{
  "prompt": "Genre: Indie Pop / Neo-Soul Fusion; BPM: 110; Key: G# Major; Rhythm: Loose, behind-the-beat pocket groove with a live-feel drum machine, syncopated bassline, and interlocking clean electric guitar; Instruments: Clean electric guitar (DI, slight chorus, finger noise), Warm P-Bass (flatwounds, melodic lines); Vocals: Male lead with a smooth, breathy tenor range, effortless transitions into falsetto, intimate close-mic delivery, supported by lush background vocal stacks in harmony; Mood: The tension of waiting for a text back, phone face down on the table, the screen lighting up with notifications that aren't the one you're looking for; Highlight: The dynamic punch at the top of the chorus where the full band crashes in for a single beat under the first word of the hook, creating an explosive release of the pre-chorus tension.",
  "lyrics": "[intro]\n(Inst: Clean electric guitar plays a syncopated, jazzy riff. Lo-fi drum beat enters. Warm, melodic bassline locks in.)\n(Mix: Centered, intimate mix. Prominent warm sub-bass, clean mids for guitar and vocals. Gentle tape saturation on the master. Roomy reverb on snare. Silky smooth high-end.)\n\n[verse]\n(Vocal-Perf: Conversational, close-mic'd, breathy delivery, sitting comfortably in the pocket.)\n(Inst: Instrumentation remains sparse, driven by the core guitar/bass/drum trio. Guitar plays chordal stabs and fills between vocal lines.)\n(Chords: C#maj7 - G#maj7 - D#m7 - G#7)\nThrowing petals like \"Do you love me or not?\"\nHead is spinning and it don't know when to stop\nBut you said \"forever\" babe did you mean it or not?\n\n[pre-chorus]\n(Vocal-Perf: Rhythmic intensity increases, building tension with rapid-fire phrasing.)\n(Sound-Design: Subtle synth pad swells underneath, adding harmonic texture.)\n(Chords: F#maj7 - Fm7 - D#m7 - G#7)\nHold on hold on\n\n[chorus]\n(Hook-DNA: Motif is the phrase \"Way you got me all in my head\"; rhythmic pattern is an eighth note pickup into a syncopated line that lands hard on beat 2; anchors on the root note of the I chord; repeats twice before moving to the IV chord.)\n(Melody-Contour: Ascending leap of a major 3rd on the opening phrase, then descends stepwise over the chord change.)\n(Melody-Rhythm: Vocal melody syncopates heavily against the straight drum groove, creating a push-pull feel.)\n(Melody-Harmonic-Tension: Melody holds the major 7th over the IV chord (F#maj7) creating a lush, yearning tension before resolving down to the 5th.)\n(Vocal-Perf: Shifts to a fuller, slightly more pushed tone. Layered with tight, airy harmonies.)\n(Inst: Full band enters with more energy. Bassline becomes more active.)\n(Mix: Stereo image widens significantly. Vocal harmonies are panned wide. Parallel compression on drums for more punch.)\n(Chords: G#maj7 - C#maj7 - F#maj7 - D#m7)\nWay you got me all in my head\nThink I'd rather you in my bed\nWhatever it is you know I can take it\nI'm counting the days\nHow many days till I can see you again?\n\n[verse]\n(Vocal-Perf: Returns to the intimate, breathy tone of the first verse.)\n(Inst: Dynamics drop back to the core trio. Guitar adds slightly different melodic fills.)\n(Chords: C#maj7 - G#maj7 - D#m7 - G#7)\nYou leave me on read babe but I still get the message\nInstead of a line it's three dots but I can connect 'em\nAnd if it ain't right babe you know I respect it\nBut if you need time just take your time\nHoney I get it I get it I get it\n\n[bridge]\n(Melody-Harmonic-Tension: Vocal harmonies create complex extended chords against the simple bassline, with phrases deliberately ending on unresolved notes (the 9th and 7th), building anticipation for the final chorus.)\n(Vocal-Perf: Intricate call-and-response between lead vocal and dense, multi-tracked backing vocals. Lead vocal uses more falsetto runs.)\n(Inst: Drums drop out, leaving only a pulsing bassline and the swelling synth pad. Electric guitar plays atmospheric, volume-swelled chords.)\n(Chords: C#maj7 - G#maj7/C - A#m7 - D#sus4 - D#)\nYou got me all all my love\nAll in my feelings baby\nAnd you got me all I've been all in my feelings\nAnd you got me all all in for you every time\n\n[chorus]\n(Hook-DNA: Motif is the phrase \"Way you got me all in my head\"; rhythmic pattern is an eighth note pickup into a syncopated line that lands hard on beat 2; anchors on the root note of the I chord; repeats twice before moving to the IV chord.)\n(Melody-Contour: Ascending leap of a major 3rd on the opening phrase, then descends stepwise over the chord change.)\n(Melody-Rhythm: Vocal melody syncopates heavily against the straight drum groove, creating a push-pull feel.)\n(Melody-Harmonic-Tension: Melody holds the major 7th over the IV chord (F#maj7) creating a lush, yearning tension before resolving down to the 5th.)\n(Vocal-Perf: Most powerful delivery. Ad-libs in falsetto weave between the main vocal lines. Harmonies are thick and soaring.)\n(Inst: Full band at maximum energy. Cymbals are introduced for lift.)\n(Mix: Widest stereo field. Vocal ad-libs have a slapback delay. Bass is slightly more distorted for grit.)\n(Chords: G#maj7 - C#maj7 - F#maj7 - D#m7)\nThe way you got me all in my head\nThe way you got me all in my head\nThink I'd rather you in my bed\nWhatever it is you know I can take it\nI'm counting the days\nHow many days till I can see you again?\n\n[outro]\n(Inst: Music deconstructs back to the solo electric guitar, playing a final, slightly altered version of the opening riff. A single bass note sustains and fades.)\n(Vocal-Perf: A final, distant falsetto ad-lib with heavy reverb echoes and fades out.)",
  "song_id": "05_DAISIES_20260425",
  "_meta": {
    "provider": "google",
    "model": "gemini-2.5-pro",
    "usage": {
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    },
    "generated_at": "2026-04-25T05:01:10.547966+08:00"
  },
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}