{
  "song_id": "01_爱错_20260513",
  "prompt": "Genre: Mandopop / R&B Ballad; BPM: 145; Key: G# Major; Rhythm: Powerful R&B half-time ballad groove; snare on 3; 16th-note hi-hats; on-the-grid feel.; Instruments: Clean grand piano; steel-string acoustic; sustained distorted lead guitar; clean round electric bass; punchy modern kit, big reverb snare; lush string pads.; Vocals: Male high tenor; clear and emotive; dynamic range from breathy to powerful belt; frequent R&B melismas; clean with reverb and delay.; Melody: Ascending arc phrases resolve downward; syncopated, starting after the beat.; Mood: Rewinding a damaged VHS tape, watching a happy memory distort and fade to static.; Production: High-fidelity, radio-ready polish; wide stereo image; vocals forward; lush hall reverbs.; Language: Mandarin; Highlight: The raw, high-register vocal ad-lib over the final chorus, pushing the voice to its emotional limit before the final plea.",
  "title": "快进不回",
  "lyrics": "[intro]\n(Mix: High-fidelity, wide stereo field. Piano and acoustic guitar are panned slightly. Lush hall reverb creates a large, atmospheric space. Vocals will be center-dominant. Master bus has light, transparent compression for glue.)\n(Inst: Clean grand piano plays arpeggiated figures. Delicate steel-string acoustic guitar provides counter-melody. A low synth pad enters, adding warmth.)\n(Hook-DNA: Rhythmic pattern: dotted-eighth-sixteenth followed by two eighths, landing on beat 3. Pitch anchor: melody circles the 3rd and 5th of the tonic chord, resolving to the root on the final bar. Repetition: piano motif repeats with slight variation over chord changes.)\n(Chords: C#maj7 - G#/C - A#m7 - G#/C - C#maj7 - G# - D#sus4 - D#)\n\n[verse]\n(Transition: Piano holds the final chord, clean bass guitar enters on the downbeat.)\n(Inst: Arrangement is sparse. Piano holds down the harmony with simple chords. Bass plays root notes.)\n(Vocal-Perf: Soft, breathy chest voice. Mezzo-piano. Expresses vulnerability and narrative storytelling.)\n(Melody-Contour: Mostly stepwise motion in a lower-middle register; phrases descend gently; on-the-beat, conversational rhythm.)\n(Chords: C# - D# - G# - G#/F# - A#m7 - G# - C# - D#sus4 - D#)\n整理旧硬盘时手滑碰了一下\n屏幕突然跳出那个文件夹\n我以为早就删了那段影像\n快进键按着 时间却往回爬\n\n[chorus]\n(Transition: Drum fill with cymbals swells into the chorus.)\n(Mix: Energy lift. Drums are punchy and centered. Distorted guitar enters wide left. Strings fill out the stereo space.)\n(Inst: Full band enters. Heavy drums with a big reverb snare on beat 3. Distorted electric guitar plays a sustained counter-melody. Lush string section pads provide emotional weight.)\n(Vocal-Perf: Jumps to a powerful, open-throated high tenor belt. Mezzo-forte. Clear vibrato on held notes.)\n(Melody-Contour: Wide ascending leaps to the upper register, holding high notes before descending. Syncopated rhythm creates tension against the slow groove.)\n(Melody-Harmonic-Tension: Melody hangs on the 9th over the IV chord (C#) in the first line, creating a yearning feel before resolving down. The final phrase ends on the 5th over the V chord (D#), leaving it unresolved, pushing into the next section.)\n(Hook-Recall: The syncopated rhythm of the main vocal hook directly references the feel of the piano's Hook-DNA motif.)\n(Chords: C# - G#/C - A#m7 - D# - G# - G#/F# - A#m7 - D#sus4 - D#)\n还在 那个下午的光\n还在 你笑时抖动的肩膀\n还在 我以为烧掉的念想\n时间没有把它磨平\n只是压进更深的地方\n\n[verse]\n(Transition: Band drops out except for piano and a soft string pad, creating dynamic contrast.)\n(Inst: Back to a sparse arrangement similar to the first verse, but with sustained string pads underneath.)\n(Vocal-Perf: Returns to a softer, more introspective delivery, but with slightly more intensity than the first verse, building towards the revelation.)\n(Melody-Contour: Similar contour to the first verse, but starting slightly higher in range, reflecting increased emotional stakes.)\n(Chords: C# - D# - G# - G#/F# - A#m7 - G# - C# - D#sus4 - D#)\n画面停在你转头的那一秒\n嘴角的弧度比记忆里还好\n我数了三次你说话时的停顿\n越数越清晰 清晰得让我怕了\n\n[bridge]\n(Transition: A soft cymbal roll and ascending string line lead into the bridge.)\n(Inst: Texture thickens slightly. Bass becomes more melodic. Drums re-enter with a simpler pattern, mostly kick and hi-hats. Piano plays more insistent block chords.)\n(Vocal-Perf: Builds from a restrained tone to a pleading, almost strained quality. Falsetto is used for emotional effect on key phrases.)\n(Melody-Contour: Ascending stepwise line that builds tension throughout the section, peaking on the final phrase.)\n(Melody-Harmonic-Tension: Melody consistently lands on the 2nd or 4th over the chords, creating suspensions that don't fully resolve until the end of the phrase, heightening the sense of unease and searching.)\n(Chords: F# - C#/F - D#m7 - G#sus4 - G# - F# - C# - D#sus4 - D#)\n我怕的不是忘不掉你\n我怕真忘了之后你就彻底没了\n那些模糊才是你还在的证明\n越想忘的越记得住 越记得住的越不敢碰\n\n[chorus]\n(Transition: Explosive drum fill, full band crashes in on the downbeat.)\n(Mix: The widest and loudest section. Additional vocal layers and ad-libs are panned. Everything is heavily compressed for maximum impact.)\n(Inst: All elements at full force. Distorted guitar is more prominent. Drums are powerful and driving. Cymbals crash frequently.)\n(Vocal-Perf: Full-on emotional belt. Voice is pushed to the top of its range with raw, powerful ad-libs, runs, and held notes. Shows cracks and strain for authenticity.)\n(Melody-Contour: The core melody is present, but heavily embellished with high, soaring ad-libs that push beyond the original melodic arc.)\n(Melody-Harmonic-Tension: Similar tension points as the first chorus, but the vocal ad-libs often explore higher extensions (11ths, 13ths) over the chords, making the tension even more acute before crashing back to resolution.)\n(Hook-Recall: The core syncopation of the hook remains, but it's now buried under layers of emotional ad-libs, like a memory being overwhelmed by raw feeling.)\n(Chords: C# - G#/C - A#m7 - D# - G# - G#/F# - A#m7 - D#sus4 - D#)\n还在 那个下午的光\n还在 你笑时抖动的肩膀\n还在 我以为烧掉的念想\n时间没有把它磨平\n只是压进更深的地方\n\n[outro]\n(Transition: Music abruptly cuts out after the final chorus hit, leaving only a sustained piano chord and reverb tails.)\n(Inst: Sparse piano chord.)\n(Vocal-Perf: Final line delivered in a soft, vulnerable, almost spoken tone. A complete contrast to the preceding climax.)\n(Melody-Contour: Descending, almost sighing phrase that resolves on the tonic.)\n(Chords: G#)\n快进 却退不回去",
  "cover_prompt": "生成一张无字音乐专辑封面。风格严格参照 20 世纪 Color Field Painting（色域绘画），如 Mark Rothko 晚期作品的色层叠压逻辑与 Helen Frankenthaler 的浸染法（soak-stain technique）。画面的核心色彩与情绪：深沉的消磁蓝灰与旧磁带褪色的暖土黄在画面中心缓慢碰撞渗透，像一段过曝的影像记忆在光里慢慢走形，边缘晕开但中心仍保有一块沉重的深色压力区，象征那些越压越清晰的细节。\n技法要求：色彩之间的过渡必须模拟颜料在未上浆的粗纹棉布（raw cotton canvas）上自然渗透、晕开的效果，边界柔软但保留颜料浓度不均匀造成的自然深浅变化（pigment pooling）。画面需要呈现真实画布的编织肌理（woven canvas texture），局部可见稀薄处透出的底布纹路。整体色调偏低饱和、微微发灰（muted, desaturated palette），避免荧光感和数字渐变的均匀平滑。\n绝对禁止：任何文字/字母/拼音、人物或人物轮廓、具象物体、几何图案、锐利边缘、胶片颗粒滤镜、3D渲染质感。",
  "cover": {
    "template_id": 1,
    "template_name": "环境光晕流",
    "scene_description": "深沉的消磁蓝灰与旧磁带褪色的暖土黄在画面中心缓慢碰撞渗透，像一段过曝的影像记忆在光里慢慢走形，边缘晕开但中心仍保有一块沉重的深色压力区，象征那些越压越清晰、却越清晰越不敢触碰的内心细节"
  }
}