{
  "song_id": "02_Ylang Ylang_20260512",
  "prompt": "Genre: Instrumental Neo-Soul / Lo-Fi Jazz; BPM: 70; Key: C# Major (with extensive jazz harmony); Rhythm: Free-time piano intro flows into a slow, laid-back hip-hop groove; a sparse kick and brushed snare with a strong behind-the-beat, improvisational feel; Instruments: Grand piano (close-mic'd, captures hammer action), deep synth bass (subtle, foundational), lo-fi drum kit (brushed snare texture); Vocals: Male, soft and breathy tenor with a gentle rasp, frequent use of intimate close-mic falsetto, processed with heavy reverb and delay; Mood: Sitting alone in a dimly lit jazz club after closing time, rain streaking down the large window overlooking a quiet city street; Highlight: The sudden, resonant low piano chord that drops into the arrangement unexpectedly, followed by a rapid ascending arpeggio, creating a powerful emotional swell.",
  "title": "坐满",
  "lyrics": "[intro]\n(Mix: Wide stereo field focused on the intimate, central piano. Warm analogue saturation across the master. Frequencies are balanced with a gentle low-end roll-off to leave space for bass, and a silky, non-harsh high-end. Light bus compression to glue elements.)\n(Inst: Solo grand piano, close-mic'd, with audible pedal and hammer mechanics.)\n(Chords: F#maj7 - G#7sus4 - A#m7 - C#maj7)\n\n[verse]\n(Vocal-Perf: Enters with a gentle, breathy chest voice, intimate close-mic presence, almost a whisper.)\n(Inst: Grand piano continues its improvisational chording. A low, warm synth pad fades in, providing a subtle harmonic bed.)\n(Melody-Rhythm: Vocal phrases are sparse, starting late after beat 2 and ending with long decays, weaving around the piano's rhythm.)\n(Chords: A#m7 - D#m9 - G#7 - C#maj7)\n我把椅子推回你习惯的那个角落里\n桌面空了 反而多出你搁手的弧度\n收拾这个房间用了整整一个下午\n每样东西都回到你决定的位置\n\n[chorus]\n(Mix: Stereo image widens. Vocal reverb tail becomes more prominent.)\n(Vocal-Perf: Shifts from chest voice to a delicate, airy falsetto. Dynamics lift slightly but remain gentle.)\n(Inst: A slow, laid-back lo-fi beat enters; soft kick on 1 and 3, brushed snare with ghost notes on 2 and 4. A deep, round sub-bass plays root notes, locking in the groove.)\n(Hook-DNA: A syncopated 3-note vocal motif lands on the 'and' of 1, repeating twice before a longer tail phrase; anchored around the 5th and resolving to the 3rd.)\n(Melody-Contour: Gentle arch shape, ascending minor 3rd from 3 to 5 and descending back down.)\n(Melody-Harmonic-Tension: Vocal melody holds the major 7th over the tonic C#maj7 chord for a full beat, creating a sweet tension before resolving downwards stepwise.)\n(Chords: F#maj7 - C#maj7 - A#m7 - G#7sus4)\n我越不想你\n你就越坐满这个房间\n越清空 越是你的形状\n越安静 越响\n\n[interlude]\n(Inst: Drums and bass drop out, leaving a virtuosic, arpeggio-heavy piano solo. The ambient pad swells slightly in the background.)\n(Sound-Design: A subtle vinyl crackle sample is introduced for texture.)\n\n[verse]\n(Vocal-Perf: Returns to chest voice, but with slightly more confidence and less breathiness than the first verse.)\n(Inst: The full rhythm section re-enters, maintaining the relaxed groove. Piano plays more sparsely, leaving space for the vocal.)\n(Melody-Rhythm: Vocal phrasing becomes slightly more on-the-beat, creating a subtle sense of forward momentum.)\n(Chords: A#m7 - D#m9 - G#7 - C#maj7)\n我以为一个人待着就能把你缩小\n连呼吸都放轻 连脚步都放慢\n可你的重量压进来 比空气还早\n压在我胸口 比我自己还熟悉这里\n\n[chorus]\n(Mix: Backing vocal layers are added, panned wide, creating a lush, immersive space.)\n(Vocal-Perf: Falsetto lead vocal is layered with two lower harmony parts, sung with the same airy texture.)\n(Inst: Beat continues, but a soft, shaker-like percussion adds a new 16th-note subdivision.)\n(Hook-DNA: The 3-note motif returns, now harmonized. The final tail phrase extends an extra two bars.)\n(Melody-Harmonic-Tension: The tension on the major 7th over the tonic chord is heightened by the harmony vocals, which create a richer cluster before resolution.)\n(Chords: F#maj7 - C#maj7 - A#m7 - G#7sus4)\n我越不想你\n你就越坐满这个房间\n越清空 越是你的形状\n越安静 越响\n越不动 越被你占据\n\n[bridge]\n(Mix: All rhythmic elements drop out. The mix becomes very sparse and reverb-drenched.)\n(Vocal-Perf: A single, exposed vocal line, almost spoken, heavy with reverb.)\n(Inst: Piano plays only sustained, shimmering chords. The synth pad is the main harmonic element.)\n(Melody-Harmonic-Tension: Harmony remains static on a D#m9 chord for four bars, while the vocal melody slowly wanders and deliberately avoids resolving to a chord tone, creating a feeling of suspension before the final chorus.)\n(Chords: D#m9 - G#13)\n不是你还没走\n是我把你留下来的\n每个我以为在放下的动作\n都是在替你 重新找一个位置\n\n[outro]\n(Inst: Beat deconstructs, leaving only a kick drum on every other bar. Piano plays a final, sparse version of the main theme, then single notes with long pauses. The synth pad and vinyl crackle slowly fade to silence.)\n(Transition: A final, resonant piano chord rings out and its reverb tail is the last thing heard.)\n我越不想你\n你就越坐满\n越坐满",
  "cover_prompt": "生成一张无字音乐专辑封面。风格严格参照 20 世纪 Color Field Painting（色域绘画），如 Mark Rothko 晚期作品的色层叠压逻辑与 Helen Frankenthaler 的浸染法（soak-stain technique）。画面的核心色彩与情绪：深沉的炭灰色与暗琥珀色在画面中央缓慢叠压，四周渗出微弱的冷蓝紫调，仿佛一个被关上的房间在静默中持续散发某种温度，不是光，是残留的体温——一种无法被清空的重量感，低沉、饱满、隐忍。\n技法要求：色彩之间的过渡必须模拟颜料在未上浆的粗纹棉布（raw cotton canvas）上自然渗透、晕开的效果，边界柔软但保留颜料浓度不均匀造成的自然深浅变化（pigment pooling）。画面需要呈现真实画布的编织肌理（woven canvas texture），局部可见稀薄处透出的底布纹路。整体色调偏低饱和、微微发灰（muted, desaturated palette），避免荧光感和数字渐变的均匀平滑。\n绝对禁止：任何文字/字母/拼音、人物或人物轮廓、具象物体、几何图案、锐利边缘、胶片颗粒滤镜、3D渲染质感。",
  "cover": {
    "template_id": 1,
    "template_name": "环境光晕流",
    "scene_description": "深沉的炭灰色与暗琥珀色在画面中央缓慢叠压，四周渗出微弱的冷蓝紫调，仿佛一个被关上的房间在静默中持续散发某种温度，不是光，是残留的体温——一种无法被清空的重量感，低沉、饱满、隐忍。"
  }
}