{
  "song_id": "10_Folded_20260512",
  "prompt": "Genre: Trap-Soul / Contemporary R&B; BPM: 68; Key: D# minor; Rhythm: Slow, spacious trap groove with a heavy 808 kick, a hard snare on beat 3, and intricate, fast-programmed hi-hat rolls and syncopations.; Instruments: Cinematic string section; Programmed 808 kick; Sharp clap/snare; Fast 16th-note hats; Deep sine 808 bass; Wide, filtered synth pad.; Vocals: Female. Smooth, breathy, and intimate lead vocal with intricate R&B melismas. Supported by lush background vocal stacks that create a wide, atmospheric texture.; Mood: The heavy silence in an apartment after a fight, where the air is still charged but the anger has cooled into regret, and you're just waiting for the sound of keys in the door.; Highlight: The moment the lead vocal delivers the hook's central image with a simple, descending melody, where a mundane action contrasts sharply with the emotional weight, creating a powerful subtextual plea.",
  "title": "Second Drawer",
  "lyrics": "[intro]\n(Inst: Lush, cinematic string ensemble playing a dramatic, soaring melody over a low, warm synth pad.)\n(Mix: Wide stereo image established by strings and pads. Deep sub-frequency space carved out for incoming 808. Vocals will sit very forward. Clean, transparent compression. Long reverb tails on strings.)\n\n[verse]\n(Inst: Beat drops. Sparse 808 kick and bass pattern, sharp clap on 3, intricate 16th-note hi-hat pattern. The synth pad continues underneath, strings fade out.)\n(Vocal-Perf: Intimate, close-mic'd, breathy delivery. Conversational rhythm with complex, fluid melismatic runs at the end of phrases.)\n(Melody-Rhythm: Vocal phrases start just after beat 1, weaving syncopated lines around the sparse beat, leaving space.)\n(Chords: D#m - G#m - C# - F#)\nI made the coffee strong the way you always take it\nPoured two cups before I caught myself\nSat down slow, let mine go cold\nThere's a habit in my hands that I can't break yet\nI keep reaching for the wrong side of the shelf\n\n[chorus]\n(Mix: Wider stereo field. Vocal stacks enter, panned left and right. Slight parallel compression on drums for more punch.)\n(Inst: Strings re-enter subtly, holding long, emotional notes. Beat remains consistent but feels fuller due to added layers.)\n(Vocal-Perf: Delivery becomes more direct and earnest, less breathy and more focused tone. Lush background vocal stacks harmonize key phrases.)\n(Hook-DNA: Core motif is the phrase \"come pick up your clothes\"; rhythm is straight eighth notes landing squarely on the beat; anchored around the 5th of the scale, resolving down to the 3rd on \"folded\"; repeats with slight melodic variation.)\n(Melody-Contour: Phrase begins on the tonic and descends in a stepwise motion, a simple, declarative shape that feels resigned.)\n(Melody-Rhythm: The hook melody is rhythmically straightforward, contrasting the syncopated verses, making it an anchor.)\n(Melody-Harmonic-Tension: Melody lands on the 7th over the subdominant (G#m) chord in the line \"while it's still open,\" creating a moment of gentle longing before resolving.)\n(Chords: D#m - B - F# - C#)\nYour name is still the second drawer\nI never moved it, never changed the order\nEvery morning it's the first thing I walk past\nAnd every morning I decide to leave it there\nYour name is still the second drawer\nI never moved it\n\n[verse 2]\n(Inst: Strings pull back again, arrangement returns to sparse verse feel.)\n(Vocal-Perf: A touch more frustration and resolve in the tone, but still maintaining the intimate delivery. Ad-libs are more frequent and slightly higher in the mix.)\n(Chords: D#m - G#m - C# - F#)\nI know the space between us has a temperature\nIt dropped three degrees the week you stopped calling back\nNow there's a hollow in the air where you used to stand\nMy body leans that way and catches nothing\nJust a wall that doesn't know your name\nI talk to it anyway, low, under my breath\nTell it things I swallowed every time you asked me how I was\n\n[chorus]\n(Mix: Full impact of chorus mix returns. Ad-libs are more prominent and layered.)\n(Inst: Strings are slightly louder and more emotive than in the first chorus. Full instrumental and vocal layers.)\n(Vocal-Perf: More impassioned delivery. Lead vocal adds more dynamic variation, pushing certain words. Background stacks are thick and immersive.)\n(Hook-DNA: Core motif is the phrase \"come pick up your clothes\"; rhythm is straight eighth notes landing squarely on the beat; anchored around the 5th of the scale, resolving down to the 3rd on \"folded\"; repeats with slight melodic variation.)\n(Melody-Harmonic-Tension: Melody lands on the 7th over the subdominant (G#m) chord in the line \"while it's still open,\" creating a moment of gentle longing before resolving.)\n(Chords: D#m - B - F# - C#)\nYour name is still the second drawer\nI never moved it, never changed the order\nEvery morning it's the first thing I walk past\nAnd every morning I decide to leave it there\nYour name is still the second drawer\nI never moved it\n\n[bridge]\n(Inst: Beat thins out. Kick and hats drop out, leaving only the clap, 808 bass holding long notes, and the atmospheric pad. Creates a moment of suspension.)\n(Vocal-Perf: Vocals become layered, almost like a choir, with the lead weaving through the harmonies. Delivery is pleading and floats over the sparse backing.)\n(Melody-Harmonic-Tension: The entire bridge melody avoids resolving to the tonic. Phrases hang on the 2nd and 4th over static chords, building significant tension that begs for the release of the final hook.)\n(Chords: B - C# - G#m - C#)\nI could move it\nOne hand, two seconds, done\nBut deciding not to is the only conversation we still have\nSo I leave it\nI leave it right there\n\n[outro]\n(Inst: The full beat drops out completely, leaving only the filtered synth pad and the echo of the last vocal phrase. A final, distant string swell fades in and out.)\n(Vocal-Perf: Stacked vocal harmonies repeat the central hook phrase \"I have them folded,\" processed with heavy reverb and delay, fading into the atmospheric pad until silent.)\nYour name is still the second drawer\nI never moved it, never moved it\nYour name is still the second drawer\nI never moved it, never moved it",
  "cover_prompt": "生成一张无字音乐专辑封面。风格严格参照 20 世纪 Color Field Painting（色域绘画），如 Mark Rothko 晚期作品的色层叠压逻辑与 Helen Frankenthaler 的浸染法（soak-stain technique）。画面的核心色彩与情绪：深沉的蓝紫灰色主调，中段渗入一缕褪色的暖赭石棕，如同某个人的温度残留在冷空气里，整体笼罩着一种「决定不动手」的沉默重量。\n技法要求：色彩之间的过渡必须模拟颜料在未上浆的粗纹棉布（raw cotton canvas）上自然渗透、晕开的效果，边界柔软但保留颜料浓度不均匀造成的自然深浅变化（pigment pooling）。画面需要呈现真实画布的编织肌理（woven canvas texture），局部可见稀薄处透出的底布纹路。整体色调偏低饱和、微微发灰（muted, desaturated palette），避免荧光感和数字渐变的均匀平滑。\n绝对禁止：任何文字/字母/拼音、人物或人物轮廓、具象物体、几何图案、锐利边缘、胶片颗粒滤镜、3D渲染质感。",
  "cover": {
    "template_id": 1,
    "template_name": "环境光晕流",
    "scene_description": "深沉的蓝紫灰色主调，中段渗入一缕褪色的暖赭石棕，如同某个人的温度残留在冷空气里，整体笼罩着一种「决定不动手」的沉默重量"
  },
  "style_direction": "B",
  "style_reference": "Billie Eilish, Olivia Rodrigo"
}