{
  "song_id": "02_Many Places_20260513",
  "prompt": "Genre: Trip-Hop / Jazz Fusion / Lo-fi Hip-Hop; BPM: 151; Key: D minor; Feel: Relaxed half-time groove at 75.5 BPM, straight but heavily swung 16ths in the lead, quantized lo-fi drum loop with a syncopated, pocketed fretless bass; Instruments: Nylon-string Classical Guitar (lead melody, arpeggios, intimate and dry), Fretless E.Bass (groove foundation, warm and rounded tone, syncopated), Lo-fi Drum Mach. (hip-hop groove, sampled kick, crisp snare, steady open hi-hats), Rhodes-style E.Piano (chordal harmony, jazzy solo, soft bell-like tone), Synth Strings (pads, lush and wide, background texture), Ambient Synth Pad (atmospheric bed, long reverb tails), Female Spoken Word (sample, whispered and intimate, Polish language); Lead: Nylon Guitar: Intro, A-section, B-section; Rhodes: C-section; Nylon Guitar & Rhodes: Outro; Highlight: The contrast between the organic, intimate nylon guitar and the laid-back, sampled lo-fi hip-hop beat, punctuated by a whispered Polish spoken word sample.",
  "title": "侧身睡",
  "lyrics": "[Intro]\n(Chords: Dm)\n(Harmonic-Rhythm: held for 4 bars)\n(Lead: Nylon Guitar plays sparse melodic fragments)\n(Inst: Nylon Guitar: melody; Ambient Synth Pad: sustained chord)\n(Dynamics: p)\n(Transition: Drums enter)\n\n[A-section]\n(Chords: | Dm | Am/C | G/B | Gm/Bb | A7sus4 | A7 | Dm | Dm |)\n(Harmonic-Rhythm: one bar per chord, last Dm held for two)\n(Lead: Nylon Guitar plays main theme)\n(Inst: Drums: lo-fi hip-hop beat; Bass: syncopated root line; Rhodes: soft chord stabs; Nylon Guitar: lead melody)\n(Dynamics: mp)\n(Transition: Bass walk-up into B-section)\n\n你走之后我还是靠左边睡\n那半张床从没再热过\n闹钟还是两个人设的点\n我关掉你那个 手不抖\n只是慢了一秒\n\n[B-section]\n(Chords: | Cmaj7 | Fmaj7 | Bbmaj7 | Ebmaj7 | Am7 Dm7 | Gm7 C7 | Fmaj7 | A7sus4 A7 |)\n(Harmonic-Rhythm: One bar per chord, two chords per bar in bars 5 and 6)\n(Lead: Nylon Guitar continues melodic development)\n(Inst: Drums, Bass, Rhodes, Nylon Guitar, Synth Strings enter with lush pads)\n(Dynamics: mf)\n(Transition: Beat drops out, filter sweep on last chord, reverse sound effect)\n\n我以为我已经好了\n结果不过是习惯了装\n你的名字在我喉咙里\n不说出来 也不下沉\n就卡在那里\n变成我呼吸的形状\n\n[C-section]\n(Chords: | Am7 | D7 | Gmaj7 | Cmaj7 | F#m7b5 | B7 | Em7 | Em7 | Am7 | D7 | Gm7 | C7 |)\n(Harmonic-Rhythm: One chord per bar)\n(Lead: Rhodes improvises a jazzy solo)\n(Inst: Drums: steady groove; Bass: walking line; Nylon Guitar: background arpeggios; Rhodes: solo; Synth Pad: warm sustained chords)\n(Dynamics: mf)\n(Transition: All instruments except Rhodes and pad drop out)\n\n爱一个人会让身体记住什么\n是他开门的声音落在第几级台阶\n是他坐下去时沙发的那个凹陷\n那个形状\n我怎么填都填不满\n\n[Interlude]\n(Chords: Dm9)\n(Harmonic-Rhythm: Static harmony)\n(Lead: Female Spoken Word)\n(Inst: Rhodes: sparse, gentle chords; Ambient Synth Pad: soft texture; Spoken Word: whispered phrases)\n(Dynamics: pp)\n(Transition: Bass and drums re-enter smoothly)\n\n我没有哭\n只是坐在浴室的地板上\n听水声盖过所有\n直到不觉得冷\n\n[A-section]\n(Chords: | Dm | Am/C | G/B | Gm/Bb | A7sus4 | A7 | Dm | Dm |)\n(Harmonic-Rhythm: One bar per chord, last Dm held for two)\n(Lead: Nylon Guitar restates main theme)\n(Inst: Drums, Bass, Rhodes, Nylon Guitar)\n(Dynamics: mp)\n(Transition: Builds energy into B-section reprise)\n\n你走之后我还是靠左边睡\n那半张床从没再热过\n闹钟还是两个人设的点\n我关掉你那个 手不抖\n只是慢了一秒\n\n[B-section]\n(Chords: | Cmaj7 | Fmaj7 | Bbmaj7 | Ebmaj7 | Am7 Dm7 | Gm7 C7 | Fmaj7 | A7sus4 A7 |)\n(Harmonic-Rhythm: One bar per chord, two chords per bar where noted)\n(Lead: Nylon Guitar melody soars)\n(Inst: Full ensemble at maximum energy; Synth Strings are prominent)\n(Dynamics: ff)\n(Transition: Gradual decrescendo and instruments start to drop out)\n\n我以为我已经好了\n结果不过是习惯了装\n你的名字在我喉咙里\n不说出来 也不下沉\n就卡在那里\n变成我呼吸的形状\n\n[Outro]\n(Chords: | Am7 | D7 | Gmaj7 | Cmaj7 | F#m7b5 | B7 | Em7 | ...fades on Dm9 |)\n(Harmonic-Rhythm: One chord per bar, slowing down)\n(Lead: Rhodes playing final phrases, Nylon Guitar echoes)\n(Inst: Drums and Bass fade out early. Rhodes, Nylon Guitar, and Synth Pad deconstruct and fade to silence. Final whispered spoken word)\n(Dynamics: Decrescendo from mf to ppp)\n(Transition: Slow fade to silence)\n\n靠左边睡\n那半张床\n还是凉的",
  "cover_prompt": "生成一张无字音乐专辑封面。风格严格参照 20 世纪 Color Field Painting（色域绘画），如 Mark Rothko 晚期作品的色层叠压逻辑与 Helen Frankenthaler 的浸染法（soak-stain technique）。画面的核心色彩与情绪：深夜卧室的静默质感——大面积冷灰蓝作为底色，左侧三分之一浸染进一抹极淡的暖赭，像体温从织物里慢慢散失；中央有一道几乎不可见的分界线，两侧温差可感却边界柔软，颜料在棉布纤维里渗开的自然深浅令那道分界线若有若无。\n技法要求：色彩之间的过渡必须模拟颜料在未上浆的粗纹棉布（raw cotton canvas）上自然渗透、晕开的效果，边界柔软但保留颜料浓度不均匀造成的自然深浅变化（pigment pooling）。画面需要呈现真实画布的编织肌理（woven canvas texture），局部可见稀薄处透出的底布纹路。整体色调偏低饱和、微微发灰（muted, desaturated palette），避免荧光感和数字渐变的均匀平滑。\n绝对禁止：任何文字/字母/拼音、人物或人物轮廓、具象物体、几何图案、锐利边缘、胶片颗粒滤镜、3D渲染质感。",
  "cover": {
    "template_id": 1,
    "template_name": "环境光晕流",
    "scene_description": "深夜卧室的静默质感——大面积冷灰蓝作为底色，左侧三分之一浸染进一抹极淡的暖赭，像体温从织物里慢慢散失；中央有一道几乎不可见的分界线，两侧温差可感却边界柔软，颜料在棉布纤维里渗开的自然深浅令那道分界线若有若无"
  }
}