{
  "prompt": "Genre: Cinematic Pop, Orchestral Ballad; BPM: 144; Key: E minor; Rhythm: Slow, dramatic 4/4 pulse driven by arpeggiated piano, evolves into a heavy, spacious backbeat with a half-time feel in climactic sections; Instruments: Close-mic'd felt piano with audible hammer noise, twangy reverb-drenched electric guitar, distorted power-chord guitar, lush legato orchestral strings, dramatic brass swells; Vocals: Female, breathy and delicate low register with prominent intimate close-mic texture, transitioning to a soaring, powerful chest belting in the upper range, layered with lush background vocal stacks in the climax; Mood: The quiet weight in the air after a confession, standing in a grand, cold room as dust motes dance in a single sunbeam; Highlight: The two-beat silence after the pre-chorus, immediately shattered by the explosive entry of the full orchestra, distorted guitar, and crashing drums on the downbeat of the main chorus theme, creating a massive stadium drop.",
  "lyrics": "[intro]\n(Mix: Baseline—cinematic, wide stereo field. Prominent deep sub-bass. Vocals are pristine, centered, with lush reverb. Highs are silky and controlled. Dynamic range is vast.)\n(Inst: Close-mic'd felt piano playing sparse, arpeggiated Em(maj7) chord.)\n(Sound-Design: Subtle vinyl crackle underpins the piano.)\n\n[verse]\n(Melody-Contour: Mostly stepwise motion within a narrow range, hovering around the tonic. Descending.)\n(Melody-Rhythm: Phrases begin on beat 1, long sustained notes, lots of space between lines.)\n(Vocal-Perf: Breathy, intimate, full of vocal fry. Almost a whisper.)\n(Chords: Em - Em(maj7) - Cmaj7 - Am)\n(Inst: Piano continues. A single, reverb-heavy electric guitar plays a haunting counter-melody.)\nI should have known\nI'd leave alone\nJust goes to show\nThat the blood you bleed\nIs just the blood you owe\nWe were a pair\nBut I saw you there\nToo much to bear\nYou were my life, but life is far away from fair\n\n[pre-chorus]\n(Melody-Contour: Ascending line, building tension by climbing step-by-step from the 5th to the octave.)\n(Vocal-Perf: Dynamics increase from whisper to a strained, emotional head voice.)\n(Chords: B7sus4 - B7)\n(Inst: Orchestral strings enter with a slow, tense swell underneath the piano and vocal.)\n(Transition: Full band cuts out for two beats before chorus hits.)\nWas I stupid to love you?\nWas I reckless to help?\nWas it obvious to everybody else?\n\n[chorus]\n(Hook-DNA: Rhythmic motif is two stressed quarter notes followed by a syncopated phrase (Fool me once, fool me twice). Melody anchors on the high tonic, creating powerful resolution. Motif repeats with slight variation.)\n(Melody-Harmonic-Tension: Vocal melody soars to the high G (the minor third) over the B7 chord, creating intense dissonance before resolving down to the E on the Em chord. The phrase \"paradise\" hangs on the 7th of the B7, leaving the question unresolved harmonically.)\n(Vocal-Perf: Full-power chest belting, dynamic peak of the song.)\n(Chords: Em - G - Cmaj7 - Am - Em - B7 - Em)\n(Mix: Massive increase in width and volume. Parallel compression on drums and vocals for punch.)\n(Inst: Full orchestra, distorted electric guitar, pounding drums, and brass section enter explosively.)\nThat I'd fallen for a lie\nYou were never on my side\nFool me once, fool me twice\nAre you death or paradise?\nNow you'll never see me cry\nThere's just no time to die\n\n[interlude]\n(Inst: Main electric guitar theme returns, iconic and clear over the sustained orchestral chords. The full band plays a powerful, Bond-esque progression.)\n(Mix: Vocals are out, allowing the instrumental bed to take center stage.)\n\n[verse]\n(Melody-Contour: Returns to the lower, narrower range of the first verse, providing dynamic contrast.)\n(Vocal-Perf: Back to a cold, resolute whisper. Less fragile, more determined.)\n(Chords: Em - Cmaj7 - G - D/F#)\n(Inst: Arrangement strips back to just piano and subtle string pads.)\nI let it burn\nYou're no longer my concern\nFaces from my past return\nAnother lesson yet to learn\n\n[chorus]\n(Hook-DNA: Rhythmic motif is two stressed quarter notes followed by a syncopated phrase (Fool me once, fool me twice). Melody anchors on the high tonic, creating powerful resolution. Motif repeats with slight variation.)\n(Melody-Harmonic-Tension: Vocal melody soars to the high G (the minor third) over the B7 chord, creating intense dissonance before resolving down to the E on the Em chord. The phrase \"paradise\" hangs on the 7th of the B7, leaving the question unresolved harmonically.)\n(Vocal-Perf: Full-power chest belting, even more intense than the first chorus. Lush background vocal stacks enter.)\n(Chords: Em - G - Cmaj7 - Am - Em - B7 - Em)\n(Mix: Widest and loudest point. Vocal stacks are panned wide.)\n(Inst: Full instrumentation returns, more aggressive than before.)\nThat I'd fallen for a lie\nYou were never on my side\nFool me once, fool me twice\nAre you death or paradise?\nNow you'll never see me cry\nThere's just no time to die\n\n[outro]\n(Melody-Contour: Final phrase descends slowly to the tonic.)\n(Vocal-Perf: A mix of chest voice and breathy tones, fading out with heavy reverb.)\n(Chords: B7 - Em)\n(Inst: Arrangement deconstructs, leaving only the piano arpeggio and a final, lingering, iconic guitar chord.)\nFool me once, fool me twice\nAre you death or paradise?\nNow you'll never see me cry\nThere's just no time to die",
  "song_id": "07_No Time to Die_20260422",
  "_meta": {
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    "model": "gemini-2.5-pro",
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    "generated_at": "2026-04-22T15:13:40.455626+08:00"
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}