{
  "_engine": "I",
  "song_id": "01_我怀念的_20260513",
  "prompt": "Genre: Mandopop Ballad; BPM: 140; Key: E Major; Rhythm: Slow half-time feel with a simple acoustic drum backbeat (kick on 1 & 3, snare on 2 & 4). Piano arpeggios provide the main rhythmic pulse, with subtle 16th-note shakers adding texture in choruses.; Instruments: Piano (arpeggiated chords, main harmonic driver), Lush Strings (violins, cellos, providing emotional swells and countermelodies); Vocals: Female; clear, emotive mid-to-high range, shifting from breathy, intimate chest voice in verses to a powerful, soaring belt in the chorus, with subtle, tasteful reverb and delay.; Mood: Looking out a rain-streaked window at a blurred cityscape, lost in melancholic memories of a past love.; Production: Polished, widescreen studio production. Vocal-centric mix with a spacious, reverberant feel. Stereo field widens dramatically in the chorus with strings.; Highlight: the dramatic dynamic lift from the intimate, piano-led verse to the full, soaring string-backed chorus.",
  "title": "借风还山",
  "lyrics": "[intro]\n(Chords: E - B/D# - C#m - A)\n(Inst: Solo cello melody over gentle piano arpeggios)\n(Mix: Narrow, intimate, centered)\n(Vocal-Perf: None)\n\n[verse]\n(Chords: E - B/D# - C#m - G#m - A - E/G# - F#m - B)\n(Vocal-Perf: Breathy, conversational, soft dynamics, chest voice)\n(Inst: Piano is the main accompaniment, very light bass enters)\n(Mix: Vocals upfront and dry, piano creates a reverberant space)\n十六岁那个夏天你突然走了\n连告别都没来得及说清楚\n我坐在医院走廊的铁椅子上\n数地板缝隙 数到天亮也没哭\n\n[pre-chorus]\n(Chords: A - G#m - C#m - F#m - Bsus4 - B)\n(Vocal-Perf: Intensity builds slightly, more sustained notes, questioning tone)\n(Inst: Subtle string pads enter, creating tension)\n(Transition: Piano holds a suspended chord before resolving into chorus)\n后来每次有人问起你\n我都说还好 说习惯了 说没事\n只有深更半夜翻出那件旧工具袋\n才承认自己根本一点都不习惯失去\n\n[chorus]\n(Chords: E - B/D# - C#m - E/B - A - E/G# - F#m - B - C#m - G#m - A - E - F#m - B - E)\n(Vocal-Perf: Powerful, emotional belt, full chest voice, soaring melody, mezzo-forte)\n(Inst: Full band enters; lush strings, acoustic drums, prominent bass, acoustic guitar strumming)\n(Mix: Wide stereo image, strings fill the space, vocals sit powerfully in the center)\n(Highlight: Dynamic lift is created by the entrance of the full rhythm section and soaring strings, supporting the belted vocal)\n爸 你有没有看见\n我把那棵歪斜的树 扶直了整整三年\n爸 你有没有听见\n我第一次独自开车进城 手抖得很难看\n你说过风大的地方要把根扎深\n我试了很久才弄懂这句话\n可是懂了又怎样\n没有你在旁边点头\n那个懂好像也不算数\n\n[bridge]\n(Chords: A - B - G#m - C#m - F#m - G#m - A - Bsus4 - B)\n(Vocal-Perf: Begins softly, builds to a passionate, almost strained peak, reflecting emotional pain)\n(Inst: Strings become more active with moving countermelodies, drums build with cymbal swells)\n(Mix: Remains wide, vocals have a touch more delay and reverb, creating an epic feel)\n(Transition: Drum fill and string crescendo lead into the final chorus)\n弟弟考上大学那天妈妈哭了很久\n我在厨房装作在洗碗\n其实我也想哭 想哭给你看\n想说 你看 我们都还撑着\n这些年我把软的地方全压进胸腔\n怕一松开就散成你看不见的样子\n可是爸 我好累\n这句话我藏了好多个冬天\n今晚终于敢说出口\n\n[chorus]\n(Chords: E - B/D# - C#m - E/B - A - E/G# - F#m - B - C#m - G#m - A - E - F#m - B - E)\n(Vocal-Perf: The most powerful and desperate delivery, ad-libs in the upper register, full forte dynamics)\n(Inst: All instruments playing at full intensity, cymbals are more prominent)\n(Mix: Climax of the song, everything is loud and wide, vocals cut through with clarity)\n爸 你有没有看见\n我把那棵歪斜的树 扶直了整整三年\n爸 你有没有听见\n我第一次独自开车进城 手抖得很难看\n你说过风大的地方要把根扎深\n我试了很久才弄懂这句话\n可是懂了又怎样\n没有你在旁边点头\n那个懂好像也不算数\n\n[outro]\n(Chords: E - C#m - A - B - E)\n(Vocal-Perf: Returns to a soft, breathy, almost whispered delivery, full of resignation)\n(Inst: Band fades out, leaving only sparse piano chords and a final cello note)\n(Mix: Rapidly narrows back to an intimate, centered field, significant fade in volume)\n(Structure: Decelerates to a slow fade-out)\n院子北边那面矮墙\n去年塌了一个角\n我想补好它\n又想着就这样吧\n让风进来\n让风进来",
  "cover_prompt": "生成一张无字音乐专辑封面。风格参照日本「もの派」（Mono-ha）的物质感与李禹焕（Lee Ufan）绘画中「留白与一笔」的克制美学，结合湿拓画（Ebru / paper marbling）的有机纹理。画面核心：画面下方三分之一处有一道粗粝的横向赭石色笔触，笔触边缘在湿润纸面上自然渗开，颜料浓淡不均，像一道被时间压平的山脊线；笔触上方是大面积的苍灰留白，白中隐约透出手工纸的竖向纤维纹路，整体色调沉郁克制，赭石与灰白之间没有过渡色，只有颜料渗入纸纤维时留下的自然边界。技法要求：笔触的边缘必须是颜料在湿润纸面上自然扩散形成的（ink bleeding on wet paper），而非数字绘制的精准轮廓。背景需要呈现真实手工纸的纤维质感（visible paper fibers, deckled edges texture），带有轻微水渍痕迹（watermark stains）和纸张泛黄的老化感。构图极度克制，主体笔触偏离中心，大面积留白压住画面上方。整体像一张被扫描的实体版画作品（scanned fine art print），而非数字生成图像。绝对禁止：任何文字/字母/拼音、人物或人物轮廓、复杂场景、风景照片感、3D渲染、塑料质感的光泽。",
  "cover": {
    "template_id": 2,
    "template_name": "几何光影艺术流",
    "scene_description": "画面下方三分之一处有一道粗粝的横向赭石色笔触，笔触边缘在湿润纸面上自然渗开，颜料浓淡不均，像一道被时间压平的山脊线；笔触上方是大面积的苍灰留白，白中隐约透出手工纸的竖向纤维纹路，整体色调沉郁克制，传递出无言承担与深埋的思念"
  }
}