{
  "song_id": "01_Rising Hope_20260420",
  "prompt": "Genre: J-Rock / Anisong; BPM: 190; Key: G# Major; Rhythm: Driving double-time rock beat with syncopated kick/snare accents and constant 16th-note hi-hats.; Instruments: Overdriven pick-style bass doubling riffs, dual distorted electric guitars (one palm-muted rhythm, one lead), punchy acoustic drums, subtle synth pads/arps.; Vocals: Female, powerful and bright chest/mix voice with a wide dynamic range, from rapid-fire verse delivery to soaring, belted chorus melodies.; Mood: Sprinting through a collapsing neon city at midnight, shards of glass raining down but never looking back.; Production: Dense, high-fidelity mix with wide stereo guitars, punchy compression, and upfront vocals. Radio-ready polish.; Language: Chinese; Highlight: The full band stop for two beats as the vocal sustains a high, tense note before the chorus explodes.",
  "title": "骨裂之前",
  "lyrics": "[intro]\n(Chords: Fm - Db - Ab - Eb)\n(Inst: Starts with a sparse, arpeggiated piano melody, then erupts into a full-band, high-energy, syncopated guitar riff. Drums and bass enter with maximum impact.)\n(Vocal-Perf: Instrumental, but sets a frantic, determined tone.)\n\n[verse]\n(Chords: Fm - Db - Ab - Eb - Fm - Db - Ab - Gsus4 - G)\n(Vocal-Perf: Rapid-fire, almost spoken-word delivery in a lower, controlled chest voice. Rhythmic and precise.)\n(Inst: Guitars are palm-muted, creating a tight, percussive feel. Bass closely follows the guitar riff. Drums maintain a driving, busy hi-hat pattern.)\n(Mix: Vocals are centered and clear, slightly dry. Guitars are panned wide.)\n体育馆的灯坏了半排 备战的名单又删掉我名\n教练说过失误不可原谅 脚踝的胶布缠了第三层\n场边记录员看向别处去 我听见软骨在鞋里碎鸣\n计时器最后四秒倒数 这一场谁也不许先认输\n\n[pre-chorus]\n(Chords: Db - Eb - Cm - Fm - Db - Eb - Fsus4 - F)\n(Vocal-Perf: Melody begins to ascend, building tension and energy. Delivery becomes more melodic and sustained compared to the verse.)\n(Inst: Guitars open up from palm-muting to ringing power chords. A subtle synth pad enters, adding harmonic layers. Drums build with snare rolls into the chorus.)\n(Transition: A full band stop with a sustained vocal note before the chorus hits.)\n汗水糊住眼睛我也看清\n每一道伤口都是我选的路\n没有人替我扛、没有人替我哭\n呼吸不稳，但心跳够\n\n[chorus]\n(Chords: Ab - Eb/G - Fm - Db - Ab - Eb - G - Cm - Bbm - C)\n(Vocal-Perf: Soaring, powerful, and anthemic melody in a high mix/belt register. Long, sustained notes with controlled vibrato.)\n(Inst: Full, open power chords on guitars. Bass provides a strong root foundation. Cymbals crash on accents, creating a massive wall of sound.)\n(Mix: Widens significantly. Vocals are layered with subtle harmonies and have more reverb/delay.)\n骨裂之前我不会停下来\n磨碎的膝盖换不来一句你真棒\n跌倒的次数多过站起来\n可站起来这件事本身就够狂\n没有奖牌、没有掌声、没有人等在走廊\n我替自己鼓掌\n撕开手心的血口子、继续往前冲\n输给自己之前，绝不投降\n\n[interlude]\n(Chords: Fm - Db - Ab - Eb - Fm - Db - Ab - Eb)\n(Inst: High-energy, technical, and melodic electric guitar solo. The rhythm section plays the main song riff underneath, maintaining momentum.)\n(Vocal-Perf: Instrumental.)\n(Sound-Design: Guitar has a sharp, cutting tone with fast delay and wah-pedal effects.)\n(Transition: Solo ends on a high sustained note that feeds back into the bridge.)\n\n[bridge]\n(Chords: Db - Eb - Cm - Fm - Db - Eb - G#m7 - C#m7)\n(Vocal-Perf: Quieter and more emotional delivery. A sense of vulnerability and reflection before the final push.)\n(Inst: Dynamics drop significantly. Guitars become cleaner, or are replaced by synth pads and a simple bassline. Drums simplify to a heartbeat-like pulse.)\n(Mix: Becomes more intimate and narrow, focusing on the exposed vocal.)\n更衣室的镜子碎了一角\n我看见十三岁的自己站在里面\n她说她害怕、说她不够好\n我想告诉她——怕了也要上\n那些深夜一个人拉伸的疼\n那些没有终点的训练和等待\n没有浪费，全部都算数\n刻进肌肉里的每一克重量\n\n[chorus]\n(Chords: Ab - Eb/G - Fm - Db - Ab - Eb - G - Cm - Bbm - C)\n(Vocal-Perf: Most powerful and desperate delivery. Ad-libs and harmonies are more prominent. Maximum emotional output.)\n(Inst: Everything at full tilt. Drums are heavier, with more cymbal crashes. An additional lead guitar counter-melody might be added over the top.)\n(Mix: The biggest and widest point of the song. Everything is pushed to the limit.)\n骨裂之前我不会停下来\n磨碎的膝盖换来我自己认可\n跌倒的次数已经不重要\n因为我每一次爬起都更强大\n没有退路、没有借口、没有人替我扛下\n我替自己扛下\n烧焦的肺、还剩最后一口气\n我用这口气、大声说我在\n\n[outro]\n(Chords: Ab - Eb - Fm - Db - Ab)\n(Inst: The main guitar riff returns with full energy, then fades out or ends on an abrupt, final chord stab.)\n(Vocal-Perf: A final, powerful ad-lib or shout of the title phrase.)\n(Transition: Abrupt ending on a unison band hit.)\n骨裂之前——绝不停下来\n绝不停下来",
  "cover_prompt": "生成一张无字音乐专辑封面。风格参照日本\"もの派\"（Mono-ha）的物质感与李禹焕（Lee Ufan）绘画中\"留白与一笔\"的克制美学，结合湿拓画（Ebru / paper marbling）的有机纹理。画面核心：一道粗粝的朱砂红笔触从画面左下角斜劈至右上角，笔触边缘在湿润纸面上自然渗开，带有细密的墨迹绽裂纹（ink cracking），如同绷断的肌腱截面；笔触之外是大面积空白，背景为极浅的灰白色，呈现手工和纸的纤维质感（visible paper fibers, deckled edges texture），局部可见轻微水渍晕染。笔触中段有一处颜料淤积形成的深红暗块（pigment pooling），像淤血凝结的质感。整体构图大量留白，主体偏离中心，笔触占画面约三分之一。整体效果如同一张被扫描的实体版画作品（scanned fine art print），而非数字生成图像。绝对禁止：任何文字/字母/拼音、人物或人物轮廓、复杂场景、风景照片感、3D渲染、塑料质感的光泽。",
  "cover": {
    "template_id": 2,
    "template_name": "几何光影艺术流",
    "scene_description": "一道粗粝的朱砂红笔触从画面左下角斜劈至右上角，笔触边缘在湿润纸面上自然渗开，带有细密的墨迹绽裂纹，如同绷断的肌腱截面；背景为极浅的灰白色手工和纸质感，局部可见轻微水渍晕染，笔触中段有颜料淤积形成的深红暗块，像淤血凝结。整体大量留白，主体偏离中心，沉重而张力十足。"
  }
}