{
  "song_id": "01_Joy In The Morning (Original Mix)_20260513",
  "prompt": "Genre: Chill House / Jazz House; BPM: 120; Key: D minor; Feel: Straight, quantized four-on-the-floor groove with syncopated bass and Fender Rhodes chords creating a relaxed, head-nodding pulse.; Instruments: Drum machine (rhythmic foundation, soft kick, crisp hi-hats, snappy rimshot), E.Bass (syncopated melodic line, warm fingerstyle tone), Fender Rhodes (main harmony and melody, warm tone with stereo tremolo), Synth Pad (atmospheric texture, airy and sustained), Female Vocal Sample (atmospheric punctuation, ethereal 'ahh' with heavy reverb); Lead: Fender Rhodes: all sections; Motif: Short, descending, breathy female vocal 'ahh' sample, drenched in reverb, appearing on the downbeat of the first bar in a four-bar phrase.; Harmony: Lush diatonic minor harmony with extended 7th and 9th chords, creating a relaxed, low-tension mood with a slow harmonic rhythm.; Highlight: The ethereal, heavily-reverberated female 'ahh' vocal sample that punctuates the start of each A-section phrase.",
  "title": "Tide You Keep",
  "lyrics": "[Intro]\n(Chords: Dm9)\n(Harmonic-Rhythm: 8 bars)\n(Lead: Fender Rhodes introduces chord tones)\n(Inst: Drum machine (kick, closed hat), Bass (root pedal with syncopation), Rhodes (sparse stabs))\n(Dynamics: mp)\n(Transition: Open hi-hat and rimshot enter)\n\n[A-section]\n(Chords: Dm9 - Gm9)\n(Harmonic-Rhythm: 2 bars each, repeated)\n(Lead: Fender Rhodes plays syncopated chords and short melodic fills)\n(Inst: Full drum machine groove, Bass (active syncopated line), Rhodes (chords), Vocal sample ('ahh' on downbeat of first Dm9))\n(Dynamics: mf)\n(Transition: Bass plays a walking fill up to A)\nYou leave your coffee on the left side of the sink\nSame crooked cup, same unhurried morning blink\nI count the seconds that your elbow guards my space\nAnd wonder how I learned to breathe your breathing pace\n\n[B-section]\n(Chords: Am9 - Gmaj7 - Fmaj7 - Bbmaj7)\n(Harmonic-Rhythm: 2 bars each, repeated)\n(Lead: Fender Rhodes becomes more melodic, improvising over the changes)\n(Inst: Drum machine (hi-hat pattern becomes more open), Bass (follows new roots), Rhodes (melodic improvisation and chords))\n(Dynamics: mf)\n(Transition: Rhodes holds final Bbmaj7 chord, bass walks back down to D)\nSomewhere between the hum of the overhead fan\nAnd the warm tide you keep pulling me back to land\nI stopped rehearsing how to need you less by half\nThe groove just settled — now I only know this path\n\n[A-section]\n(Chords: Dm9 - Gm9)\n(Harmonic-Rhythm: 2 bars each, repeated)\n(Lead: Fender Rhodes returns to chordal pattern, with slight variations)\n(Inst: Same as first A-section)\n(Dynamics: mf)\n(Transition: Elements are filtered down, beat thins out)\nYour shoulder blocks the draft that creeps beneath the door\nI never noticed cold until you warmed the floor\nA reflex built on nothing but your being here\nMy body learned its resting point — that point is near\n\n[C-section]\n(Chords: Dm9 - Gm9)\n(Harmonic-Rhythm: 2 bars each, repeated)\n(Lead: Fender Rhodes plays spacious, sustained chords)\n(Inst: Drum machine (kick only, heavily filtered), Bass (simpler root notes), Rhodes (sustained chords), Synth Pad (enters with airy texture), Vocal sample (more reverb))\n(Dynamics: mp, building to mf)\n(Transition: Filter sweep opens up, rimshot fill brings beat back in)\nStrip it down to the hush before you speak\nJust the give of the mattress, just the creak\nThis is the part I cannot theorize —\nYou are the gravity I can't revise\n\n[B-section]\n(Chords: Am9 - Gmaj7 - Fmaj7 - Bbmaj7)\n(Harmonic-Rhythm: 2 bars each, repeated)\n(Lead: Fender Rhodes plays its most active and complex solo)\n(Inst: Full drum machine groove plus a ride cymbal layer, Bass (driving line), Rhodes (active solo), Synth Pad (holds sustained notes))\n(Dynamics: f)\n(Transition: Final chord held, drums drop out leaving a sustained Rhodes and pad)\nEvery warm tide you keep pulling me back to shore\nIsn't sentiment — it's architecture, nothing more\nI tried to map the edges where I end and where you start\nFound the blueprint already pressed inside my chest\n\n[Outro]\n(Chords: Dm9)\n(Harmonic-Rhythm: Stays on one chord)\n(Lead: Fender Rhodes plays final melodic fragment)\n(Inst: Beat returns for 4 bars then drops, Rhodes continues with sparse chords, Bass plays simple root, elements slowly fade out with filter)\n(Dynamics: f, decrescendo to pp)\n(Transition: Fade to silence)\nStill your coffee on the left — still that crooked cup\nStill the fan overhead slowly winding up\nStill I haven't learned to breathe without your tide\nStill here — still yours — still warm inside",
  "cover_prompt": "生成一张无字音乐专辑封面。风格严格参照 20 世纪 Color Field Painting（色域绘画），如 Mark Rothko 晚期作品的色层叠压逻辑与 Helen Frankenthaler 的浸染法（soak-stain technique）。画面的核心色彩与情绪：沉静的深矿石蓝与泥土暖棕之间的渐变叠压，如同清晨温热的空气贴着地板缓缓扩散，底部隐约透出一抹黯哑的赭石黄，整体像一片被体温浸透的织物，低饱和而有重量感。技法要求：色彩之间的过渡必须模拟颜料在未上浆的粗纹棉布（raw cotton canvas）上自然渗透、晕开的效果，边界柔软但保留颜料浓度不均匀造成的自然深浅变化（pigment pooling）。画面需要呈现真实画布的编织肌理（woven canvas texture），局部可见稀薄处透出的底布纹路。整体色调偏低饱和、微微发灰（muted, desaturated palette），避免荧光感和数字渐变的均匀平滑。绝对禁止：任何文字/字母/拼音、人物或人物轮廓、具象物体、几何图案、锐利边缘、胶片颗粒滤镜、3D渲染质感。",
  "cover": {
    "template_id": 1,
    "template_name": "环境光晕流",
    "scene_description": "沉静的深矿石蓝与泥土暖棕之间的渐变叠压，如同清晨温热的空气贴着地板缓缓扩散，底部隐约透出一抹黯哑的赭石黄，整体像一片被体温浸透的织物，低饱和而有重量感"
  },
  "style_direction": "B",
  "style_reference": "Billie Eilish, Lorde"
}