - G# - C#)\nLove it when your bench seat blues slide to the middle\nI'm stuck to ya like glue on your hip like a pistol\nWanna find me, you ain't gotta look far\nThere's nothin' that can pull us apart\n\n[chorus]\n(Mix: Dynamics and width increase to match the first chorus.)\n(Inst: Full band re-engages with maximum energy.)\n(Vocal-Perf: Strong, confident lead vocal with full, layered background harmonies.)\n(Hook-DNA: Core motif is a syncopated 3-note phrase starting on the 'and' of 2; anchors on the tonic; repeats twice with the third statement slightly varied.)\n(Melody-Contour: Ascending leap of a perfect 4th to the peak note on the hook, creating an arch shape over the phrase.)\n(Melody-Rhythm: Catchy syncopation on key phrases, contrasting with the straight rhythm of the verse.)\n(Melody-Harmonic-Tension: Melody briefly holds the 2nd over the IV chord before resolving down, creating a gentle, pleasing tension.)\n(Chords: F# - C# - G# - C# | F# - C# - A#m - G#)\nI hope I ain't comin' on too strong\nJust wanna hold you close, baby\nKinda looks like you do, too\nI just wanna make love, wake up\nNext to you with no makeup, baby\nNothin' beats that view\nI guess what it comes down to\nIs I just wanna be by you\n\n[bridge]\n(Inst: Arrangement becomes more spacious. Bass holds longer notes. Acoustic guitar strums whole notes. Electric guitar plays ambient swells.)\n(Vocal-Perf: Higher in the vocal range, more sustained notes, building intensity.)\n(Melody-Harmonic-Tension: Melody phrases end on the 5th over the IV chord, creating a feeling of suspension and anticipation for the return to the tonic.)\n(Chords: A#m - G# - F# - G#)\nIf the day ends in Y\nIf the sun or the moon's hangin' up in the sky\n\n[interlude]\n(Inst: Melodic electric guitar solo. Focus on lyrical phrasing with slides and tasteful bends, not speed. Rhythm section provides solid, unchanging support.)\n(Vocal-Perf: None.)\n(Chords: F# - C# - G# - C#)\n\n[outro]\n(Inst: Fades out on the instrumental chorus progression. The synth-bell arpeggio from the intro reappears, bringing the song full circle as elements slowly subtract.)\n(Vocal-Perf: Ad-lib vocal phrase, softly repeating the title.)\n(Chords: F# - C# - G# - C#)",
  "song_id": "02_Be By You_20260419",
  "_meta": {
    "provider": "google",
    "model": "gemini-2.5-pro",
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    "generated_at": "2026-04-19T13:04:45.442660+08:00"
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}