{
  "song_id": "01_归途有风_20260327",
  "prompt": "Genre: Chinese folk-pop, wanderer's ballad; BPM: 68; Key: E major (pentatonic); Rhythm: Slow 4/4 ballad rhythm, strong backbeat on 2 & 4, gentle shaker pulse.; Instruments: Lyrical string section (pentatonic motifs), pop-rock drums, electric bass, acoustic guitar, piano, atmospheric pads.; Vocals: raspy male folk vocals, slightly husky, storytelling delivery, warm mid-range, clear syllable-precise Mandarin.; Mood: Nostalgic wanderer's (游子) journey, enduring hardship with hope and longing for home (思乡).; Production: Clean mix, vocals centered and upfront with natural room reverb, wide stereo field for strings and guitars.; Structure: Intro, Verse, Chorus, Verse, Chorus, Bridge, Outro; Language: Mandarin; Highlight: Poignant, pentatonic chorus melody with vivid \"wind and frost\" lyrical imagery.",
  "title": "想你不是天天想",
  "lyrics": "[intro]\n(Chords: E - A - E - Bsus4)\n(Inst: Solo piano plays a simple, reflective pentatonic melody. Atmospheric pads and gentle acoustic guitar strums enter, establishing a nostalgic, journey-like mood.)\n(Mix: Sparse and spacious, setting an intimate tone.)\n\n[verse]\n(Chords: E - A - C#m - B)\n(Vocal-Perf: Enters with a warm, close-mic'd, storytelling tone. Every syllable is clear and enunciated with natural breath. Conversational and direct emotional delivery.)\n(Inst: Simple rhythm foundation begins: clean bass on root notes, light shaker, steady acoustic guitar strum. Piano provides chordal support.)\n(Mix: Vocal is centered and dry, feeling very present and intimate. Instruments provide a gentle, supportive bed.)\n窗外下着入秋的雨\n茶杯还冒着一缕白气\n拿起电话却不知拨给谁\n那些名字都改了称呼\n你那年说要等我回去\n现在也嫁了别的城市\n\n[chorus]\n(Transition: A subtle cymbal swell and the entry of the full drum kit lift the energy.)\n(Chords: A - E - B - C#m)\n(Melody-Contour: Ascending vocal melody with a memorable pentatonic arch, peaking on the sustained notes in the first two lines.)\n(Vocal-Perf: Delivery becomes more open-chested and emotive, but remains controlled and clear. Natural vibrato on phrase endings.)\n(Inst: Full band enters. Drums play a solid backbeat on 2 & 4. A lyrical string section enters, playing a soaring counter-melody that complements the vocal.)\n(Mix: Dynamic peak. The mix is full and wide, with strings panned to create space. Vocal sits confidently on top of the arrangement.)\n想你不是天天想\n是一直都没忘\n走过多少条街\n走不出你的名字\n你还在那个地方\n还是早就搬了家\n我没敢问\n怕你说不认识我了\n\n[verse]\n(Transition: Strings fade to long, sustained notes. Drums simplify, pulling the energy back.)\n(Chords: E - A - C#m - B)\n(Vocal-Perf: Returns to the more intimate, conversational delivery of the first verse, but with a touch more resilience in the tone.)\n(Inst: Dynamics drop. Clean electric guitar arpeggios are introduced, adding a subtle, shimmering texture. The focus returns to the vocal narrative.)\n老照片压在相册最深层\n翻开来都是你的笑声\n那年夏天我们骑单车\n穿过城里最窄的街巷\n你说将来带我一起去看海\n我转身走了多少年\n\n[chorus]\n(Transition: Drum fill leads back into the full energy of the chorus.)\n(Chords: A - E - B - C#m)\n(Vocal-Perf: Delivered with maximum conviction and emotion. The high notes are sustained and powerful, embodying the song's core message of perseverance.)\n(Inst: Full band at maximum intensity. The string section's counter-melody is more prominent and emotionally charged.)\n(Mix: The most powerful section of the song, layered and emotionally impactful.)\n想你不是天天想\n是一直都没忘\n走过多少条街\n走不出你的名字\n你还在那个地方\n还是早就搬了家\n我没敢问\n怕你说不认识我了\n\n[bridge]\n(Transition: The band cuts out, leaving a sustained piano chord and a soft pad.)\n(Chords: C#m - A - E - B)\n(Vocal-Perf: Becomes soft and reflective, almost a tender whisper. A moment of quiet introspection.)\n(Inst: The arrangement thins dramatically to just piano, atmospheric pads, and a simple bass line. The pace feels suspended.)\n其实早该想明白\n有些人只是路过\n可偶尔一个人的深夜\n还是会想起你\n\n[outro]\n(Transition: A final, gentle cymbal swell signals the end.)\n(Chords: E - A - E - B - E)\n(Inst: The lyrical string section re-enters to play the main chorus melody one last time as a final statement. The piano plays a simple, resolving arpeggio. All instruments slowly fade out, leaving the final piano chord to ring out and decay into silence.)\n(Mix: A slow, gentle fade, bringing the journey to a peaceful and hopeful conclusion.)",
  "cover": {
    "template_id": 2,
    "template_name": "几何光影艺术流",
    "scene_description": "深夜城市，一扇布满雨水的玻璃窗，窗外霓虹灯光透过水珠折射成棱角分明的光影碎片，投落在昏暗的室内地板和墙面。一个人的背影独坐于窗边，被几何化的光与影分割包裹，冷蓝与琥珀色交织。画面极简肃静，带有强烈的孤独感与诗意余温。",
    "cover_prompt": "Album cover art, geometric light and shadow style. A lone figure silhouetted from behind, seated near a rain-streaked window at night. City lights outside refract through water droplets on glass, casting prismatic geometric shards of light — cool blue and warm amber — across a dim interior. The geometry of light fragments the darkness into angular planes, creating a painterly, contemplative atmosphere. Soft watercolor-digital hybrid aesthetic, no faces visible, no text. Color palette: deep navy, warm amber, muted slate, soft violet. Square format. Mood: bittersweet urban solitude, introspective folk-pop. Cinematic intimacy, slight film grain texture."
  }
}