{
  "prompt": "Genre: Country / Folk; BPM: 110; Key: C# minor; Rhythm: Fast, driving 16th-note fingerpicked acoustic guitar groove, very steady pulse, slightly ahead-of-the-beat feel; Instruments: Close-mic'd nylon guitar, warm upright bass, subtle string pads, clean electric guitar fills, light shaker; Vocals: Female, bright and clear timbre with breathy texture, pleading delivery, controlled vibrato, lush self-harmonies; Melody: Repetitive descending arch; phrases resolve on tonic; urgent, syncopated rhythm; Mood: Watching your reflection in a window, seeing someone else's face superimposed over yours.; Production: Analogue warmth, high-fidelity clarity; vocal-centric mix, moderate stereo width; light plate reverb, gentle compression; Language: Chinese; Highlight: The moment the solo pleading vocal is joined by lush backing harmonies on the second chorus repetition, elevating the desperation.",
  "lyrics": "[intro]\n(Hook-DNA: The core vocal motif is a descending minor third on a syncopated dotted-eighth/sixteenth rhythm, anchoring on the tonic; the motif is repeated four times to create the primary hook.)\n(Inst: Driving, central fingerpicked nylon-string guitar establishes the main riff.)\n(Mix: Analogue warmth, vocal-forward. Dry, central core instruments. Moderate stereo width. Light plate reverb on vocal. Gentle bus compression.)\n(Chords: C#m - G# - C#m - C#m)\n\n[chorus]\n(Transition: Upright bass and light shaker enter, locking in the full, driving groove.)\n(Melody-Contour: Repetitive descending arch based on the hook; phrases resolve on tonic; urgent, syncopated rhythm.)\n(Melody-Harmonic-Tension: Melody's descent from the 5th to the 3rd over the tonic i chord (C#m) provides immediate resolution, reinforcing the directness of the plea. Over the V chord (G#), the melody holds the 3rd, creating a strong pull back to the tonic.)\n(Hook-Recall: The chorus is constructed entirely from the hook established in the intro.)\n(Vocal-Perf: Urgent, breathy, mezzo-piano delivery. Lush backing harmonies enter on the second phrase.)\n(Inst: Subtle string pads and clean electric guitar counter-melodies join the arrangement.)\n(Chords: C#m - F#m - G# - C#m - C#m - F#m - G# - C#m)\nJolene, Jolene, Jolene, Jolene\nI'm begging of you please don't take my man\nJolene, Jolene, Jolene, Jolene\nPlease don't take him just because you can\n\n[verse]\n(Transition: Strings and electric guitar pull back, creating a sparser texture.)\n(Melody-Contour: More linear, narrative stepwise motion compared to the chorus; phrases have a gentle arch, resolving downwards.)\n(Vocal-Perf: Softer, more conversational and descriptive tone, less overtly pleading.)\n(Inst: Arrangement focuses on the core nylon guitar, bass, and shaker.)\n(Chords: C#m - F#m - G# - C#m - C#m - F#m - G# - C#m)\nYour beauty is beyond compare\nWith flaming locks of auburn hair\nWith ivory skin and eyes of emerald green\nYour smile is like a breath of spring\nYour voice is soft like summer rain\nAnd I cannot compete with you, Jolene\n\n[bridge]\n(Transition: String pads swell back in under the vocal to build emotional weight.)\n(Melody-Contour: Phrases ascend and hold on higher notes, creating a feeling of reasoning and sustained tension.)\n(Melody-Harmonic-Tension: Melody deliberately avoids full resolution, with phrases often ending on the 5th degree over the i and iv chords (C#m, F#m), contrasting with the chorus's direct resolution and reflecting a shift in lyrical strategy from begging to explaining.)\n(Vocal-Perf: Delivery becomes more sustained and earnestly explanatory, a slight increase in volume.)\n(Inst: Strings provide a sustained emotional bed for the vocal to sit on.)\n(Chords: C#m - F#m - G# - C#m - C#m - F#m - G# - C#m)\nHe talks about you in his sleep\nAnd there's nothing I can do to keep\nFrom crying when he calls your name, Jolene\nAnd I can easily understand\nHow you could easily take my man\nBut you don't know what he means to me, Jolene\n\n[chorus]\n(Transition: The full ensemble comes back in with maximum energy and presence.)\n(Melody-Contour: Repetitive descending arch based on the hook; phrases resolve on tonic; urgent, syncopated rhythm.)\n(Melody-Harmonic-Tension: Melody's descent from the 5th to the 3rd over the tonic i chord (C#m) provides immediate resolution. Over the V chord (G#), the melody holds the 3rd, creating a strong pull back to the tonic.)\n(Hook-Recall: The chorus is constructed entirely from the hook established in the intro.)\n(Vocal-Perf: Peak desperation; mezzo-forte, full-throated delivery with prominent, lush harmonies throughout.)\n(Inst: Strings and electric guitar are at their most prominent, adding layers of emotional texture.)\n(Chords: C#m - F#m - G# - C#m - C#m - F#m - G# - C#m)\nJolene, Jolene, Jolene, Jolene\nI'm begging of you please don't take my man\nJolene, Jolene, Jolene, Jolene\nPlease don't take him just because you can\n\n[outro]\n(Transition: The instrumentation begins to thin out, starting a gradual fade.)\n(Melody-Contour: Ad-libbed repetitions of the \"Jolene\" hook, descending and fading out.)\n(Vocal-Perf: Vocals become breathy ad-libs, fading into a heavy reverb tail, ending on a whisper.)\n(Inst: Instruments fade, leaving the nylon-string guitar as the last element before silence.)\n(Chords: C#m - C#m - G# - C#m)\nJolene, Jolene, Jolene, Jolene\nI'm begging of you please don't take my man\nJolene, Jolene, Jolene, Jolene\nPlease don't take him even though you can\nJolene, Jolene",
  "song_id": "02_Jolene_20260601",
  "_meta": {
    "provider": "google",
    "model": "gemini-2.5-pro",
    "usage": {
      "prompt_tokens": 8977,
      "completion_tokens": 1521,
      "total_tokens": 13891
    },
    "generated_at": "2026-06-01T14:20:05.419363+08:00"
  }
}