{
  "song_id": "02_Jolene_20260601",
  "prompt": "Genre: Country / Folk; BPM: 110; Key: C# minor; Rhythm: Fast, driving 16th-note fingerpicked acoustic guitar groove, very steady pulse, slightly ahead-of-the-beat feel; Instruments: Close-mic'd nylon guitar, warm upright bass, subtle string pads, clean electric guitar fills, light shaker; Vocals: Female, bright and clear timbre with breathy texture, pleading delivery, controlled vibrato, lush self-harmonies; Melody: Repetitive descending arch; phrases resolve on tonic; urgent, syncopated rhythm; Mood: Watching your reflection in a window, seeing someone else's face superimposed over yours.; Production: Analogue warmth, high-fidelity clarity; vocal-centric mix, moderate stereo width; light plate reverb, gentle compression; Language: Chinese; Highlight: The moment the solo pleading vocal is joined by lush backing harmonies on the second chorus repetition, elevating the desperation.",
  "title": "借来的人",
  "lyrics": "[intro]\n(Hook-DNA: The core vocal motif is a descending minor third on a syncopated dotted-eighth/sixteenth rhythm, anchoring on the tonic; the motif is repeated four times to create the primary hook.)\n(Inst: Driving, central fingerpicked nylon-string guitar establishes the main riff.)\n(Mix: Analogue warmth, vocal-forward. Dry, central core instruments. Moderate stereo width. Light plate reverb on vocal. Gentle bus compression.)\n(Chords: C#m - G# - C#m - C#m)\n\n[chorus]\n(Transition: Upright bass and light shaker enter, locking in the full, driving groove.)\n(Melody-Contour: Repetitive descending arch based on the hook; phrases resolve on tonic; urgent, syncopated rhythm.)\n(Melody-Harmonic-Tension: Melody's descent from the 5th to the 3rd over the tonic i chord (C#m) provides immediate resolution, reinforcing the directness of the plea. Over the V chord (G#), the melody holds the 3rd, creating a strong pull back to the tonic.)\n(Hook-Recall: The chorus is constructed entirely from the hook established in the intro.)\n(Vocal-Perf: Urgent, breathy, mezzo-piano delivery. Lush backing harmonies enter on the second phrase.)\n(Inst: Subtle string pads and clean electric guitar counter-melodies join the arrangement.)\n(Chords: C#m - F#m - G# - C#m - C#m - F#m - G# - C#m)\n还给我 还给我 还给我\n你借走的那个人还给我\n还给我 还给我 还给我\n他只是暂时停在你那里\n\n[verse]\n(Transition: Strings and electric guitar pull back, creating a sparser texture.)\n(Melody-Contour: More linear, narrative stepwise motion compared to the chorus; phrases have a gentle arch, resolving downwards.)\n(Vocal-Perf: Softer, more conversational and descriptive tone, less overtly pleading.)\n(Inst: Arrangement focuses on the core nylon guitar, bass, and shaker.)\n(Chords: C#m - F#m - G# - C#m - C#m - F#m - G# - C#m)\n他习惯把钥匙挂在左边口袋\n睡前要把窗户缝留一指宽\n下雨天他会走最长的那条路\n这些你都不知道 你只借走了他的脸\n\n[bridge]\n(Transition: String pads swell back in under the vocal to build emotional weight.)\n(Melody-Contour: Phrases ascend and hold on higher notes, creating a feeling of reasoning and sustained tension.)\n(Melody-Harmonic-Tension: Melody deliberately avoids full resolution, with phrases often ending on the 5th degree over the i and iv chords (C#m, F#m), contrasting with the chorus's direct resolution and reflecting a shift in lyrical strategy from begging to explaining.)\n(Vocal-Perf: Delivery becomes more sustained and earnestly explanatory, a slight increase in volume.)\n(Inst: Strings provide a sustained emotional bed for the vocal to sit on.)\n(Chords: C#m - F#m - G# - C#m - C#m - F#m - G# - C#m)\n我知道你不是故意让他迷失方向\n我知道你给了他我给不了的光亮\n可他身上那件旧温度还是我的\n你抱住的那个人 有一半属于我的方向\n\n[chorus]\n(Transition: The full ensemble comes back in with maximum energy and presence.)\n(Melody-Contour: Repetitive descending arch based on the hook; phrases resolve on tonic; urgent, syncopated rhythm.)\n(Melody-Harmonic-Tension: Melody's descent from the 5th to the 3rd over the tonic i chord (C#m) provides immediate resolution. Over the V chord (G#), the melody holds the 3rd, creating a strong pull back to the tonic.)\n(Hook-Recall: The chorus is constructed entirely from the hook established in the intro.)\n(Vocal-Perf: Peak desperation; mezzo-forte, full-throated delivery with prominent, lush harmonies throughout.)\n(Inst: Strings and electric guitar are at their most prominent, adding layers of emotional texture.)\n(Chords: C#m - F#m - G# - C#m - C#m - F#m - G# - C#m)\n还给我 还给我 还给我\n你借走的那个人还给我\n还给我 还给我 还给我\n他只是暂时停在你那里\n\n[outro]\n(Transition: The instrumentation begins to thin out, starting a gradual fade.)\n(Melody-Contour: Ad-libbed repetitions of the hook, descending and fading out.)\n(Vocal-Perf: Vocals become breathy ad-libs, fading into a heavy reverb tail, ending on a whisper.)\n(Inst: Instruments fade, leaving the nylon-string guitar as the last element before silence.)\n(Chords: C#m - C#m - G# - C#m)\n还给我 还给我 还给我\n你借走的那个人还给我\n还给我 还给我 还给我\n哪怕只剩一半 也还给我\n还给我",
  "cover_prompt": "生成一张无字音乐专辑封面。风格严格参照 20 世纪 Color Field Painting（色域绘画），如 Mark Rothko 晚期作品的色层叠压逻辑与 Helen Frankenthaler 的浸染法（soak-stain technique）。画面的核心色彩与情绪：两层人影叠压的感觉转化为纯色彩语言——深赭红与冷灰蓝在画面中央缓慢渗透彼此，边界处形成一条模糊的紫棕色过渡带，像两种温度的水在接触瞬间，既不融合也无法完全分离。整体偏冷，带有一种悬而未决的张力。\n技法要求：色彩之间的过渡必须模拟颜料在未上浆的粗纹棉布（raw cotton canvas）上自然渗透、晕开的效果，边界柔软但保留颜料浓度不均匀造成的自然深浅变化（pigment pooling）。画面需要呈现真实画布的编织肌理（woven canvas texture），局部可见稀薄处透出的底布纹路。整体色调偏低饱和、微微发灰（muted, desaturated palette），避免荧光感和数字渐变的均匀平滑。\n绝对禁止：任何文字/字母/拼音、人物或人物轮廓、具象物体、几何图案、锐利边缘、胶片颗粒滤镜、3D渲染质感。",
  "cover": {
    "template_id": 1,
    "template_name": "环境光晕流",
    "scene_description": "两层人影叠压的感觉转化为纯色彩语言——深赭红与冷灰蓝在画面中央缓慢渗透彼此，边界处形成一条模糊的紫棕色过渡带，像两种温度的水在接触瞬间，既不融合也无法完全分离。整体偏冷，带有一种悬而未决的张力。"
  }
}