{
  "song_id": "02_12 MIC feat. 肥宝_20260427",
  "prompt": "Genre: Jazzy Hip-Hop / Lo-fi Boom Bap; BPM: 90; Key: G# minor; Rhythm: Relaxed, behind-the-beat boom-bap groove with a swung 16th-note hi-hat feel. Laid-back kick and snare.; Instruments: Sampled electric piano (Rhodes-like) chords, warm sub-bass, dusty sampled drum break, turntable scratches for hooks and transitions.; Vocals: Dual Male vocals (Mandarin/Cantonese), conversational smooth flow, mid-range, upfront mix with natural warmth.; Mood: Sitting on a city rooftop at dusk, looking over the neon glow, remembering the long road to get here.; Production: High-fidelity lo-fi aesthetic, warm analogue feel, clean mix. Vocals are upfront and centered. Polished.; Language: Chinese; Highlight: The moment the DJ scratch 'Yes yes y'all' drops in to anchor the hook, perfectly timed with the beat, creating a nostalgic hip-hop call-and-response.",
  "title": "旧味道",
  "lyrics": "[intro]\n(Chords: G#m7 - Emaj7 - F#maj7 - G#m7)\n(Inst: Mellow electric piano loop establishes the nostalgic theme. Dusty drum break enters. Warm sub-bass.)\n(Mix: Centered, intimate field. Analogue warmth.)\n\n[verse]\n(Chords: G#m7 - Emaj7 - F#maj7 - G#m7)\n(Vocal-Perf: Lu1, Mandarin. Smooth, conversational, slightly breathy flow. Mezzo-piano dynamics. Rapping slightly behind the beat.)\n(Inst: The instrumental loop continues consistently, providing a stable bed for the vocals.)\n(Mix: Vocals sit comfortably on top of the beat, clear but not overly processed.)\n老旧录音机转带的声音\n在某个周五午后把我拉回那片林\n人行道上踩过枯叶的回响\n和大排档铁锅爆炒腾起的蒸汽\n那时候兜里只剩公交卡\n凑了三块五买一碗葱花面宽心话\n蹲在屋檐下听对门大爷晒太阳\n聊他年轻时骑车横穿半个城的故事\n钢筋楼道里漏下来的黄光\n把每张脸都渡了层旧铜的颜色\n日子流淌得像劣质磁带的杂音\n模糊却温热贴在记忆的褶皱里\n那种踏实感是地磁\n把人稳稳按在某个不慌不忙的纬度\n不用证明什么不用赶去哪里\n就那么活着就已经呼吸顺畅\n\n[chorus]\n(Chords: G#m7 - Emaj7 - F#maj7 - G#m7)\n(Sound-Design: Iconic hip-hop vocal samples scratched rhythmically by a DJ. The scratches act as the main hook.)\n(Vocal-Perf: Instrumental. Focus is on the turntable performance.)\n(Mix: Scratches are placed front and center, with a slight echo to give them space.)\n(Transition: Clean break from verse, beat continues underneath scratches.)\n嗯 嗯嗯\n那个旧味道还留在喉咙没散\n嗯 嗯嗯\n随节拍落地才算到了岸\n嗯 嗯嗯\n慢下来\n嗯 嗯嗯\n划一道\n\n[verse]\n(Chords: G#m7 - Emaj7 - F#maj7 - G#m7)\n(Vocal-Perf: Cee, Mandarin. Slightly more assertive and on-the-beat flow compared to Verse 1. Clearer enunciation.)\n(Inst: The instrumental bed remains consistent, maintaining the song's steady, reflective mood.)\n(Mix: The vocal tone is slightly brighter than the first verse, cutting through the mix differently.)\n(Transition: Smooth flow from the chorus scratches back into the rap verse.)\n后来搬进格子间楼层够高\n视野开阔却觉得脚底悬空飘\n窗台上那盆绿萝枯了两次\n才意识到自己已经很久没浇水了\n开会时盯着屏幕发呆\n脑子里闪过的竟是小时候的蝉鸣\n奶奶院子里那株木瓜树的影\n和一整个暑假无所事事的蓝天\n不是怀念吃苦不是怀念穷\n只是那种不焦虑的重量已经很陌生\n现在连呼吸都带着绩效考核的味道\n连睡着都在默算下个月的房贷\n于是偶尔买瓶汽水坐路边台阶\n假装自己还是那个没有期限的少年\n汽水气泡顶着上颚咕嘟一声\n像是某种失落的时间突然被按下归还\n\n[chorus]\n(Chords: G#m7 - Emaj7 - F#maj7 - G#m7)\n(Sound-Design: Iconic hip-hop vocal samples scratched rhythmically by a DJ. Repetition reinforces the hook.)\n(Vocal-Perf: Instrumental. Focus is on the turntable performance.)\n(Mix: Scratches are placed front and center, consistent with the first chorus.)\n(Transition: Verse ends, and chorus scratches come in immediately on the downbeat.)\n嗯 嗯嗯\n那个旧味道还留在喉咙没散\n嗯 嗯嗯\n随节拍落地才算到了岸\n嗯 嗯嗯\n慢下来\n嗯 嗯嗯\n划一道\n\n[verse]\n(Chords: G#m7 - Emaj7 - F#maj7 - G#m7)\n(Vocal-Perf: 肥宝, Cantonese. Deeper, more resonant vocal tone. A more grounded and rhythmic flow.)\n(Inst: Consistent loop. The change in language and vocal timbre provides variation.)\n(Mix: The deeper vocal sits slightly more within the beat, blending with the bass frequencies.)\n(Transition: A brief pause after the chorus before the Cantonese verse begins.)\n细个时候住喺唐楼六楼\n每晚听住邻居炒菜声入睡\n油烟味混住木窗框发潮嘅气\n就系嗰阵觉得安全嘅滋味\n而家住得高啲靓啲静啲\n反而夜晚躺低脑袋空嘅利利\n无咗嗰啲嘈杂先知道原来\n嗰啲嘈杂系填住胸口嘅棉被\n所谓长大即系慢慢习惯割舍\n割舍咗先明白自己失去咗乜野\n老街口嗰间卖咖喱鱼蛋嘅档\n第三代老板唔知仲喺唔喺度\n有时落街行过嗰头转角位\n鼻头一酸唔系因为辣\n系因为某种属于街坊嘅温度\n细细声问返自己还记唔记得\n\n[outro]\n(Chords: G#m7 - Emaj7 - F#maj7 - G#m7)\n(Sound-Design: Rhodes piano echoes thin and bare, turntable needle lifted then set down again in silence, one last warm chord sustains before dissolving.)\n(Inst: The main instrumental loop and drum break continue, gradually fading to silence.)\n(Mix: Elements become more sparse as the track fades, leaving the piano loop as the last audible element.)\n嗯 嗯嗯 慢下来\n嗯 嗯嗯 回来\n那个旧味道还留在喉咙没散\n随节拍落地才算到了岸\n嗯 嗯嗯\n慢下来\n嗯 嗯嗯\n划一道\n记住这份温\n划一道\n别让它散",
  "cover_prompt": "生成一张无字音乐专辑封面。风格严格参照 20 世纪 Color Field Painting（色域绘画），如 Mark Rothko 晚期作品的色层叠压逻辑与 Helen Frankenthaler 的浸染法（soak-stain technique）。画面的核心色彩与情绪：暮色中城市屋顶的温旧感——以沉敛的赭黄、烟棕与淡灰蓝三层色域交叠，底层透出一缕如旧铜器般的暗橙余温，整体像一段被岁月浸泡过的傍晚记忆，既有城市灰尘的涩感，又有厨房油烟沉淀后的朦胧暖意。\n技法要求：色彩之间的过渡必须模拟颜料在未上浆的粗纹棉布（raw cotton canvas）上自然渗透、晕开的效果，边界柔软但保留颜料浓度不均匀造成的自然深浅变化（pigment pooling）。画面需要呈现真实画布的编织肌理（woven canvas texture），局部可见稀薄处透出的底布纹路。整体色调偏低饱和、微微发灰（muted, desaturated palette），避免荧光感和数字渐变的均匀平滑。\n绝对禁止：任何文字/字母/拼音、人物或人物轮廓、具象物体、几何图案、锐利边缘、胶片颗粒滤镜、3D渲染质感。",
  "cover": {
    "template_id": 1,
    "template_name": "环境光晕流",
    "scene_description": "暮色中城市屋顶的温旧感——以沉敛的赭黄、烟棕与淡灰蓝三层色域交叠，底层透出一缕如旧铜器般的暗橙余温，整体像一段被岁月浸泡过的傍晚记忆，既有城市灰尘的涩感，又有厨房油烟沉淀后的朦胧暖意"
  }
}